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Persian literature is the jewel in the crown of Persian culture. It has profoundly influenced the literatures of Ottoman Turkey, Muslim India and Turkic Central Asia and been a source of inspiration for Goethe, Emerson, Matthew Arnold and Jorge Luis Borges among others. Yet Persian literature has never received the attention it truly deserves."A History of Persian Literature" answers this need and offers a new, comprehensive and detailed history of its subject. This 18-volume, authoritative survey reflects the stature and significance of Persian literature as the single most important accomplishment of the Iranian experience. It includes extensive, revealing examples with contributions by prominent scholars who bring a fresh critical approach to bear on this important topic.The first volume offers an indispensable entree to Persian literature's long and rich history, examining themes and subjects that are common to many fields of Persian literary study. This invaluable introduction to the subject heralds a definitive and ground-breaking new series.
Integrating forgotten tales of literary communities across Iran, Afghanistan and South Asia - at a time when Islamic empires were fracturing and new state formations were emerging - this book offers a more global understanding of Persian literary culture in the 18th and 19th centuries. It challenges the manner in which Iranian nationalism has infilitrated Persian literary history writing and recovers the multi-regional breadth and vibrancy of a global lingua franca connecting peoples and places across Islamic Eurasia. Focusing on 3 case studies (18th-century Isfahan, a small court in South India and the literary climate of the Anglo-Afghan war), it reveals the literary and cultural ties that bound this world together as well as some of the trends that broke it apart.
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Humanism has mostly considered the question “What does it mean to be human?” from a Western perspective. Dabashi asks it anew from a non-European perspective, in a groundbreaking study of 1,400 years of Persian literary humanism. He presents the unfolding of this vast tradition as the creative and subversive subconscious of Islamic civilization.
This is a seminal book, first published in 1961. Over the past six decades, T.N. Devare's work has been widely recognised as a pioneering study to re-discover the glorious heritage of Persian in the Deccan, following the first comprehensive and critical survey completed by the author of Persian manuscript sources and literary works scattered across numerous libraries, archives and repositories in India and abroad. The book convincingly argues that, the Deccan’s multilingual and multi-religious traditions shaped the evolution of Indo-Persian and produced over nearly four centuries, a distinct literary and cultural world marked by a syncretic character which defied social, political or religious boundaries. The author also makes the case for collaboration between Persian and the regional languages of India, particularly Marathi. It is the rich legacy of Persian in the Deccan Courts with their vast treasures of literature that is preserved in Dr Devare’s work. The book has been regarded and continues to remain a foundational text for studying the Deccan, be it in the field of history, literature or culture. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka
Some justification seems to be necessary for the addition of yet another History of Iranian Literature to the number of those already in existence. Such a work must obviously contain as many novel features as possible, so that a short explanation of what my collaborators and I had in mind when planning the book is perhaps not superfluous. In the first place our object was to present a short summary of the material in all its aspects, and secondly to review the subject from the chronological, geo graphical and substantial standpoints - all within the compass of a single volume. Such a scheme precludes a formal and complete enumeration of names and phenom ena, and renders all the greater the obligation to accord most prominence to matters deemed to be of greatest importance, supplementing these with such figures and forms as will enable an impression to be gained of the period in question - all this is far as possible in the light of the most recent discoveries. A glance at the table of contents will suffice to give an idea of the multifarious approach that has been our aim. We begin at the very first traces of evidence bearing on our subject and continue the narrative up to the present day. Geographically the book embraces Iran and its neighbouring countries, while it should be remarked that Iranian literature in its fullest sense also includes Indo-Persian and Judeo-Persian works.
Persian Literature and Modernity recasts the history of modern literature in Iran by elucidating the bonds between the classical tradition and modernity and exploring textual, generic and discursive formations through heterodoxical investigations. This is first done through the rehabilitation of concepts embedded in tradition, including the munāzirah (debate), Ahrīman (the demonic), tajarrud (radical aloneness) and nāriz̤āyatī (discontent). Following this are broader structural and processual treatments, including the emergence of the genre of the social novel, the international dimension of Persian and Persianate canon formation, and the development of salvage ethnography and anthropological discourse in Iran. Covering literary experiments from the twelfth to the twentieth centuries, the chapters in this volume make a case for stepping outside the bounds of orthodox literary scholarship in Iranian studies with its associated political and orientalist determinants in order to provide a more nuanced conception of literary modernity in Iran. Offering an alternative reading of modernity in Persian literature, this book is an invaluable resource for scholars and students interested in the history of modern Iran and Persian Literature.
With the unleashing of the "War on Terror" in the aftermath of 9/11, Afghanistan has become prominent in the news. However, we need to appreciate that no substantive understanding of contemporary history, politics and society of this country can be achieved without a thorough analysis of the Afghan encounter with cultural and literary modernity and modernization. Modern Persian Literature in Afghanistan does just that. The book offers a balanced and interdisciplinary analysis of the rich and admirable contemporary poetry and fiction of a land long tormented by wars and invasions. It sets out to demonstrate that, within the trajectory of the union between modern aesthetic imagination and politics, creativity and production, and representation and history, the modernist intervention enabled many contemporary poets and writers of fiction to resist the overt politicization of the literary field, without evading politics or disavowing the modern state. The interpretative moves and nuanced readings of a series of literary texts make this book a major contribution to a rather neglected area of research and study. Winner of the Iranian World Prize for Book of the Year in Islamics Studies 2009
Introducing Judeo-Persian writings, this original collection gives parallel samples in Judeo-Persian and Perso-Arabic script and translations in English. Judeo-Persian writings not only reflect the twenty-seven centuries of Jewish life in Iran, but they are also a testament to their intellectual, cultural, and socioeconomic conditions. Such writings, found in the forms of verse or prose, are flavored with Judaic, Iranian and Islamic elements. The significant value of Judeo-Persian writing is found in the areas of linguistics, history and sociocultural and literary issues. The rhetorical forms and literary genres of epic, didactic, lyric and satirical poetry can be a valuable addition to the rich Iranian literary tradition and poetical arts. Also, as a Judaic literary contribution, the work is a representation of the literary activity of Middle Eastern Jews not so well recognized in Judaic global literature. This book is a comprehensive introduction to the rich literary tradition of works written in Judeo-Persian and also serves as a guide to transliterate many other significant Judeo-Persian works that have not yet been transliterated into Perso-Arabic script. The collection will be of value to students and researchers interested in history, sociology and Iranian and Jewish studies.