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While leading an active life, Kazin has faithfully kept diaries from the late 1930s up to the present. A Lifetime Burning in Every Moment offers readers the best of thousands of pages of his journals, comprising an extraordinary picture of intellectual, social, political, and even celebrity life - including such figures as Bernard Berenson, Josephine Herbst, Saul Bellow, Bernard Malamud, Hannah Arendt - during the past five and a half decades. Kazin candidly reflects on his four marriages, his feelings about the Holocaust, his criticism of American society, the pleasure and stimulation of reading good writers (Simone Weil, Ignazio Silone, Joseph Conrad, and Saul Bellow, among others), his need to pray, his travels abroad and within the United States, and more.
Autobiography of the life of Joseph F. Littell, beginning with his childhood in China, on to his boarding school years, his participation in the Battle of the Bulge and capture by the Nazis, his publishing career, and his reconciliation with his estranged family.
The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.
A new edition of the two-volume T. S. Eliot poems This critical edition of T. S. Eliot’s poems establishes a new text of the Collected Poems, 1909–1962, rectifying accidental omissions and errors that have crept in during the century since Eliot’s astonishing debut, “The Love Song of J. Alfred Prufrock.” As well as the masterpieces, The Poems of T. S. Eliot: Volume I contains the poems of his youth, which were rediscovered only decades later; others that circulated privately during his lifetime; and love poems from his final years, written for his wife, Valerie. Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem. Calling upon Eliot’s critical writings as well as his drafts, letters, and other original materials, Ricks and McCue illustrate not only the breadth of Eliot’s interests and the range of his writings but how it was that the author of “Gerontion” came to write “Triumphal March” and then Four Quartets. Thanks to the family and friends who recognized Eliot’s genius and preserved his writings from an early age, the archival record is exceptionally complete, enabling us to follow in unique detail the progress of a mind that never ceased exploring.
A collection of poems, some of which had first appeared in Poetry, Blas, Others, The Little Review, and Arts and Letters.
This work is a collection of essays on the work of John Cowper Powys, the English novelist and Nobel nominee. The critical intention of these essays is to provide a picture of Powys's achievement.
The culmination of a trilogy that began with T.S. Eliot, Lancelot Andrewes, and the Word, and continued with T.S. Eliot: The Poet as Christian, this gracefully executed new book brings to a triumphant conclusion the unique effort to pinpoint and identify the Christian characteristics of Eliot's poetic art. The book offers a close but companionable reading of each of the complex poems that make up Four Quartets, the essay-poem that is Eliot's masterwork. Focusing on the range of speaking voices dramatized, Atkins reveals for the first time the Incarnational form that governs the work's 'purposive movement' toward purification and fulfilment of points of view that were represented earlier in the poems.
The basis of this critical examination of Eliot’s work, first published in 1973, is the investigation of his transmutation of this and other philosophical, mythological and religious motives into the textures of his verse. This book focuses on Eliot’s peculiar eclectic approach to what he described as ‘the Tradition’. It also recognises the fact that Eliot, for all his attempts at universality, was a product of time and place, and gives an account of the way in which his education and experience shaped his most important interests. This title will be of interest to students of literature.
The centenary of Eliot's birth in 1988 has provided this occasion to review his life and work, and reassess him in the light of various critical developments in the new historicism, feminism, and reader-reception theory that have emerged since the "New Criticism".