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Biography of jazz saxophonist Paul Desmond. Large format with hundreds of photographs.
A thrilling collection of photographs that reveal the people, places, and events of Jazz's Golden Age the period from the late 1930s through the 1940s during which the music underwent enormous growth and transformation. Two hundred b&w photographs are included, accompanied by Gottlieb's recollection
Presents a look back at the Golden age of jazz the late 1930s through the 1940s
At 102 years of age, Louise Tobin is one of the last surviving musicians of the Swing Era. Born in Aubrey, Texas, in 1918, she grew up in a large family that played music together. She once said that she fell out of the cradle singing and all she ever wanted to do was to sing. And sing she did. She sang with Benny Goodman and also performed vocals for such notables as Will Bradley, Bobby Hackett, Harry James (her first husband), Johnny Mercer, Lionel Hampton, the Glenn Miller Orchestra, Peanuts Hucko (her second husband), and Fletcher Henderson. Based on extensive oral history interviews and archival research, Texas Jazz Singer recalls both the glamour and the challenges of life on the road and onstage during the golden age of swing and beyond. As it traces American music through the twentieth century, Louise Tobin's story provides insight into the challenges musicians faced to sustain their careers during the cultural revolution and ever-changing styles and tastes in music. In this absorbing biography, music historian Kevin Edward Mooney offers readers a view of a remarkable life in music, told from the vantage point of the woman who lived it. Rather than simply making Tobin an emblem for women in jazz of the big band era, Mooney concentrates instead on Tobin's life, her struggles and successes, and in doing so captures the particular sense of grace that resonates throughout each phase of Tobin's notable career.
A stylish 1930's mystery set in Oxford with a love triangle, a murder, and a cast of eccentric suspects.Fans of Lord Peter Wimsey and Harriet Vane will love this tale! "Vandagriff's atmospherics are first rate. She amazes me."--Anna Stone. After Miss Catherine Tregowyn, poet, and Dr. Harry Bascombe, her bête noire, discover a body in the Somerville College chapel, they are declared suspects in a murder inquiry. How can they prove their innocence? The pair decide they must launch their own investigation into the strangling of Oxford don, Agatha Chenowith. But working as a team will not be easy. Their relations are anything but cordial. It is not long before they uncover motives aplenty. Apparently, Dr. Chenowith was not at all what she seemed. As the surprises about the victim's secret life multiply, they are awash in a sea of suspects. Into this scenario sails the former love of Catherine's life as he returns from Kenya. Is she going to give Rafe another chance to break her heart? He convinces her to give him a six-month trial, and eager to show his worth, he joins in the investigation. Rafe offers to fly Catherine and Harry in his de Havilland six-seater to the Isle of Man where they must pursue a lead. Inevitably, Rafe and Harry square off in a battle for Catherine's affections. Meanwhile, playing detectives proves to be a dangerous pursuit. Catherine and Harry shortly embroil themselves in a plot much larger than mere murder. No one wants to hear their theory, however. It contains truths too painful to contemplate. And it makes Catherine and Harry's lives expendable.
Both a love story and a tribute to the entertainment mecca, this exploration shines a spotlight on one of the hottest acts in Las Vegas in the late 1950s and early 1960s. The illuminating depiction showcases the unlikely duo--a grizzled, veteran trumpeter and vocalist molded by Louis Armstrong and a meek singer in the church choir--who went on to invent "The Wildest." Bringing together broad comedy and finger-snapping, foot-stomping music that included early forays into rock and roll, Prima and Smith's act became wildly popular and attracted all kinds of star-studded attention. In addition to chronicling their relationships with Ed Sullivan, Frank Sinatra, Robert Mitchum, and other well-known entertainers of the day--and their performance of "That Old Black Magic" at President John F. Kennedy's inauguration--the narrative also examines the couple's ongoing influence in the entertainment world. Running concurrent with their personal tale is their role in transforming Las Vegas from a small resort town in the desert to a booming city where the biggest stars were paid tons of money to become even bigger stars on stage and television.
A fascinating blend of music, politics, and social history, Jumptown sheds light on a time and place overlooked by histories of Portland and jazz. For a golden decade following World War II, jazz talent and musical activity flourished in Portland. A thriving African American neighborhood--that would soon be bulldozed for urban renewal--spawned a jazz heyday rarely rivaled on the West Coast. Such luminaries as Duke Ellington, Charlie Parker, Oscar Peterson, Dave Brubeck, and Wardell Gray headlined Portland clubs and traded chops with the up-and-coming local talent. The Dude Ranch. Lil' Sandy's McClendon's Rhythm Room. The Frat Hall. The Chicken Coop. The Uptown Ballroom. Jazz historian Bob Dietsche leads a guided tour of the main jazz spots--from supper club to dance hall--capturing the emotion, excitement, and energy of an evening on the town. His book for the first time collects hundreds of pieces of local jazz history--photographs, personal recollections, reviews, maps, handbills--to create "an anatomy of a jazz village." Dietsche's compendium of stories and moments brings to life the citizens of the jazz village--the musicians and dancers, the disc jockeys and promoters, the critics and music teachers, the club owners and patrons. Jumptown celebrates and preserves this rich cultural past and showcases its continuing influence. In an afterword, Lynn Darroch recaps the highlights in Portland jazz since 1968 and shows how "Portland's twenty-first-century jazz scene reflects the city's original golden age, and the spirit of the Avenue remains in the sounds of today."
An exhilarating look at Art Deco design in 1920s America, using jazz as its unifying metaphor Capturing the dynamic pulse of the era's jazz music, this lavishly illustrated publication explores American taste and style during the golden age of the 1920s. Following the destructive years of the First World War, this flourishing decade marked a rebirth of aesthetic innovation that was cultivated to a great extent by American talent and patronage. Due to an influx of European émigrés to the United States, as well as American enthusiasm for traveling to Europe's cultural capitals, a reciprocal wave of experimental attitudes began traveling back and forth across the Atlantic, forming a creative vocabulary that mirrored the ecstatic spirit of the times. The Jazz Age showcases developments in design, art, architecture, and technology during the '20s and early '30s, and places new emphasis on the United States as a vital part of the emerging marketplace for Art Deco luxury goods. Featuring hundreds of full-color illustrations and essays by two leading historians of decorative arts, this comprehensive catalogue shows how America and the rest of the world worked to establish a new visual representation of modernity. Distributed for the Cleveland Museum of Art Exhibition Schedule: Cooper Hewitt, Smithsonian Design Museum, New York (04/07/17-08/20/17) Cleveland Museum of Art (09/30/17-01/14/18)
Adventures of a Jazz Age Lawyer is the lively story of legal giant Nathan Burkan, whose career encapsulated the coming of age of the institutions, archetypes, and attitudes that define American popular culture. With a client list that included Charlie Chaplin, Al Jolson, Frank Costello, Victor Herbert, Mae West, Gloria Morgan Vanderbilt, Arnold Rothstein, and Samuel Goldwyn, Burkan was “New York’s Spotlight Lawyer” for more than three decades. He was one of the principal authors of the epochal Copyright Act of 1909 and the guiding spirit behind the American Society of Composers, Authors, and Publishers (Ascap), which provided the first practical means for songwriters to collect royalties for public performances of their works, revolutionizing the music business and the sound of popular music. While the entertainment world adapted to the disruptive technologies of recorded sound, motion pictures, and broadcasting, Burkan’s groundbreaking work laid the legal foundation for the Great American Songbook and the Golden Age of Hollywood, and it continues to influence popular culture today. Gary A. Rosen tells stories of dramatic and uproarious courtroom confrontations, scandalous escapades of the rich and famous, and momentous clashes of powerful political, economic, and cultural forces. Out of these conflicts, the United States emerged as the world’s leading exporter of creative energy. Adventures of a Jazz Age Lawyer is an engaging look at the life of Nathan Burkan, a captivating history of entertainment and intellectual property law in the early twentieth century, and a rich source of new discoveries for anyone interested in the spirit of the Jazz Age.
F. Scott Fitzgerald named it, Louis Armstrong launched it, Paul Whiteman and Fletcher Henderson orchestrated it, and now Arnold Shaw chronicles this fabulous era in The Jazz Age. Spicing his account with lively anecdotes and inside stories, he describes the astonishing outpouring of significant musical innovations that emerged during the "Roaring Twenties"--including blues, jazz, band music, torch ballads, operettas and musicals--and sets them against the background of the Prohibition world of the Flapper.