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The work of Herodotos of Halikarnassos, ‘the father of history’, differs in many ways from that of modern historians, and it poses special problems to the student. Herodotos’ history of the Persian Wars, written in the second half of the fifth century BC, was both the first attempt at a comprehensive history and the first lengthy prose narrative in the Western cultural tradition. There was an almost total lack of written historical evidence in Greece at the time, and the audiences who paid to hear Herodotos’ lectures also expected historical dramatizations, and enjoyed descriptive material and anecdotes that today would be relegated to notes. In Herodotus the Historian, first published in 1985, K.H. Waters offers a comprehensive introduction to Herodotus’ background, aims, and methods. In a lively, informative style, this work offers a level-headed approach to an historian who has excited some extreme reactions and incited controversy among modern readers.
Book V of the Histories focuses on the Persians and their expansion into Thrakia and Makedonia, as well as their conflict with the Greeks of Ionia.
Mantissa is the fourth (and last) volume of Jonathan Barnes' collected essays on ancient philosophy. It contains twenty-three papers on a diverse range of subjects, from the size of the sun to Plato and Aristotle in Victorian Oxford. One of the essays is new, and the others are all retouched or revised; six are newly translated into English.
From the Archaic to the Roman imperial period, an impressive number of gods and goddesses are attested in the Greek world under the titles of Soter and Soteira ('Saviour'). Overseeing the protection of individuals and cities, these gods had the power to grant an essential blessing - soteria ('deliverance', 'preservation', 'safety'). This book investigates what it meant to be 'saved' and the underlying concept of soteria in ancient Greece. It challenges the prevailing assumption that soteria was a predominantly Christian concern, and demonstrates instead its centrality and significance in the relationship between the Greeks and their gods. This book focuses on the power of 'saviour' gods in the life of the Greeks, how worshippers searched for soteria as they confronted the unknown and unknowable, and what this can reveal about the religious beliefs, hopes, and anxieties of the Greeks. It goes beyond religious vocabulary and cult epithets to investigate worshippers' thought world and lived experience, the different choices individuals made among the plurality of gods in the Greek pantheon, the multiple levels on which divine 'saviours' operated, and the values attached to the Greek notion of soteria. Building on existing paradigms in the study of Greek polytheism, and combining close analysis of epigraphic, literary and material evidence, this book argues that soteria for the Greeks entailed a very different experience from the Christian, eschatological notion of 'salvation', and that what was offered was 'salvation' on earth.
This collection of published and unpublished essays connects antiquity with the present by debating the current prohibiting conceptions of performance theory and the insistence on a limited version of ‘the contemporary’. The theatre is attractive for its history and also for its lively present. These essays explore aspects of historical performance in ancient Greece, and link thoughts on its significance to wider reflections on cultural theory from around the world and performance in the contemporary postmodern era, concluding with ideas on the new theatre of the diaspora. Each section of the book includes a short introduction; the essays and shorter interventions take various forms, but all are concerned with theatre, with practical aspects of theatre and theoretical dimensions of its study. The subjects range from ancient Greece to the present day, and include speculations on the origin of ancient tragic acting, the kinds of festival performance in ancient Athens, how performance is reflected in the tragic scripts, the significance of the presence of the chorus, technology and the ancient theatre, comparative thinking on Greek, Indian and Japanese theory, a critique of the rhetoric of performance theory and of postmodernism, reflections on modernism and theatre, and on the importance of adaptation to theatre, studies of the theatre and diaspora in Britain.
This volume on different aspects of warfare and its political implications in the ancient world brings together the works of both established and younger scholars working on a historical period that stretches from the archaic period of Greece to the late Roman Empire. With its focus on cultural and social history, it presents an overview of several current issues concerning the “new” military history. The book contains papers that can be conveniently divided into three parts. Part I is composed of three papers primarily concerned with archaic and classical Greece, though the third covers a wide range and relates the experience of the ancient Greeks to that of soldiers in the modern world – one might even argue that the comparison works in reverse. Part II comprises five papers on warfare in the age of Alexander the Great and on its reception early in the Hellenistic period. These demonstrate that the study of Alexander as a military figure is hardly a well-worn theme, but rather in its relative infancy, whether the approach is the tried and true (and wrongly disparaged) method of Quellenforschung or that of “experiencing war,” something that has recently come into fashion. Part III offers three papers on war in the time of Imperial Rome, particularly on the fringes of the Empire. Covering a wide chronological span, Greek, Macedonian and Roman cultures and various topics, this volume shows the importance and actuality of research on the history of war and the diversity of the approaches to this task, as well as the different angles from which it can be analysed.
Pythagoras and Heraclitus developed theories of the universe and mankind’s place in it which were taken seriously by all later Greek thinkers. None of their works remains, however, except in later paraphrases that all too often are misrepresentations. Pythagoras had followers who attributed their own ideas to their master; Heraclitus wrote in a prose style so ambiguous that he came to be known as the Shadow, so that even the most earnest attempts to paraphrase his views had to smooth out his intentional rough edges. Nonetheless, enough remains to allow the authors of this volume, edited by David Sider and Dirk Obbink (Oxford), to offer new ways of viewing their views and the way others perceived them. The contributors are Gábor Betegh (Budapest), Roman Dilcher (Heidelberg), Aryeh Finkelberg (Tel Aviv), Daniel Graham (Brigham Young University), Herbert Granger (Wayne State University), Carl Huffman (DePauw), Enrique Hülsz Piccone (Mexico City), Anthony Long (Berkeley), Richard McKirahan (Pomona), Catherine Rowett (East Anglia), David Sider (New York), and Leonid Zhmud (St. Petersberg).
Athens is often considered to have been the birth place of democracy but there were many democracies in Greece during the Archaic and Classical periods and this is a study of the other democratic states. Robinson begins by discussing ancient and modern definitions of democracy, he then examines Greek terminology, investigates the evidence for other early democratic states and draws conclusions about its emergence.