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Discover the remarkable history of the most widely known secretive fraternal organization in A Dictionary of Freemasonry. This comprehensive and convenient one-volume text includes a thorough encyclopedia, full dictionary of symbols, and over 300 beautiful nineteenth-century engravings. The 600-year-old brotherhood of Freemasons is based on a tradition over 3,000 years old. Robert Macoy, a member of the order, uses the resources of the Fraternity available to him, to discern the truth from a myriad of half-truths, rumors, superstitions, and interpretations. He presents the rise and evolution of Freemasonry and its kindred association both ancient and modern. The "General History of Freemasonry," which begins this volume, is a fascinating introduction to a very complicated subject often fraught with vagaries. The two A-to-Z reference works that follow (one an encyclopedia with listings of terms, people, places, and events that make up the extensive history of the Freemasons, and the other a dictionary of symbols) contribute to making this a very complete sourcebook on Freemasonry. From Aaron, the Abelites, and the All-Seeing Eye to the Year of Masonry, Zenith, and the Rite of Zinnendorf, this is a remarkably accessible book on a subject that runs through the course of human history. Robert Macoy (1815-1895), well known for his role in establishing the Order of the Eastern Star, earned the 33° and held many important positions with the Fraternity, such as past Deputy Grand Master and Grand Secretary of New York, as well as Grand Recorder of the Grand Commandery of New York. Founder of one of the largest Masonic publishing, regalia, and supply houses, he published extensively on Freemasonry and authored a number of books, including The Book of the Lodge and True Masonic Guide.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
An exploration of Mozart’s strong ties to Freemasonry and how its principles profoundly shaped his musical work • Reveals how Mozart structured his music on Masonic ritual and ceremony to provide a musical lexicon of Masonic symbols • Shows that Freemasonry plays the same role in Mozart’s work as Lutheran Christianity plays in that of Bach Thanks to recently discovered documents, we now have a fuller picture of the esoteric influences on the life and work of Wolfgang Amadeus Mozart. Musicologist Jacques Henry shows that the Masonic influence on Mozart goes beyond those pieces, such as The Magic Flute, that fulfilled a ritual purpose for the composer. His works actually provide a complete musical lexicon of Masonic symbols inspired by the principles of the craft and the spirit of the Masonic quest. Mozart constructed his Masonic compositions by creating auditory correspondences to the symbols present in the rituals, choosing keys and tempos that transpose their content into harmony. His understanding of the use of symbol allowed him to create music that would lead the listener into a harmony that transcended earthly existence. A number of musicologists believe that the place of the Masonic spiritual vision in Mozart’s work is comparable to that held by Lutheran Christianity in the work of Johann Sebastian Bach. Mozart wed his deep understanding of music to the esoteric wisdom he gained as a Freemason. He shows that when we lose ourselves in the expression of pure harmony, it is the same as the symbol being lost in what it symbolizes. Jacques Henry provides a rigorous and original analysis of Mozart’s works that reveals their inner meaning as shaped by the composer’s profound embrace of the spiritual principles of Freemasonry.
Explores the hidden history of Freemasonry from ancient Rome, through the Middle Ages, to the present • Shows the close connection between medieval masons and the Knights Templar • Illustrates the sacred nature of Roman and medieval trade associations • Reveals the missing link that connects the lodges of modern Freemasonry to the medieval brotherhoods of builders Historians often make a sharp distinction between the operative Masonry of the Middle Ages and the speculative Masonry of modern times, emphasizing that there is no direct bridge connecting the two. Modern historians also have scoffed at Masonic claims concerning the close relationship between the Lodge and the Temple. Using medieval archives housed throughout Europe, historian Paul Naudon reveals that there was in fact a very intimate connection between the Masons and the Knights Templar. Church records of medieval Paris show that most, if not all, the Masons of that time were residents of the Templar censive, which allowed them to enjoy great exemptions and liberties from both church and state as a result of the protection afforded them by this powerful order. Naudon shows that the origins of Freemasonry can be traced back to the collegia of ancient Rome. He traces the evolution of organizations such as the Comacine Masters, the Arab turuqs, and the brotherhoods of builders created under the aegis of the Benedictines and the Knights Templar, all of which provide the vehicle for the transmission of a sacred tradition from pre-Christian times to the modern era. This tradition is the source of Masonic ritual and symbolism, and it provides the missing link in the transformation of the operative Masonry of the medieval cathedral builders to the spiritual principles of modern speculative Masonry.
This book is a new edition of David Stevenson's classic account of the origins of Freemasonry, a brotherhood of men bound together by secret initiatives, rituals and modes of identification with ideals of fraternity, equality, toleration and reason. Beginning in Britain, Freemasonry swept across Europe in the mid-eighteenth century in astonishing fashion--yet its origins are still hotly debated today. The prevailing assumption has been that it emerged in England around 1700, but David Stevenson demonstrates that the real origins of modern Freemasonry lie in Scotland around 1600, when the system of lodges was created by stonemasons with rituals and secrets blending medieval mythology with Renaissance and seventeenth-century history. This fascinating work of historical detection will be essential reading for anyone interested in Renaissance and seventeenth-century history, for freemasons themselves, and for those readers captivated by the secret societies at the heart of the bestselling The Da Vinci Code. David Stevenson is Emeritus Professor of Scottish History at the University of St. Andrews. His many previous publications include The Scottish Revolution, 1637-1644; Revolution and Counter-Revolution in Scotland, 1644-1651; and The First Freemasons; Scotland, Early Lodges and their Members. His most recent book is the The Hunt for Rob Roy (2004). Previous edition Hb (1988) 0-521-35326-2 Previous edition Pb (1990) 0-521-39654-9
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.