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Pulitzer Prize Finalist: A biography of the wildly colorful eighteenth-century British politician who became “the toast of American revolutionaries” (Booklist). One of the most colorful figures in English political history, John Wilkes (1726–97) is remembered as the father of the British free press, a defender of civil and political liberties—and a hero to American colonists. Wilkes’s political career was rancorous, involving duels, imprisonments in the Tower of London, and the Massacre of St. George’s Fields, in which seven of his supporters were shot to death by government troops. He was equally famous for his “private” life—as a confessed libertine, a member of the notorious Hellfire Club, and the author of what has been called the dirtiest poem in the English language. This lively biography draws a full portrait of John Wilkes from his childhood days through his heyday as a journalist and agitator, his defiance of government prosecutions for libel and obscenity, his fight against exclusion from Parliament, and his service as lord mayor of London on the eve of the American Revolution. Told here with the force and immediacy of a firsthand newspaper account, Wilkes’s own remarkable story is inseparable from the larger story of modern civil liberties and how they came to fruition. “[Does] justice to Wilkes both as a fiery proponent of individual rights and as . . . a libertine par excellence in an age with no shortage of memorable rakes.” —The New York Times “It is difficult to believe that John Wilkes, a notorious womanizer and scandal-monger, was a genuine hero of civil liberties and political democracy on both sides of the Atlantic in the late 18th century, but hero he was and in this engaging book Arthur Cash gives Wilkes the serious treatment he has long deserved.” —Eric Foner, Winner of the Pulitzer Prize in History and New York Times–bestselling author of Reconstruction
Effeminate Years: Literature, Politics, and Aesthetics in Mid-Eighteenth-Century Britain investigates the gendered, eroticized, and xenophobic ways in which the controversies in the 1760s surrounding the political figure John Wilkes (1725-97) legitimated some men as political subjects, while forcefully excluding others on the basis of their perceived effeminacy or foreignness. However, this book is not a literary analysis of the Wilkes affair in the 1760s, nor is it a linear account of Wilkes’s political career. Instead, Effeminate Years examines the cultural crisis of effeminacy that made Wilkes’s politicking so appealing. The central theoretical problem that this study addresses is the argument about what is and is not political: where does individual autonomy begin and end? Addressing this question, Kavanagh traces the shaping influence of the discourse of effeminacy in the literature that was generated by Wilkes’s legal and sexual scandals, while, at the same time, he also reads Wilkes’s spectacular drumming up of support as a timely exploitation of the broader cultural crisis of effeminacy during the mid century in Britain. The book begins with the scandals and agitations surrounding Wilkes, and ends with readings of Edmund Burke’s (1729-1797) earliest political writings, which envisage political community—a vision, that Kavanagh argues, is influenced by Wilkes and the effeminate years of the 1760s. Throughout, Kavanagh shows how interlocutors in the political and cultural debates of the mid-eighteenth-century period in Britain, such as Tobias Smollett (1721-1771) and Arthur Murphy (1727-1805), attempt to resolve the problem of effeminate excess. In part, the resolution for Wilkes and Charles Churchill (1731-1764) was to shunt effeminacy onto the sexually non-normative. On the other hand, Burke, in his aesthetic theorization of the beautiful privileges the socially constitutive affects of feeling effeminate. Through an analysis of poetry, fiction, social and economic pamphlets, aesthetic treatises, journalism and correspondences, placed within the latest queer historiography, Kavanagh demonstrates that the mid-century effeminacy crisis served to re-conceive male heterosexuality as the very mark of political legitimacy. Overall, Effeminate Years explores the development of modern ideas of masculinity and the political subject, which are still the basis of debate and argument in our own time.