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'This is what I really want. I want to discover ways to discriminate the important things in human life. I want to find ways of getting past this blind fumbling with existence.' - Marion Milner, from A Life of One’s Own. How often do we really ask ourselves, 'What will make me happy? What do I really want from life?' In A Life of One’s Own Marion Milner, a renowned British psychoanalyst, artist and autobiographer, takes us on an extraordinary and compelling seven-year inward journey to discover what it is that makes her happy. On its first publication, W. H. Auden found the book 'as exciting as a detective story' and, as Milner searches out clues, the reader quickly becomes involved in the chase. Using her own personal diaries, she analyses moments of everyday life that can bring surprising joy, such as walking, listening to music, and drawing. She also records, in a disarmingly clear and insightful manner, the struggle between the urge to order and control one’s thoughts and standing back to let them wander where they may. A pioneering account of lived experience that also anticipates the contemporary phenomenon of mindfulness, A Life of One’s Own is a great adventure in thinking and living whose insights remain as fresh today as they were on the book’s first publication in the 1930s. This Routledge Classics edition includes a revised Introduction by Rachel Bowlby.
Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
One of the most important philosophy titles published in the twentieth century, Joseph Pieper's Leisure, the Basis of Culture is more significant, even more crucial than it was when it first appeared fifty years ago. Pieper shows that Greeks understood and valued leisure, as did the medieval Europeans. He points out that religion can be born only in leisure. Leisure that allows time for the contemplation of the nature of God. Leisure has been, and always will be, the first foundation of any culture. He maintains that our bourgeois world of total labor has vanquished leisure, and issues a startling warning: Unless we regain the art of silence and insight, the ability for nonactivity, unless we substitute true leisure for our hectic amusements, we will destroy our cultureCand ourselves. These astonishing essays contradict all our pragmatic and puritanical conceptions about labor and leisure; Joseph Pieper demolishes the twentieth-century cult of Awork as he predicts its destructive consequences.
Now a major film starring Helen Mirren and Donald Sutherland, a novel “like life itself: joyous, painful, moving, tragic, mysterious, and not to be missed” (Booklist, starred review). The Robinas have shared a wonderful life for more than sixty years. Now in their eighties, Ella suffers from cancer and John has Alzheimer's. Yearning for one last adventure, the self-proclaimed “down-on-their-luck geezers” kidnap themselves from the adult children and doctors who seem to run their lives and steal away from their home in suburban Detroit on a forbidden vacation of rediscovery. With Ella as his vigilant copilot, John steers their ’78 Leisure Seeker RV along the forgotten roads of Route 66 toward Disneyland in search of a past they're having a damned hard time remembering. Yet Ella is determined to prove that, when it comes to life, you can go back for seconds—even when everyone says you can't. “Come to the end and you’ll say, Oh my God.” —Elmore Leonard, New York Times bestselling author of Get Shorty “A sweet natured travelogue that’s about the end of the road in more ways than one.” —Bob Morris, author of Assisted Loving “An affecting road novel. . . . Ella’s wise, feisty voice turns what could be a sappy melodrama into an authentic and funny love story.” —Publishers Weekly “Both achingly sad and intensely romantic, this unforgettable story of a last honeymoon hooked me from the first page.” —Marjorie Hart, author of the national bestseller Summer at Tiffany “Zadoorian is true to these geezers. He draws them in their most honest light . . . I hoped for a book that would make me laugh during these tight times, and I was rewarded.” —Los Angeles Times
Originally published in 1967, Time of One’s Own asks the question: How do young Scots spend their free time nowadays? The Kilbrandon Council asked the University of Glasgow to undertake a study on this subject and their conclusions form the subject of this book. ‘Young Scots’ were confined to those aged fifteen to nineteen, and in the main to those living in three localities which it was hoped were reasonably typical – a mining town in West Lothian and, in Glasgow, an old inner area and a new outlying housing estate. Some three thousand boys and girls provided facts and views. In addition to statistical material the study constantly refers to the ‘how and why’ of the way in which the individual youngster spent their free time. The adults who collected the information agreed that what they saw of the leisure of these adolescents lacked variety and sparkle. On the other hand, a considerable proportion of the boys and girls appeared to be on the brink of using it in less stereotyped ways. Just a little push might have done the trick. In general, the provision for recreation was inadequate. This was especially so in the case of indoor facilities. The Youth Service, which should play so important a role, required far more support. This is a valuable record from the time of what it was like to have ‘Time of One’s Own’, and this reissue is a fascinating addition to all those interested in the history of Education and Sociology.
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Leisure, Women, and Gender is part of an ongoing examination that explores and elaborates issues of leisure for girls and women. The book is both an update of A Leisure of One's Own: A Feminist Perspective on Women's Leisure (1989) and Both Gains and Gaps: Feminist Perspectives on Women’s Leisure (1996) and a departure from these earlier works, in its process and structure. Specifically, in this volume, rather than writing about the research that others are doing, we invited some of those researchers to talk about how they came to study leisure, women, and gender; what they have learned from their research; and to reflect on directions for future research. Hence, organizationally and structurally it falls in the “middle ground” between a co-authored and an edited book: it mixes writing by the book’s editors with the voices of invited scholars, who contribute central and additional perspectives regarding the topics.
This anthropological study examines the relationship between leisure and death, specifically how leisure practices are used to meditate upon—and mediate—life. Considering travelers who seek enjoyment but encounter death and dying, tourists who accidentally face their own mortality while vacationing, those who intentionally seek out pleasure activities that pertain to mortality and risk, and those who use everyday leisure practices like social media or dogwalking to cope with death, Leisure and Death delves into one of the most provocative subsets of contemporary cultural anthropology. These nuanced and well-developed ethnographic case studies deal with different and distinct examples of the intertwining of leisure and death. They challenge established conceptions of leisure and rethink the associations attached to the prospect of death. Chapters testify to encounters with death on a personal and scholarly level, exploring, for example, the Cliffs of Moher as not only one of the most popular tourist destinations in Ireland but one of the most well-known suicide destinations as well, and the estimated 30 million active posthumous Facebook profiles being repurposed through proxy users and transformed by continued engagement with the living. From the respectful to the fascinated, from the macabre to the morbid, contributors consider how people deliberately, or unexpectedly, negotiate the borderlands of the living. An engaging, timely book that explores how spaces of death can be transformed into spaces of leisure, Leisure and Death makes a significant contribution to the burgeoning interdisciplinary literature on leisure studies and dark tourism. This book will appeal to students, scholars, and laypeople interested in tourism studies, death studies, cultural studies, heritage studies, anthropology, sociology, and marketing. Contributors: Kathleen M. Adams, Michael Arnold, Jane Desmond, Keith Egan, Maribeth Erb, James Fernandez, Martin Gibbs, Rachel Horner-Brackett, Shingo Iitaka, Tamara Kohn, Patrick Laviolette, Ruth McManus, James Meese, Bjorn Nansen, Stravoula Pipyrou, Hannah Rumble, Cyril Schafer
'Before I began this experiment I had always been haunted by the feeling that the surface of life, what everyone said about it, was quite different from the reality of life, that the important things that were happening all the time were on the whole quite different from what was said about them.' - Marion Milner What is it that stops people from knowing what they want? How much of our experience is shaped by images, symbols, and early memories – and do such things help or hinder one becoming an adult? Written in 1936, An Experiment in Leisure continues Marion Milner’s unique and compelling investigation into how we lead our lives, complementing the account she began in A Life of One’s Own. Attempting to understand the gap between what she memorably describes as ‘the poverty of words and the reality of living’, she draws on memory images – in books, mythology, religious experience, travel, and even going to the theatre – that seem to point to a suspension of ordinary, everyday awareness. From this state of emptiness springs an increasing imaginative appreciation of being alive and, as Milner concludes, of being a woman. With a new Foreword by Akshi Singh, An Experiment in Leisure remains a striking and captivating adventure in thinking and living with uncertainty, whose insights remain fresh and relevant today.
This book uses the emerging and cutting-edge area of leisure research to highlight the importance of sexuality and sexual activity and its relevance to leisure studies. It brings to the fore some complex issues associated with this topic using a range of substantive, epistemological, theoretical and methodological approaches. Drawing on international scholarship, the book examines sexuality from multiple, and at times, competing directions, exploring the continuum of sex from work through to carnal pleasure, and across specific sexual practices including BDSM, pornography, stripping, and sex work. Drawing on critical, feminist, queer, and post theoretical perspectives, the book charts a new direction for leisure studies and sex research, including diverse understandings of leisure practice, sex positivity, fringe and deviant sex practices. Critically, the book moves beyond merely establishing sex as a leisure pursuit to focusing on the compelling and complex intersections between sexuality and leisure. This is fascinating reading for any student or researcher with an interest in leisure, sexuality, gender, cultural studies or sociology.