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In the nineteenth-century United States, jokes, comic anecdotes, and bons mots about the Pacific Islands and Pacific Islanders tried to make the faraway and unfamiliar either understandable or completely incomprehensible (i.e., “other”) to American readers. A Laughable Empire examines this substantial archival corpus, attempting to make sense of nineteenth-century American humor about Hawai‘i and the rest of the Pacific world. Todd Nathan Thompson collects and interprets these comic, sometimes racist depictions of Pacific culture in nineteenth-century American print culture. Drawing on an archive of almanac and periodical humor, sea yarns, jest books, and literary comedy, Thompson demonstrates how jokes and humor functioned sometimes in the service of and sometimes in resistance to US imperial ambitions. Thompson also includes Indigenous voices and jokes lampooning Americans and their customs to show how humor served as an important cultural contact zone between the United States and the Pacific world. He considers how nineteenth-century Americans and Pacific Islanders alike used humor to employ stereotypes or to question them, to “other” the unknown or to interrogate, laughingly, the process by which “othering” occurs and is disseminated. Incisive and detailed, A Laughable Empire documents American humor about Pacific geography, food, dress, speech, and customs. Thompson sheds new light not only on nineteenth-century America’s imperial ambitions but also on its deep anxieties.
In the nineteenth-century United States, jokes, comic anecdotes, and bons mots about the Pacific Islands and Pacific Islanders tried to make the faraway and unfamiliar either understandable or completely incomprehensible (i.e., "other") to American readers. A Laughable Empire examines this substantial archival corpus, attempting to make sense of nineteenth-century American humor about Hawai'i and the rest of the Pacific world. Todd Nathan Thompson collects and interprets these comic, sometimes racist depictions of Pacific culture in nineteenth-century American print culture. Drawing on an archive of almanac and periodical humor, sea yarns, jest books, and literary comedy, Thompson demonstrates how jokes and humor functioned sometimes in the service of and sometimes in resistance to US imperial ambitions. Thompson also includes Indigenous voices and jokes lampooning Americans and their customs to show how humor served as an important cultural contact zone between the United States and the Pacific world. He considers how nineteenth-century Americans and Pacific Islanders alike used humor to employ stereotypes or to question them, to "other" the unknown or to interrogate, laughingly, the process by which "othering" occurs and is disseminated. Incisive and detailed, A Laughable Empire documents American humor about Pacific geography, food, dress, speech, and customs. Thompson sheds new light not only on nineteenth-century America's imperial ambitions but also on its deep anxieties.
Focusing on the Tsarist and Soviet empires of Russia, Lieven reveals the nature and meaning of all empires throughout history. He examines factors that mold the shape of the empires, including geography and culture, and compares the Russian empires with other imperial states, from ancient China and Rome to the present-day United States. Illustrations.
Empires on the Pacific smashes the standard narrative of World War II in the Pacific theater, showing America's aim to replace Britain as East Asia's New Imperial Power. Robert Smith Thompson offers a long overdue explanation of what America's war against Japan was really about--in a word: China. The over-reaching British Empire was waning yet unwilling to relinquish its foothold in China, while an increasingly ambitious Japan was determined to dominate the region by conquering China. Enter the young upstart, America. For Franklin Delano Roosevelt and for the United States, the war with Japan had little to do with revenge for Pearl Harbor. Japan would have to be vanquished so that it would never again be an imperial rival.Thompson's recasting of the Asian conflict profoundly alters our understanding of World War II in the Pacific and of what followed in Korea and in Vietnam. Revisionist history at its best, Empires on the Pacific is a far-reaching book that requires us to re-evaluate what we thought we knew about twentieth-century American history and what many still consider our last "good war."
The New York Times bestselling author of The Gates of Europe offers “a stirring account of an extraordinary moment” in Russian history (Wall Street Journal) On Christmas Day, 1991, President George H. W. Bush addressed the nation to declare an American victory in the Cold War: earlier that day Mikhail Gorbachev had resigned as the first and last Soviet president. The enshrining of that narrative, one in which the end of the Cold War was linked to the disintegration of the Soviet Union and the triumph of democratic values over communism, took center stage in American public discourse immediately after Bush's speech and has persisted for decades -- with disastrous consequences for American standing in the world. As prize-winning historian Serhii Plokhy reveals in The Last Empire, the collapse of the Soviet Union was anything but the handiwork of the United States. Bush, in fact, was firmly committed to supporting Gorbachev as he attempted to hold together the USSR in the face of growing independence movements in its republics. Drawing on recently declassified documents and original interviews with key participants, Plokhy presents a bold new interpretation of the Soviet Union's final months, providing invaluable insight into the origins of the current Russian-Ukrainian conflict and the outset of the most dangerous crisis in East-West relations since the end of the Cold War. Winner of the Lionel Gelber Prize Winner of the Pushkin House Russian Book Prize Choice Outstanding Academic Title BBC History Magazine Best History Book of the Year
The History of the Decline and Fall of the Roman Empire is Edward Gibbon's magnum opus, written and published over a 13-year period beginning in 1776. It not only chronicles the events of the downfall starting with the end of the rule of Marcus Aurelius, but proposes a theory as to why Rome collapsed: the populace, Gibbon theorizes, lost its moral fortitude, its militaristic will, and its sense of civic duty. History is considered a classic in world literature, and Gibbon is sometimes called the first "modern historian" for his insistence upon using primary sources for his research. Many scholars today still use his highly regarded work as reference. In this sixth of seven volumes, readers will find Chapter 52 ("More Conquests by the Arabs") through Chapter 63 ("Civil Wars and the Ruin of the Greek Empire"), which cover the continued wars between Constantinople and the Arabs; the rise of Harun al Rashid; Islamic advances in the sciences; the invasion of Rome by the Saracens; the state of the Byzantine Empire in the 10th century; the rise of Greek power and influence in the Eastern Roman Empire; the Paulicans; the establishment of a Bulgarian kingdom; the origin of the Russian monarchy; the rise of the Normans in Italy; the life of Robert Guiscard; the many conquests of Sicily; the origin of the Seljuk Turks and their empire; the Turkish conquest of Jerusalem; the First, Second, and Third Crusades; the break between the Greeks and Latins in Constantinople; the rule of Emperor Baldwin I; the resurgence of Greek power in Constantinople; the origins of the family of Courtenay; and the establishment of the Greek Empire. English parliamentarian and historian EDWARD GIBBON (1737-1794) attended Magdelan College, Oxford for 14 months before his father sent him to Lausanne, Switzerland, where he continued his education. He published Essai sur l'tude de la Littrature (1761) and other autobiographical works, including Mmoire Justificatif pour servir de Rponse l'Expos, etc. de la Cour de France (1779).