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In A Lady We Called Mother, author Jacinth Spivey tells the life story of this special woman who loved God, life, people, flowers, children and animals. Sharing Morgan's life from the perspective of one who was raised by her, this memoir traces her history, from her birth in Jamaica on Christmas day in 1908 to her death at age ninety-nine on Valentine's Day in 2008. Through stories and anecdotes, Spivey tells Morgan's heartwarming story-a story anchored by her faith and trust in God and her exceptional passion for taking care of children. Including photos, A Lady We Called Mother narrates the story of one woman who made a difference in the lives of many people by setting a powerful example and being a role model for future generations.
What Wild at Heart did for men, Captivating is doing for women. Setting their hearts free. This groundbreaking book shows readers the glorious design of women before the fall, describes how the feminine heart can be restored, and casts a vision for the power, freedom, and beauty of a woman released to be all she was meant to be.
Seeing, understanding, and appreciating motherhood as a special life vocation in which women share and participate in God's works of creative and redemptive love is the focus of this book. Through prayerful reading and reflection upon scripture along with practical contemplative exercises, mothers are invited to a spiritual awakening of their unique calling in life as Christian mothers. This insightful reading resource offers an approach for a renewed understanding about Christian motherhood that may be used individually and in discussion groups. Book jacket.
Women's studies.
Who was your mother before she was a mother? Essays and photos from Brit Bennett, Jennifer Egan, Danzy Senna, Laura Lippman, Jia Tolentino, and many more. In this remarkable collection, New York Times–bestselling novelist Edan Lepucki gathers more than sixty original essays and favorite photographs to explore this question. The daughters in Mothers Before are writers and poets, artists and teachers, and the images and stories they share reveal the lives of women in ways that are vulnerable and true, sometimes funny, sometimes sad, and always moving. Contributors include: Brit Bennett * Jennine Capó Crucet * Jennifer Egan * Angela Garbes * Annabeth Gish * Alison Roman * Lisa See * Danzy Senna * Dana Spiotta * Lan Samantha Chang * Laura Lippman * Jia Tolentino * Tiffany Nguyen * Charmaine Craig * Maya Ramakrishnan * Eirene Donohue * and many others
Every loss mama deserves to be reminded she is the mother of all mothers.
"This book is a "tour de force." It is simply magnificent" witty, scholarly, profoundly persuasive, blunt, prophetic, and convicting this slow-to-believe disciple all over the place." " Brennan Manning, Author of "The Ragamuffin Gospel" "I'm not sure what to make of it all, but Paul Smith gives the best arguments I have ever come across for calling God Mother. For anyone struggling with how far we should go in using inclusive language, this is "must" reading. " Tony Campolo, Eastern College "With tender power and wit, Paul Smith challenges the church to biblical fidelity and justice in its worship language. How encouraging it is to hear an evangelical male voice affirm the necessity of feminine images of God! This outstanding book so clearly and convincingly demonstrates the biblical imperative for inclusive God-language that the Christian community can no longer ignore it." " Jann Aldredge-Clanton, Ph.D., Chaplain, Baylor University Medical Center, Author of "God and Gender" and "God: A Word for Girls and Boys"
From her humble roots in the Bronx to Laverne and Shirley and her unlikely ascent in Hollywood, the beloved actor and director tells the story of her incredible life.
Finalist, Berru Award in Mem-o-ry of Ruth and Bernie Weinflash, National Jewish Book Awards Winner of the 2018 Stan and Tom Wick Poetry Prize Ellen Bass, Judge "A compelling book about origins--of ancestry, memory, and language"--Ellen Bass The Many Names for Mother is an exploration of intergenerational motherhood; its poems reach toward the future even as they reflect on the past. This evocative collection hovers around history, trauma, and absence--from ancestral histories of anti-Semitic discrimination in the former Soviet Union to the poet's travels, while pregnant with her son, to death camp sites in Poland. As a descendant of Holocaust survivors, Dasbach ponders how the weight of her Jewish-refugee immigrant experience comes to influence her raising of a first-generation, bilingual, and multiethnic American child. A series of poems titled "Other women don't tell you" becomes a refrain throughout the book, echoing the unspoken or taboo aspects of motherhood, from pregnancy to the postpartum body. The Many Names for Mother emphasizes that there is no single narrative of motherhood, no finite image of her body or its transformation, and no unified name for any of this experience. The collection is a reminder of the mothers we all come from, urging us to remember both our named and unnamed pasts.
In What My Mother Gave Me, women look at the relationships between mothers and daughters through a new lens: a daughter’s story of a gift from her mother that has touched her to the bone and served as a model, a metaphor, or a touchstone in her own life. The contributors of these thirty-one original pieces include Pulitzer Prize winners, perennial bestselling novelists, and celebrated broadcast journalists. Whether a gift was meant to keep a daughter warm, put a roof over her head, instruct her in the ways of womanhood, encourage her talents, or just remind her of a mother’s love, each story gets to the heart of a relationship. Rita Dove remembers the box of nail polish that inspired her to paint her nails in the wild stripes and polka dots she wears to this day. Lisa See writes about the gift of writing from her mother, Carolyn See. Cecilia Muñoz remembers both the wok her mother gave her and a lifetime of home-cooked family meals. Judith Hillman Paterson revisits the year of sobriety her mother bequeathed to her when Paterson was nine, the year before her mother died of alcoholism. Abigail Pogrebin writes about her middle-aged bat mitzvah, for which her mother provided flowers after a lifetime of guilt for skipping her daughter’s religious education. Margo Jefferson writes about her mother’s gold dress from the posh department store where they could finally shop as black women. Collectively, the pieces have a force that feels as elemental as the tides: outpourings of lightness and darkness; joy and grief; mother love and daughter love; mother love and daughter rage. In these stirring words we find that every gift, ?no matter how modest, tells the story of a powerful bond. As Elizabeth Benedict points out in her introduction, “whether we are mothers, daughters, aunts, sisters, or cherished friends, we may not know for quite some time which presents will matter the most."