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Deborah Graham learns too late--on her wedding night--that her escape from the ravages of the Civil War to the plains of Texas is really no escape at all. A captivating first book in the historical fiction Lone Star Legacy series.
Herman Ehrenberg wrote the longest, most complete, and most vivid memoir of any soldier in the Texan revolutionary army. His narrative was published in Germany in 1843, but it was little used by Texas historians until the twentieth century, when the first—and very problematic—attempts at translation into English were made. Inside the Texas Revolution: The Enigmatic Memoir of Herman Ehrenberg is a product of the translation skills of the late Louis E. Brister with the assistance of James C. Kearney, both noted specialists on Germans in Texas. The volume’s editor, James E. Crisp, has spent much of the last 27 years solving many of the mysteries that still surrounded Ehrenberg’s life. It was Crisp who discovered that Ehrenberg lived in the Texas Republic until at least 1840, and spent the spring of that year as ranger on the frontier. Ehrenberg was not a historian, but an ordinary citizen whose narrative of the Texas Revolution contains both spectacular eyewitness accounts of action and almost mythologized versions of major events that he did not witness himself. This volume points out where Ehrenberg is lying or embellishing, explains why he is doing so, and narrates the actual relevant facts as far as they can be determined. Ehrenberg’s book is both a testament by a young Texan “everyman” who presents a laudatory paean to the Texan cause, and a German’s explanation of Texas and its “fight for freedom” against Mexico to his fellow Germans—with a powerful subtext that patriotic Germans should aspire to a similar struggle, and a similar outcome: a free, democratic republic.
Texans are fiercely proud of their “Lone Star” flag. It has flown from foxholes, been displayed at military bases around the world, and even been to space. Most Americans don’t even know that the state has had a grand total of fifty-nine different flags over the course of its great history. Texas and Her Fifty-Nine Flags explores the standards for a different approach to a history of Texas. Throughout each chapter, the author provides a story taken from history texts, research and anecdotes collected during his teaching and travels, which took fifteen years. This unique history of Texas will captivate the reader from the first Spanish flag through revolutions and pirates, to the “Bonnie Blue Flag” of the Civil War.
Expansion was the fever of the early nineteenth century, and women burned with it as surely as men, although in a different way. Subscribing to the "cult of true womanhood," which valued domesticity, piety, and similar "feminine" virtues, women championed expansion for the cause of civilization, even while largely avoiding the masculine world of politics. Adrienne Caughfield mines the diaries and letters of some ninety Texas women to uncover the ideas and enthusiasms they brought to the Western frontier. Although there were a few notable exceptions, most of them drew on their domestic skills and values to establish not only "civilization," but their own security. Caughfield sheds light on women's activism (the flip side of domesticity), attitudes toward race and "civilization," the tie between a vision of a unified continent and a cultivated wilderness, and republican values. She offers a new understanding of not only gender roles in the West but also the impulse for expansionism itself. In Texas, Caughfield demonstrates, "women never stopped arriving with more fuel for the flames [of expansionism] as their families tried to find a place to settle down, some place with a little more room, where national destiny and personal dreams merged into a glorious whole." In doing so, Texas women expanded not only American borders, but their own as well.
The definitive account of the incomparable Lone Star state by the author of Fire & Blood: A History of Mexico. T. R. Fehrenbach is a native Texan, military historian and the author of several important books about the region, but none as significant as this work, arguably the best single volume about Texas ever published. His account of America's most turbulent state offers a view that only an insider could capture. From the native tribes who lived there to the Spanish and French soldiers who wrested the territory for themselves, then to the dramatic ascension of the republic of Texas and the saga of the Civil War years. Fehrenbach describes the changes that disturbed the state as it forged its unique character. Most compelling is the one quality that would remain forever unchanged through centuries of upheaval: the courage of the men and women who struggled to realize their dreams in The Lone Star State.
Quilts bear witness to the American experience. With a history that spans the early republic to the present day, this form of textile art can illuminate many areas of American life, such as immigration and settlement, the development of our nation’s textile industry, and the growth of mass media and marketing. In short, each quilt tells a story that is integral to America’s history. Comfort and Glory introduces an outstanding collection of American quilts and quilt history documentation, the Winedale Quilt Collection at the Briscoe Center for American History at the University of Texas at Austin. This volume showcases 115 quilts—nearly one-quarter of the Winedale Collection—through stunning color photographs (including details) and essays about each quilt’s history and construction. The selections span more than two hundred years of American quiltmaking and represent a broad range of traditional styles and functions. Utility quilts, some worn or faded, join show quilts, needlework masterpieces, and “best” quilts saved for special occasions. Texas quilts, including those made in or brought to Texas during the nineteenth century, constitute a significant number of the selections. Color photographs of related documents and material culture objects from the Briscoe Center’s collections—quilting templates, a painted bride’s box, sheet music, a homespun dress, a brass sewing bird, and political ephemera, among them—enrich the stories of many of the quilts.