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A “fun and colorful” biography of the accordion-toting comedy legend—with rare photos, lyrics, lists, tweets, and more from Al himself (Publishers Weekly). The undisputed king of pop-culture parody, “Weird Al” Yankovic has sold more comedy recordings than any other artist in history, receiving three Grammy Awards (and fourteen nominations) in the process. This is a comprehensive illustrated tribute to this icon of the American humor landscape, the man behind such classics as “Eat It,” “Amish Paradise,” and “White & Nerdy.” Covering more than three decades of hilarious songs, videos, and concert performances, and his life story in words and pictures—and featuring an introduction, lists, tweets, and photo captions from Yankovic himself—Weird Al: The Book is the ultimate companion piece to an extraordinary career. “Part biography and part pop culture museum . . . a treat.” —Huffington Post
Describes the individual adventures of a boy and his pet dog from the time they are separated in the busy city until they find each other again.
A big, ugly fish has trouble making the friends he longs for because of his appearance--until the day his scary appearance saves them all from a fisherman's net.
Wonderful things are being invented every day in Al Pha's world-fire, the wheel, even shadows! His big chance to be part of history comes when the King announces that the twenty-six recently invented letters need to be put in order. Al makes a bet with himself that he's the man for the job. Through a series of funny events, he eventually finds the perfect order for the letters, and the king rewards him by naming his creation the "Alphabet." Sure to entertain and engage young readers, this book turns the ABC's inside out. Kids will laugh at the quirky illustrations and clever wordplay, while wondering where the alphabet really did get its order.
This book is one of the oldest and most important sources written on the esoteric teachings of Islam from a Shi'ite perspective. It demonstrates the Qur'anic origins of Sufism and its close relationship with Shi'ism. The book is based mainly on the teachings of the Qur'an, Hadith narrations of Shi'ite Imams, and the teachings of earlier Sufi masters. In this lies the uniqueness, authenticity, and strength of the book. Tuhfah yi-' Abbasi is written in a typical prose style of the Safavid period and is replete with Arabic words and phrases. The difficulty and dryness of the style, however, is properly compensated by timely quotation of Prophetic traditions, narrations of the Shi'ite Imams, and Sufi poetry composed by 'Attar, Rumi, Hafiz, Mansur Hallaj, as well as the author. This work conveys a universal message for all human beings, particularly at a time when Sufism and Shi'ism are misrepresented by pseudo-Sufis and extremist Shi'ite, and misunderstood by many readers in the Muslim world and in the West.
Includes 20 projects to make, designer and author demonstrates how she learned to sew and how she has learned that what she makes is important to the community where she grew up.
This sewing guide reveals a breakthrough method to simplify learning stitches of all kinds, with more than 100 stitches from the simple to the fanciful. As makers, we tend to learn different stitches over time without thinking much about how they relate to one another. But when Natalie Chanin and her teams at Alabama Chanin and The School of Making began to look at needlework closely, they realized all stitches are based on geometric grid systems. They also discovered that learning new stitches—even elaborate ones—became simple and easy when using grids as guides. In The Geometry of Hand-Sewing Chanin presents their breakthrough method, featuring illustrated instructions (for both right- and left-handed stitchers) for more than 100 stitches—from the basic straight and chain to complex feather and herringbone. Photos of both right and wrong sides are included, as well as guidelines for modifying stitches to increase one’s repertoire further. The book also offers downloads for two stitching cards with the grids on which every stitch in the book is based. These printable cards can be used as stencils for transferring grids to fabric.
There are planets not meant to be colonized by humans. For three decades they will sleep, while their great colonial starship transports them to what is believed to be the perfect world. Their ship is state-of-the-art and totally automatic, allowing the passengers to remain in suspended animation for most of the journey. When they wake, they expect to find a virgin planet, unspoiled by the hands of man - a world where they can pursue happiness in a safe and free environment. The naive colonists from Earth have a different reality to face. Readers Favorites AL CLARK (Book One) Literary Review ★★★★★ by Paul F. Johnson Al Clark by Jonathan G. Meyer grabs the readers attention from the first page. One of my favorite genres is science fiction, above all, space opera. I found Al Clark to be space opera and more. I call it space adventure. The author has created a strong, believable set of characters, particularly the First Six. The story plot is strong and steady with several well designed twists, leaving a true space opera and space adventure fan expectantly waiting to turn the next page. I strongly recommend this book for those that enjoy good sci-fi. Good story. What the readers are saying: ★★★★★ Scifi as it was meant to be - Jennifer Seidler ★★★★★ I have a new (to me) author to add to my favorites - Lesley Wood ★★★★★ Scifi at its best, intrigue, robots, action, mystery, and very witty. Loved it! - Montzalee Wittman ★★★★★ Good old fashioned sci-fi - CenVillager ★★★★ Reminds me a little of the Sci-Fi of days gone by - jcat-top 500 reviewer ★★★★★ Classic Space Opera at its best - K.G. Evans Jr. ★★★★★ Finally, A Great World Exploration Sci-Fi Book - GeneK6 Available in Digital, Paperback, and AudioBook
Al Taylor began his studio practice as a painter and although he is more widely known for the three-dimensional works he started making in 1985, the artist maintained that his constructions weren’t “at all about sculptural concerns; [they come] from a flatter set of traditions.” Throughout his career, whether he worked on canvas, drawings and prints, or sculpture, the creative process of Taylor’s oeuvre was fundamentally grounded in the formal concerns of painting. Published on the occasion of an exhibition at David Zwirner, New York, in spring 2017, Al Taylor: Early Paintings is the first book to focus exclusively on the artist’s works on canvas, featuring a selection of rarely seen paintings created between 1971 and 1980. New scholarship by poet and art critic John Yau examines the visual relationships that connect Taylor’s paintings, drawings, and sculptural objects, while also reflecting on the art world in New York City during the 1970s. In addition, a conversation conducted by Mimi Thompson between renowned painters Stanley Whitney and Billy Sullivan—all of whom knew Taylor well during his lifetime—provides insight into his reputation as an “artist’s artist.” Twenty-six paintings are at the heart of this catalogue—embodying the subtleties of reduction and restraint, they nonetheless have hints of the idiosyncratic playfulness that would come to characterize Taylor’s later works. In some canvases, the artist delineates spatial perspectives by incorporating the wall in shaped compositions where a single color often dominates; elsewhere, it is the interaction of his color juxtapositions and fluid paint application that energize the canvas. Both painterly and sculptural in their address, these works deviate from the usual tropes of abstraction to uniquely engage space, perception, and possess a lyrical rhythm. This new publication reveals and validates the importance of Al Taylor’s paintings both within his own practice and in the context of twentieth-century abstraction.
In 1923, when the pioneer of feminist activism, Huda Shaarawi, removed her veil in Cairo's train station, she created what became a landmark (and much-copied) gesture for feminists throughout Egypt and the Middle East and cemented her status as one of the most important feminists in twentieth-century Egypt. In Casting off the Veil, her granddaughter Sania Sharawi Lanfranchi uses never-before seen letters and photographs to explore the life and thought of Egypt's first feminist, as she campaigned against British occupation, as well as striving to improve conditions for women throughout the country. From her birth into a wealthy and powerful family, her early years spent in a harem, to her iconic status as one of the most influential feminists in Middle Eastern history, this is a fascinating portrait of a determined and ground-breaking woman, a rich and important story which will captivate everyone with an interest in Egyptian, feminist or colonial history.