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Describes the experiences of one Kurdish family that was driven from their home in northern Iraq and moved to a new life in California.
This book deals with female-female bonds in the Kurdish family system, in particular in relationships between in-laws, by comparing Kurdish families in Turkey and Germany. It explains the dynamics of in-laws’ relationships, taking into consideration normative gender stereotypes and the features of the rule of patrilineal descent which are characterised by Kurds and increase the possibility of domestic co-existence of Kurdish in-laws. In the context of the social features of the host countries in which Kurds live, this research reveals in what aspects the relationships between immigrant in-laws are different to those whose families are characterised by a bilateral kinship system, as is found in Western societies. It reveals how cultural meanings and values they brought with them from their country of origin affect their expectations and experiences with each other in their daily routines, considering the challenges that may arise from the collision of new and old patterns in cultural, economic, and social domains.
In a remote corner of the world, forgotten for nearly three thousand years, lived an enclave of Kurdish Jews so isolated that they still spoke Aramaic, the language of Jesus. Mostly illiterate, they were self-made mystics and gifted storytellers and humble peddlers who dwelt in harmony with their Muslim and Christian neighbors in the mountains of northern Iraq. To these descendants of the Lost Tribes of Israel, Yona Sabar was born. Yona's son Ariel grew up in Los Angeles, where Yona had become an esteemed professor, dedicating his career to preserving his people’s traditions. Ariel wanted nothing to do with his father’s strange immigrant heritage—until he had a son of his own. Ariel Sabar brings to life the ancient town of Zakho, discovering his family’s place in the sweeping saga of Middle-Eastern history. This powerful book is an improbable story of tolerance and hope set in what today is the very center of the world’s attention.
A young Kurd comes of age in a war-torn land. This beautiful, spare narrative tells of the life of a boy named Azad--in fact the author, a Kurdish filmmaker--as he grows to manhood in Iraq during the 1960s and 1970s. Azad is born into a vibrant village culture, to a family that is proud of its Kurdish past and hopes for a free Kurdish future. He loves his mother's orchard, his cousin's stunt pigeons, his father's old Czech rifle, his brother who is fighting in the mountains. But before he is even of school age, Azad has experienced strafing and bombing; he watches as friends and neighbors are assassinated; and he sees his father humiliated when he tries to get food for his starving family. Forced into a refugee camp in Iran for years, his family realizes, on their return, that Saddam Hussein and his regime are destroying the autonomy he had promised their people. In a burst of adolescent impatience, Azad briefly runs off to the mountains to fight for Kurdish liberty, like his brother. But Azad has also discovered art--drawings, poetry, film--and he senses that he must find his own way to advance the Kurdish cause. My Father's Rifle ends with his heartbreaking departure from his parents and flight across the Syrian border to freedom. Stunning in its unadorned intensity, My Father's Rifle is a moving portrait of a boy who embraces the land and culture he loves, even as he leaves them.
Using an in-depth ethnographic study and interviews, Home and Sense of Belonging among Iraqi Kurds in the UK explores how Iraqi Kurds living in the UK conceptualise their sense of home and belonging and analyzes the differences in generational and gendered perspectives within Kurdish communities.
The unforgettable, haunting story of a young woman’s perilous fight for freedom and justice for her brother, the first novel published in English by a female Kurdish writer Set primarily in Iran, this extraordinary debut novel weaves 50 years of modern Kurdish history through a story of a family facing oppression and injustices all too familiar to the Kurds. Leila dreams of making films to bring the suppressed stories of her people onto the global stage, but obstacles keep piling up. Her younger brother, Chia, influenced by their father’s past torture, imprisonment, and his deep-seated desire for justice, begins to engage with social and political affairs. But his activism grows increasingly risky and one day he disappears in Tehran. Seeking answers about her brother’s whereabouts, Leila fears the worst and begins a campaign to save him. But when she publishes Chia’s writings online, she finds herself in grave danger as well. Inspired by the life of Kurdish human rights activist Farzad Kamangar and published to coincide with the 10th anniversary of his execution, Daughters of Smoke and Fire is an evocative portrait of the lives and stakes faced by 40 million stateless Kurds. It’s an unflinching but compassionate and powerful story that brilliantly illuminates the meaning of identity and the complex bonds of family. A landmark novel for our troubled world, Daughters of Smoke and Fire is a gripping and important read, perfect for fans of Khaled Hosseini’s The Kite Runner and Chimamanda Ngozi Adichie’s Half of a Yellow Sun.
This important new book explores how to support refugee family relationships in promoting post-trauma recovery and adaptation in exile.
Kurdish nationalism remains one of the most critical and explosive problems of the Middle East. Despite its importance, the topic remains on the margins of Middle East Studies. Bringing the study of Kurdish nationalism into the mainstream of Middle East scholarship, Hakan Özogálu examines the issue in the context of the Ottoman Empire. Using a wealth of primary sources, including Ottoman and British archives, Ottoman Parliamentary minutes, memoirs, and interviews, he focuses on revealing the social, political, and historical forces behind the emergence and development of Kurdish nationalism. Contrary to the assumption that nationalist movements contribute to the collapse of empires, the book argues that Kurdish leaders remained loyal to the Ottoman state, and only after it became certain that the empire would not recover did Kurdish nationalism emerge and clash with the Kemalist brand of Turkish nationalism.
"From all four parts of Kurdistan and across the diaspora, Kurdish women from different geographical, political, and educational backgrounds pick up a pen, reflect, and remember. Going beyond exoticising stereotypes and patriarchal representations, Kurdish Women's Stories gives 25 women authorial freedom to write about their own lived experiences. With contributors ranging from 20 to 70 years of age, we hear stories of imprisonment, exile, disappearances of loved ones, gender-based violence, uprisings, feminist activism, and armed resistance, including first-hand accounts of political moments from the 1960s to today. Conceived as part of Culture Project's self- writing program, this book is essential reading for anyone who wants to better understand the struggle of Kurdish women through their own words. Contributors: Diba Alikhani, Kobra Banehi, Khanda Hameed, Nazanin Hasan, Nafia Aysi Hasso, Deejila Haydar, Zhala Hussein, Ruken Isik, Seveen Jimo, Lanja Khawe, Nahiya Khoshkalam, Hero Kurda, Khanda Rashid Murad, Rozhgar Mustafa, Dashne Nariman, Bayan Nasih, Avan Omar, Nasrin Ramazanali, Mother Sabria, Bayan Saeed, Bayan Salman, Farah Sharefi, Susan Shahab, Simal (Anonymous), Shahla Yarhussein"--
A magnificent photographic history of the Kurdish people and their struggle for independence and survival over the past 125 years, gathered by one of America's foremost photojournalists. In bringing together these dispersed pieces, Susan Meiselas allows history to speak for itself through the words of freedom fighters, missionaries, spies, politicians, and princes. Over 400 photos.