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After the sudden death of her father, the Lady Brynna is left to defend her beloved home from the unidentified enemy who has attacked the fortress. The battle almost lost, the proud lady is prepared to die alongside her people until the hardened, woman-hating Raffe de Mere rides in and delivers her from the hands of defeat. Knowing she must wed to avoid such a reoccurrence in the future, she has no choice but to offer marriage to the insufferable knight who has saved her. But when he declines her offer, she is forced to relinquish her pride and attempt to entice him into reconsidering. In the process she loses more than her pride, she loses her heart, and discovers a torrid passion in the embrace of the arrogant knight. But will unknown enemies and past loves destroy their growing love? A Knight's Embrace is a sizzling, historical romance novel certain to captivate its reader with explosive passion, heart-stopping intrigue and suspense, and even a touch of humor.
Kaylee was on her own long before the magical nonsense of the Knights of the Living Five deprived her of a family. Careworn and alone, she survives on the skill of her hands and the grace of her rundown farm until a greedy developer, a string of bad luck and an overly bright star seduce her into wishing for something more. When the kilted madman on horseback skewers her pickup truck with a sword, it occurs to her it really is important to be careful what you wish for.
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Reprint of the original, first published in 1840.
Modern audiences are most likely to encounter Yvain and other Arthurian characters in literature. We read Chrétien de Troyes's Yvain or Hartmann von Aue's Iwein, and easily slip into the assumption that during the Middle Ages the title character existed primarily, or even exclusively, in these canonical texts. James A. Rushing, Jr. contends, however, that many times the number of people who heard or read Chrétien or Hartmann must have known the Ywain story through the varieties of second-hand narration, hearsay, and conversation that we may call secondary orality. And man other people would have known the story through its visual representations. Exploring the complex relationships between literature and the visual arts in the Middle Ages, Images of Adventure: Ywain in the Visual Arts examines pictorial representations of the story of Ywain, knight of the Round Table, from the thirteenth through the fifteenth centuries. Of the images Rushing studies, only those found in the manuscripts of Chrétien's Yvain are placed in any obvious relation with a written text, and not even they can be construed as straightforward illustrations. Images of Ywain are presented without any textual anchor in the thirteenth-century wall paintings from Schmalkalden in eastern German and Rodenegg Castle in the South Tyrol; on the rich embroidery sewn in the fourteenth century for the patrician Malterer family of Freiburg; and in a group of English misericords that show Ywain caught in a moment of high adventure and perhaps comic embarrassment. "Pictures," according to Pope Gregory the Great, "are the literature of the laity." Navigating between the traditional disciplines of literary study and art history, Images of Adventure offers at once a detailed catalog of Ywain images, a series of close "readings" of works of art, and a concrete sense of what Gregory's oft-quoted statement may actually have meant in practice.