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For a necromancer, death is a central part of life... but what's a girl to do when her own early death is fast approaching? In creating a golem to help her with basic tasks in her final days, her memories of a past love throw off the spell. What results is a strange, beautiful woman, with free will and feelings of her own. Now, with her new companion supporting her, Celeste wants to make up for her enormous past mistakes in aiding her kingdom's bloody conquests. But... will there enough time?
Ayla and Miria were both born to fates they didn't choose. One, the Holy Maiden of Artheris, symbol of peace and victory over the long-defeated witches who once supposedly oppressed these lands. The other, a witch who lives in constant fear of being captured and killed, always hiding her powers, and the last of her kind. It seems certain that these two become mortal enemies, but what if it didn't have to be that way? What if, by resisting their fates, they could choose something different?
In the sixteenth century, the famous kabbalist Isaac Luria transmitted a secret trove of highly complex mystical practices to a select groups of students. These meditations were designed to capitalize on sleep and death states in order to effectively split one’s soul into multiple parts, and which, when properly performed, permitted the adept to free oneself from the cycle of rebirth. Through an in-depth analysis of these contemplative practices within the broader context of Lurianic literature, Zvi Ish-Shalom guides us on a penetrating scholarly journey into a realm of mystical teachings and practices never before available in English, illuminating a radically monistic vision of reality at the heart of Kabbalistic metaphysics and practice.
The braid begins to unravel as Lois, Renee Montoya, Midnight, and Sister Clarice all come together. Now the intrepid reporter must face the reporter’s dilemma-what truths to tell, and at what cost?
The Gardens of Desire is at once a model of literary interpretation and a groundbreaking psychocritical reading of a literary masterpiece, Marcel Proust's À la recherche du temps perdu (Remembrance of Things Past). Shedding new light on the origins of the creative impulse in general, and on the psychological origins of the Recherche in particular, the book illuminates the hidden associations between matricidal, suicidal, sadistic, masochistic, homoerotic, and creative impulses as manifested in Proust's work. The book moves beyond traditional Freudian readings of Proust to consider the theories of Otto Rank, Jacques Derrida, and others, and provides provocative readings of the "privileged moments" that comprise many of the work's "critical cruxes," as well as a thought-provoking rereading of the novel's ending. Both elegant and accessible, this book boldly explores the violence of desire as it relates not only to Proust's narrator, but also to Proustian criticism itself, with its own violent desire to appropriate the essence of Proust's masterpiece.
One of the unique voices in our century, James Merrill was known for his mastery of prosody; his ability to write books that were not just collected poems but unified works in which each individual poem contributed to the whole; and his astonishing evolution from the formalist lyric tradition that influenced his early work to the spiritual epics of his later career. Merrill's accomplishments were recognized with a Pulitzer Prize in 1977 for Divine Comedies and a National Book Critics Circle Award in 1983 for The Changing Light at Sandover. In this meticulously researched, carefully argued work, Evans Lansing Smith argues that the nekyia, the circular Homeric narrative describing the descent into the underworld and reemergence in the same or similar place, confers shape and significance upon the entirety of James Merrill’s poetry. Smith illustrates how pervasive this myth is in Merrill’s work – not just in The Changing Light at Sandover, where it naturally serves as the central premise of the entire trilogy, but in all of the poet’s books, before and after that central text. By focusing on the details of versification and prosody, Smith demonstrates the ingenious fusion of form and content that distinguishes Merrill as a poet. Moving beyond purely literary interpretations of the poetry, Smith illuminates the numerous allusions to music, art, theology, philosophy, religion, and mythology found throughout Merrill’s work.
Freud wrote that the greatest problem facing humanity is its destructive urge. There is no one factor that solves the issue. The Challenge of Being Human explores tendencies that make us up and capacities that try to meet them. The shock of ourselves is perennial. We are challenged by our own aliveness and a need to open doors as yet unknown. We are not done evolving, growing, learning, feeling, caring. Growth of capacity to tolerate and work with experience is part of our evolutionary challenge. This book seeks to support us in whatever ways we can begin to meet this challenge.
This book offers fresh readings of the Gospel of Philip (NHC II.3) and the Exegesis on the Soul (NHC II.6) from new theoretical and historical perspectives. Eschewing the category of “Gnosticism” and challenging common categorisations, the book analyses the preserved Coptic texts as coherent Christian compositions contemporary with the production and use of the Nag Hammadi Codices. A methodological framework based on Cognitive Poetics is outlined and applied to illuminate how the texts present a soteriology of transformation through religious rituals and practices using complex conceptual and intertextual blends with important polemical and paraenetic functions. The analysis highlights the use of metaphors and allusions in (re-)interpretations of authoritative Scripture, ritual and dogma. Complete Coptic texts and translations are included.
Traditionally, Wagnerian scholarship has always treated the Ring and Parsifal as two separate works. The Redeemer Reborn: Parsifal as the Fifth Opera of Wagner's Ring shows how Parsifal is in fact actually the fifth opera of the Ring. Schofield explains in detail how these five musical dramas portray a single, unbroken story which begins at the start of Das Rheingold when Wotan breaks a branch from the World Ash-tree and Alberich steals the gold of the Rhine, thus separating Spear and Grail, and ends with the reunion of the Spear and Grail in the temple of Monsalvat at the end of Parsifal. Schofield explains how and why the four main characters of the Ring are reborn in the opera Parsifal, needing to complete in Parsifal the spiritual journey begun in the Ring. He also shows how the redemption that is not attained in the process of the Ring is finally realized in the events of Parsifal.