Download Free A Kiowas Odyssey Book in PDF and EPUB Free Download. You can read online A Kiowas Odyssey and write the review.

Presents the sketchbook made by Kiowa warrior artist Etahdleuh Doanmoe at Fort Marion in 1877, with other drawings and photographs, and essays about the U.S. Army's exile of Arapaho, Comanche, Cheyenne, and Kiowa Native Americans from Oklahoma to Florida and subsequent Westernization and assimilation of the prisoners.
Colonial America stretched from Quebec to Buenos Aires and from the Atlantic littoral to the Pacific coast. Although European settlers laid claim to territories they called New Spain, New England, and New France, the reality of living in those spaces had little to do with European kingdoms. Instead, the New World's holdings took their form and shape from the Indian territories they inhabited. These contested spaces throughout the western hemisphere were not unclaimed lands waiting to be conquered and populated but a single vast space, occupied by native communities and defined by the meeting, mingling, and clashing of peoples, creating societies unlike any that the world had seen before. Contested Spaces of Early America brings together some of the most distinguished historians in the field to view colonial America on the largest possible scale. Lavishly illustrated with maps, Native art, and color plates, the twelve chapters span the southern reaches of New Spain through Mexico and Navajo Country to the Dakotas and Upper Canada, and the early Indian civilizations to the ruins of the nineteenth-century West. At the heart of this volume is a search for a human geography of colonial relations: Contested Spaces of Early America aims to rid the historical landscape of imperial cores, frontier peripheries, and modern national borders to redefine the way scholars imagine colonial America. Contributors: Matthew Babcock, Ned Blackhawk, Chantal Cramaussel, Brian DeLay, Elizabeth Fenn, Allan Greer, Pekka Hämäläinen, Raúl José Mandrini, Cynthia Radding, Birgit Brander Rasmussen, Alan Taylor, and Samuel Truett.
Stories from Saddle Mountain follows personal memories and family stories that connected the Tongkeamhas, a Kiowa family, to the Saddle Mountain community for more than a century.
Intended to help students explore ethnic identity—one of the most important issues of the 21st century—this concise, one-stop reference presents rigorously researched content on the national groups and ethnicities of North America, Central America, South America, and the Caribbean. Combining up-to-date information with extensive historical and cultural background, the encyclopedia covers approximately 150 groups arranged alphabetically. Each engaging entry offers a short introduction detailing names, population estimates, language, and religion. This is followed by a history of the group through the turn of the 19th century, with background on societal organization and culture and expanded information on language and religious beliefs. The last section of each entry discusses the group in the 19th, 20th, and 21st centuries, including information on its present situation. Readers will also learn about demographic trends and major population centers, parallels with other groups, typical ways of life, and relations with neighbors. Major events and notable challenges are documented, as are key figures who played a significant political or cultural role in the group's history. Each entry also provides a list for further reading and research.
"A fascinating account of Apache history and ethnography. All the narratives have been carefully chosen to illustrate important facets of the Apache experience. Moreover, they make very interesting reading....This is a major contribution to both Apache history and to the history of the Southwest....The book should appeal to a very wide audience. It also should be well received by the Native American community. Indeh is oral history at its best."---R. David Edmunds, Utah Historical Quarterly
Ledger art has traditionally been created by men to recount the lives of male warriors on the Plains. During the past forty years, this form has been adopted by Native female artists, who are turning previously untold stories of women’s lifestyles and achievements into ledger-style pictures. While there has been a resurgence of interest in ledger art, little has been written about these women ledger artists. Women and Ledger Art calls attention to the extraordinary achievements of these strong women who have chosen to express themselves through ledger art. Author Richard Pearce foregrounds these contributions by focusing on four contemporary women ledger artists: Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). Pearce spent six years in continual communication with the women, learning about their work and their lives. Women and Ledger Art examines the artists and explains how they expanded Plains Indian history. With 46 stunning images of works in various mediums—from traditional forms on recovered ledger pages to simulated quillwork and sculpture, Women in Ledger Art reflects the new life these women have brought to an important transcultural form of expression.
In 1933, famed anthropologist Morris Opler met a Mescalero Apache he called Chris and worked with him to record the man's life story, from the bloody Apache Wars into the reservation years of the mid-twentieth century. Chris's vivid recollections are enriched at strategic moments with crucial background information on Apache history and culture, supplied by Opler. Chris was born around 1880, the son of a Chiricahua man and a Mescalero woman. At the age of six, he and his family and other Chiricahua Apaches became prisoners of war and were relocated by the U.S. government to Florida and Alabama. Eventually settling on the Mescalero Apache reservation in New Mexico, Chris grew up expecting to become a shaman like his parents. Although Chris apprenticed as a shaman, his confidence in his healing ability waned after he was forced at the age of seventeen to attend federal government schools. Nonetheless, his interest in Mescalero religion, healing, and other traditional customs and beliefs remained, and that intimate knowledge of his people's world underscores and deepens the story of his own life.
Between 1879 and 1918, the Carlisle Indian Industrial School housed over 10,000 students and served as a prototype for boarding schools on and off reservations across the continent. Writing Their Bodies analyzes pedagogical philosophies and curricular materials through the perspective of written and visual student texts created during the school’s first three-year term. Using archival and decolonizing methodologies, Sarah Klotz historicizes remedial literacy education and proposes new ways of reading Indigenous rhetorics to expand what we know about the Native American textual tradition. This approach tracks the relationship between curriculum and resistance and enumerates an anti-assimilationist methodology for teachers and scholars of writing in contemporary classrooms. From the Carlisle archive emerges the concept of a rhetoric of relations, a set of Native American communicative practices that circulates in processes of intercultural interpretation and world-making. Klotz explores how embodied and material practices allowed Indigenous rhetors to maintain their cultural identities in the off-reservation boarding school system and critiques the settler fantasy of benevolence that propels assimilationist models of English education. Writing Their Bodies moves beyond language and literacy education where educators standardize and limit their students’ means of communication and describes the extraordinary expressive repositories that Indigenous rhetors draw upon to survive, persist, and build futures in colonial institutions of education.
Communicates information about the histories, contemporary presence, and various other facts of the Native peoples of the United States. From publisher description.
A collection of Native American literature features myths, tales, songs, memoirs, oratory, poetry, and fiction from the present as well as the past