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The oracle against the King of Tyre, found in Ezekiel 28.12-19, is a difficult text that inspired diverse interpretations in Late Antiquity. This book examines those interpretations and seeks to understand their origins and development.
The author, who is a specialist on the problems around The Story of Apollonius, King of Tyre, makes a pioneer attempt to tackle the question of its origin (Latin or Greek?) systematically. He concludes that a longer Greek original is probable, and that it can be localised in Asia Minor, perhaps in Tarsus. An edition of the major Latin recensions rounds off his study.
Christ and Satan is the title of the last of four poems in the eleventh-century Junius XI manuscript of Anglo-Saxon poetry. This critical edition contains text, glossary, textual and explanatory notes, and an essay surveying former criticisms and setting forth the author’s ideas on the poem’s principle of unity. Of particular value to students and scholars of Old English, Christ and Satan makes an important contribution to the understanding of this fine and interesting poem.
A famed historian once noted that, regardless of what you think of him personally, Jesus Christ stands as the central figure in the history of Western civilization. A man violently rejected by some and passionately worshipped by others, Jesus remains as polarizing as ever. But most people still know very little about who he really was, why he was really here, or what he really claimed. Intended as a succinct introduction to Jesus’s life, words, and enduring significance, Who Is Jesus? offers non-Christians and new Christians alike a compelling portrait of Jesus Christ. Ultimately, this book encourages readers to carefully consider the history-shaping life and extraordinary teachings of the greatest man who ever lived. Download the free study guide at crossway.org/WhoIsJesus.
Reproduction of the original: A King of Tyre a Tale of the Times of Ezra and Nehemiah by James. M Ludlow
James M. Ludlow (1886-1928) was an American Presbyterian clergyman and author. "A King of Tyre" is a historical novel of the times of Ezra and Nehemiah.
The origins of the anonymous Late Latin Story of Apollonius, King of Tyre (Historia Apollonii regis Tyri), are disputed, with the narrative commonly being seen as a Christianised folktale of a sub-literary character. Scholars focus mainly on questions of editing the text, seeking its origins (Greek or Latin, pagan or Christian) and exploring its afterlife. This literary and philological commentary discusses aspects of language, style, characterisation, intertextuality, and narrative technique in the earliest existing version of the Story of Apollonius, recension A. It situates the Late Latin text in the context of both ancient prose fiction and pagan and Christian literature. The author offers new arguments in the ongoing debate about the alleged Greek background of the Latin text, and his analysis enables readers to assess the literary character of this unique narrative, which contains elements of “popular” culture (e.g. riddles) and displays thorough knowledge of the Greek and Latin classics. The Commentary views the Story of Apollonius as a crossroad in which the notions of pagan and Christian, Greek and Latin, popular and sophisticated meet and interact in a complex way, reflecting the cultural atmosphere of the era of its creation.
The Bible reveals much about an unseen power that works behind the scenes, shaping our world to its will and agenda. Are you being taken in? -- Inside this booklet: -- The Enemy of Mankind -- Is the Whole World Deceived? -- Did God Create the Devil? -- The Word "Lucifer" in Isaiah 14:12 -- Why Does God Allow Satan to Influence Mankind? -- Following the Footsteps of a Different God -- Almighty God: Ruler of the Universe -- Satan's Work in Our World -- Satan's False Advertising—Even in Christianity -- How Can We Resist the Devil? -- God and Satan: Truth and Life vs. Lies and Murder -- The Spirit World's Dangerous Dark Side -- What if You Are Confronted by the Dark Side of the Spirit World? -- What Is Channeling? -- The Fall of Satan's Kingdom -- The Great Counterfeiter -- The Good News of a World Set Free
I SUPPOSE that by my books of the Antiquity of the Jews, most excellent Epaphroditus, have made it evident to those who peruse them, that our Jewish nation is of very great antiquity, and had a distinct subsistence of its own originally; as also, I have therein declared how we came to inhabit this country wherein we now live. Those Antiquities contain the history of five thousand years, and are taken out of our sacred books, but are translated by me into the Greek tongue. However, since I observe a considerable number of people giving ear to the reproaches that are laid against us by those who bear ill-will to us, and will not believe what I have written concerning the antiquity of our nation, while they take it for a plain sign that our nation is of a late date, because they are not so much as vouchsafed a bare mention by the most famous historiographers among the Grecians. Aeterna Press
Bringing together the research of internationally renowned scholars, Assyria to Iberia at the Dawn of the Classical Age contributes significantly to our understanding of the epoch-making artistic and cultural exchanges that took place across the Near East and Mediterranean in the early first millennium B.C. This was the world of Odysseus, in which seafaring Phoenician merchants charted new nautical trade routes and established prosperous trading posts and colonies on the shores of three continents; of kings Midas and Croesus, legendary for their wealth; and of the Hebrew Bible, whose stories are brought vividly to life by archaeological discoveries. Objects drawn from collections in the Middle East, Europe, North Africa, and the United States, reproduced here in sumptuous detail, reflect the cultural encounters of diverse populations interacting through trade, travel, and migration as well as war and displacement. Together, they tell a compelling story of the origins and development of Western artistic traditions that trace their roots to the ancient Near East and across the Mediterranean world. Among the masterpieces brought together in this volume are stone reliefs that adorned the majestic palaces of ancient Assyria; expertly crafted Phonecian and Syrian bronzes and worked ivories that were stored in the treasuries of Assyria and deposited in tombs and sanctuaries in regions far to the west; and lavish personal adornments and other luxury goods, some imported and others inspired by Near Eastern craftsmanship. Accompanying texts by leading scholars position each object in cultural and historical context, weaving a narrative of crisis and conquest, worship and warfare, and epic and empire that spans both continents and millennia. Writing another chapter in the story begun in Art of the First Cities (2003) and Beyond Babylon (2008), Assyria to Iberia offers a comprehensive overview of art, diplomacy, and cultural exchange in an age of imperial and mercantile expansion in the ancient Near East and across the Mediterranean in the first millennium B.C.—the dawn of the Classical age.