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In this legal thriller from the New York Times–bestselling author of Against the Wind, breaking into a mansion for a laugh turns into a sobering crime. Maria Estrada, a hard-partying girl with family ties to some of the toughest gangsters in California, had no idea an old mansion could be so beautiful. The boy who broke into it with her had a feeling she might be impressed. But by the time the night is over, Maria has been brutally killed, and the boy is nowhere to be found. It’s up to PI Kate Blanchard and Luke Garrison, a criminal lawyer, to decipher what happened in the grand old mansion. To bring Maria’s killer to justice, they must locate the elusive connection between the poverty where she was raised and the affluence of where she died.
A startling analysis of the killing of over 500 women in Ju rez to help readers understand the presence of suffering and evil. Making expert use of narrative theology, Prof. Lu vano uses the killing of over 500 women since 1993 in Ciudad Ju rez as a lens to examine and attempt to understand the role that suffering plays in God's love and relationship with humankind. The first three chapters that form Part I describe events in northern Mexico that provide the context for the killing of young women. The five chapters in the second part examine different themes within the broad context of theodicy the nature of God, the traditional teaching of the church, and contemporary theological approaches to human suffering (e.g., Soelle, Wiesel, Moltman).
Yea though I Walk through the Valley of the Shadow of Death had to be written. It is a heart-wrenching account of a womans road through her own personal anguish and back, one that could be written only by the person who experienced it. It describes how she lived through the death of her infant daughter, a fire that totally destroyed her home and its contents, the suicide of her 21-year-old son, the killing of her 25-year-old son, the subsequent trauma, called Post Traumatic Stress Disorder (PTSD) that followed, and her return to stability. Such a listing doesnt capture Chriss journey. Though not a professional writer, she has allowed us to enter her world, with all of its twists and turns, moments of sadness and despair, and finally, the peace that comes from emerging on the other side. She has a guileless honesty that wont let you go. No doubt thousands of people have shared some of Chriss experiences few, if any, to her degreebut fewer still have her ability to capture that experience in a way that makes her experiences their own. Kevin Burne, Ph.D.
From William W. and J.A. Johnstone, the bestselling masters of the American West, comes a special holiday entry in the Jensen family saga. This time, they’re risking their lives for peace on earth—and for a piece of hell called Death Valley . . . A JENSEN CHRISTMAS SHOWDOWN A JOHNSTONE TRADITION Ace and Chance Jensen usually spend Christmas at the Sugarloaf Ranch. But this year, the brothers are heading to Death Valley to claim Chance’s prize in a poker game: the deed to a silver mine. Sure, the mine is probably dried up and worthless, but what they don’t realize is that half the deed belongs to a ruthless outlaw named Foxx, a rich vein of silver hasn’t been tapped yet, and another wealthy mine owner is trying to crush the competition—by killing every miner in the valley . . . The Jensen boys didn’t plan on a Christmas gunfight. But when they show up at the mine—and learn that a charity worker is using the silver to fund an orphanage—Ace and Chance can’t help but get into the holiday spirit. ’Tis the season of giving, after all. But instead of gifts, they’re swapping bullets. And instead of Santa Claus, there’s a surprise visitor coming to town. A man named Luke Jensen—Ace and Chance’s gunslinging father—and he’s here to spread peace and joy. With a double-barreled dose of holiday cheer—gunsmoke. Live Free. Read Hard.
The Miami Valley of Ohio has a rich but gruesome and bloody history. In Dayton, Christine Kett murdered her daughter and confessed seventeen years later on her deathbed. William Fogwell of Beavercreek clung to life long enough to name his killer before he died. Joshua Monroe, a Yellow Springs man, killed his lover--also his sister-in-law--in a jealous rage. Reputed serial killer Oliver Crook Haugh was accused of murdering multiple women over several years, but he was ultimately convicted of killing "only" his family. Author and founder of the Dayton Unknown history blog Sara Kaushal uncovers the violent and horrific crimes of the past.
When a faceless body is found in a tranquil valley just south of the village of Swainshead, Chief Inspector Alan Banks soon finds that no one in the village is willing to talk about it, except to say, “Not again.” An unsolved murder from five years before and the unsolved disappearance of a prominent local man’s girlfriend appear to be connected. As Banks delves deeper into the mystery, someone begins to intentionally slow down the investigation. When events take a turn, Inspector Banks must track his killer across the Atlantic and find a way to make a break in the case before time runs out. Fourth in the critically acclaimed Inspector Banks Mystery Series.
In his classic works of true crime, Harry MacLean examined the dark side of America and its fascination with violence. In The Joy of Killing, he builds upon this expert knowledge to create a page–turning literary thriller — an exciting combination of love story, mystery, psychological suspense, and meditation on human nature and the origins of violence. This fever dream begins on a stormy fall night at a lake house in the north woods of Minnesota, where we are introduced to a college professor who a few years earlier had written a novel in which he justified a gruesome campus murder under the nihilistic theory that there is no right or wrong, no moral center to man's activity. The writer returns to the lake house where he had spent his childhood summers and locks himself in the attic, intent on writing the final story of his life. Playing on a continuous loop in his mind are key moments in his past: his childhood in small–town Iowa, where he and his best friend befriended a local drifter; his childhood on the lake where one summer a local boy drowned in a storm; and the central fixation of his erotic meeting with a girl on a train bound for Chicago when he was just fifteen. All of these threads weave together as the writer tries to piece together the multitude of secrets and acts of violence that make up one human life. Reminiscent of the work of noir master Derek Raymond and John Banville's The Sea with a touch of David Lynch, The Joy of Killing, with its haunting language and vivid images, is both a fascinating look into the fugue state of one man's mind as well as a searing, philosophical look at violence and its impact on our human condition. With its elegant structure, multiple storylines, and edge–of–your–seat suspense, the novel is the tour–de–force fiction debut by one of America's premier writers of true crime.
DIV“A rip-snorting, full-throttle novel . . . It kept me up late into the night.” —Stephen King/divDIV /divDIVForced out of his firm, a hard-living attorney takes on one final, highly charged case—defending a notorious gang of bikers against murder charges /divDIV A few years ago, Will Alexander was the top criminal lawyer in Santa Fe, with a thriving practice, a famously flamboyant courtroom style, and a marriage that landed him on the front page of the society section. Now, though, his wife has left him, and his constant boozing and womanizing have put his career in jeopardy. When Will’s partners ask him—forcefully—to take a leave of absence from the firm, his life in law seems finished. He has only one client: a gang of men who call themselves the Scorpions./divDIV /divDIVFour rogue bikers are accused of committing a gruesome murder, and Will is the only one they want for their defense. Although all the evidence points toward their guilt, Will believes them, and it’s time for these outlaws to stick together./div