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In the small coastal town of Oyster Bay, North Carolina, you'll find plenty of characters, ne'er-do-wells, and even a few celebs trying to duck the paparazzi. But when murder joins this curious community, the Bayside Book Writers are there to get the story... Olivia Limoges is the subject of constant gossip. Ever since she came back to town-a return as mysterious as her departure-Olivia has kept to herself, her dog, and her unfinished novel. With a little cajoling from the eminently charming writer Camden Ford, she agrees to join the Bayside Book Writers, break her writer's block, and even make a few friends... But when townspeople start turning up dead with haiku poems left by the bodies, anyone with a flair for language is suddenly suspect. And it's up to Olivia to catch the killer before she meets her own surprise ending. Watch a Video
Dr. Tullah Holliday has waited fourteen years to avenge her mother’s death. She suspects the killing of indigenous women is a gang initiation. When she arrives in New York City to investigate, she encounters a biased police captain possibly in league with the gang. Detective Clay Wolfchild Bannister has escorted a prisoner from Texas. The intriguing veterinarian he met two years ago is a breathtaking woman and he wants her back in his life. He’ll do whatever he can to help uncover what really happened to her mother. When Tullah realizes she is the killer’s next target, she finds the truth about the night her mother died in a dark alley is—deadly. And a second chance for love between her and Clay could end before it’s begun.
From the New York Times bestselling author of Writing All Wrongs, it’s a rotten state of affairs in Oyster Bay, and the Bayside Book Writers are out to end a nasty plot... Restaurant owner and aspiring novelist Olivia Limoges is happily enjoying her new marriage. Sadly, the same doesn’t hold true for Laurel, a fellow Bayside Book Writer. While struggling with a demanding job, twin boys, and a terminally ill mother-in-law, Laurel learns that her perfect marriage is mostly fictional. When she catches her husband fooling around with his mother’s hospice nurse, she issues impassioned threats that will later come back to haunt her. After the nurse meets a deadly denouement, Chief Rawlings is forced to take Laurel into custody. While Olivia protests the arrest, the rest of the Bayside Book Writers become a group divided, with Rawlings and Harris on one side and Olivia and Millay on the other. Now the women must race against the clock to prove that Laurel’s not the sort for murder before her story ends in tragedy…
While walking her poodle, Olivia Limoges discovers a dead body buried in the sand. Could it be connected to the bizarre burglaries plaguing Oyster Bay, North Carolina? At every crime scene, the thieves set up odd tableaus: a stick of butter with a knife through it, dolls with silver spoons in their mouths, a deck of cards with a missing queen. Olivia realizes each setup represents a cliché. And who better to decode the cliché clues than her Bayside Book Writers group?
An FBI analyst hunts for a sadistic serial killer in Washington, DC, in this “dark and mesmerizing” thriller—“equal parts Kathy Reichs and Thomas Harris” (Lisa Gardner). FBI neuroscientist Sayer Altair hunts for evil in the deepest recesses of the human mind. Still reeling from the death of her fiancé, she wants nothing more than to focus on her research into the brains of serial killers. But when the Washington, DC, police stumble upon a gruesome murder involving a girl who was starved to death while held in a cage, Sayer is called in to lead the investigation. Then the victim is identified as the daughter of a high profile senator—and Sayer is thrust into the spotlight. As public pressure mounts, she discovers that another girl has been taken and is teetering on the brink of death. With evidence unraveling around her, Sayer realizes that they are hunting a killer with a dangerous obsession . . . a killer who is closer than she thought.
The story of a daughter being raised by a single father, who happens to be a serial killer. As the series progresses, Deicide will grow older. In this thrilling first book, experience the sights, smells, and sounds through the eyes of four-year-old Deicide.The formative years of any child's life are crucial. In this time frame, she is curious and innocent.With each book, Deicide will grow older, giving us an inside look at how her life has been affected due to her upbringing.Warning: Graphic scenes that may disturb some readers
The small town of North Harbor on the shores of Lake Michigan is about to have a new mystery bookstore. But before the first customer can browse its shelves, the store's owner is suspected of her own murder plot . . . Samantha Washington has dreamed of owning her own mystery bookstore for as long as she can remember. And as she prepares for the store's grand opening, she's also realizing another dream--penning a cozy mystery set in England between the wars. While Samantha hires employees and fills the shelves with the latest mysteries, quick-witted Lady Penelope Marsh, long-overshadowed by her beautiful sister Daphne, refuses to lose the besotted Victor Carlston to her sibling's charms. When one of Daphne's suitors is murdered in a maze, Penelope steps in to solve the labyrinthine puzzle and win Victor. But as Samantha indulges her imagination, the unimaginable happens in real life. A shady realtor turns up dead in her backyard, and the police suspect her--after all, the owner of a mystery bookstore might know a thing or two about murder. Aided by her feisty grandmother and an enthusiastic ensemble of colorful retirees, Samantha is determined to close the case before she opens her store. But will she live to conclude her own story when the killer has a revised ending in mind for her? "You'll love this delightful debut mystery with its charming and wacky cast of characters and a mystery within a mystery just to keep things interesting." --Victoria Thompson, bestselling author of Murder in Morningside Heights "A charming read--with murder, romance and lots of mouthwatering desserts." --Laura Levine, author of Death of a Bachelorette
Hasn't he lived long enough? Why not? I could take him like a thief in the night. This is how the Thief thinks. He serves death, the vacuum, the unknown. He's always waiting. Always there. Seventeen-year-old Nina Barrows knows all about the Thief. She's intimately familiar with his hunting methods: how he stalks and kills at random, how he disposes of his victims' bodies in an abandoned mine in the deepest, most desolate part of a desert. Now, for the first time, Nina has the chance to do something about the serial killer that no one else knows exists. With the help of her former best friend, Warren, she tracks the Thief two thousand miles, to his home turf-the deserts of New Mexico. But the man she meets there seems nothing like the brutal sociopath with whom she's had a disturbing connection her whole life. To anyone else, Dylan Shadwell is exactly what he appears to be: a young veteran committed to his girlfriend and her young daughter. As Nina spends more time with him, she begins to doubt the truth she once held as certain: Dylan Shadwell is the Thief. She even starts to wonder . . . what if there is no Thief? From debut author Margot Harrison comes a brilliantly twisted psychological thriller that asks which is more terrifying: the possibility that your nightmares are real . . . or the possibility that they begin and end with you?
"When I interrogate a serial killer I dive into the blackness of his soul. I am familiar with his feelings of emptiness, loneliness, depression, death, omnipotence and fear. I dive deeply to get a grip on his torment..." A profiler who wants to understand the mind of the serial killer must have been prepared by life experiences before he or she can dare to venture into the abyss. A person who has led a protected life will not survive.
"Viktor Shklovsky's 1925 book Theory of Prose might have become the most important work of literary criticism in the twentieth century had not two obstacles barred its way: the crackdown by the Soviet dictatorship on Shklovsky and other Russian Formalists in the 1930s, and the unavailability of an English translation. Now translated in its entirety for the first time, Theory of Prose not only anticipates structuralism and post-structuralism, but poses questions about the nature of fiction that are as provocative today as they were in the 1920s. Arguing that writers structure their material according to artistic principles rather than from attempts to imitate "reality," Shklovsky uses Cervantes, Tolstoi, Sterne, Dickens, Bely, and Rozanov to give us a new way of thinking about fiction and, in his most impassioned moments, about the world. Benjamin Sher's lucid translation will allow Shklovsky's Theory of Prose to fulfill its destiny as a major theoretical work of the twentieth century." from back cover.