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Hans Urs von Balthasar is widely recognized as perhaps the greatest Catholic theologian of the twentieth century. No writer has better revealed the spiritual greatness of the revelation to which the art of the Church and the historic liturgies bear witness. Yet students and non-specialist readers often find Balthasar daunting and difficult. A Key to Balthasar is the ideal introduction to his work. It unlocks the treasure of his theology by focusing on the beautiful, the good, and the true. These are the three qualities of being around which his great trilogy - The Glory of the Lord; Theo-drama and Theo-logic - revolves. Though brief, it captures the essence of what Balthasar wished to say.
Examines the whole range of von Balthasar's theology and provides a clear introduction to his work.
The enormously prolific Swiss Roman Catholic theologian Hans Urs von Balthasar (1905-1988) was marginalized during much of his life, but his reputation over time has only continued to grow. He was said to be the favorite theologian of John Paul II and is held in high esteem by Benedict XVI. It is not uncommon to hear him referred to as the great Catholic theologian of the twentieth century. In Balthasar: A (Very) Critical Introduction Karen Kilby argues that although the low regard in which Balthasar was held from the 1950s to 1960s was not justified, neither is the current tendency to lionize him. Instead, she advocates a more balanced approach, particularly in light of a fundamental problem in his writing, namely, his characteristic authorial voice -- an over-reaching "God's eye" point of view that contradicts the content of his theology.
Hans Urs von Balthasar is emerging as a colossus of twentieth-century theology. More and more of his works are being translated. But as yet he is mainly known only through his great multi-volume trilogy 'Glory', 'Theo-Drama' and Theo-Logic'. Aidan Nichols has treated each part of the trilogy and the early works in his widely acclaimed 'Introduction to Hans Urs von Balthasar'. In this final volume he explores all von Balthasar's later works. Many of these works are extremely important, although several are as yet untranslated and several as yet almost unknown. Nichols ranges widely and comprehensively, from journal articles to his major works, such as 'Apokalypse der deutschen Seele', to his final short works. The result is a wholly new perspective on von Balthasar, a contextualising of his trilogy and an illumination of his whole life and work.
In Balthasar: A Guide for the Perplexed, Rodney Howsare gives the reader a handle on these perplexing aspects of Balthasar's thought. In the first chapter he introduces the reader to the man and his unique method of doing theology. He then moves on to explaining the basic structure and nature of Balthasar's trilogy: the aesthetics, dramatics, and logic. He then deals with various theological topics: Jesus Christ, The Trinity, The Drama of Redemption, The Church and Mary, and The Last Things. A final chapter summarizes Balthasar's place in modern theology and suggests further readings for the interested reader.
Students of Catholic theology are often presented with a choice between two great masters: Thomas Aquinas and Hans Urs von Balthasar. What starts as a cordial difference in form and method often morphs into a bitter rivalry. Dominican theologian Father Aidan Nichols sees no need for competition. Balthasar for Thomists gives a panoramic view of Balthasar's thought and spirituality, unearthing many of his innumerable debts to Aquinas and providing context for their points of divergence. The enormous cultural project of Balthasar, writes Father Nichols, differs too much from St. Thomas' pedagogical one "to count as a rival to Thomism on the latter's own ground (and, of course, vice versa)". While constituting an original form of faithful Catholic thought, Balthasar's approach may be regarded as a synthesis of the influences of Thomas and his Franciscan contemporary St. Bonaventure. In its breadth, Balthasar for Thomists serves as a general introduction to Balthasar for those unacquainted with his profound and wide-ranging theology.
A great Catholic theologian speaks from the heart about the Heart of Christ, in a profound and lyrical meditation on Our Lord's love for his Bride the Church.
This volume completes Aidan Nichols's presentation of the great theological trilogy of Hans Urs von Balthasar. The book offers a summary and interpretation of Balthasar's logic and considers the way in which The Truth of the World points forward to theological aesthetics and dramatics.
Written in 1951 (with a second edition in 1961), this book takes its place within an impressive array of attempts to wrestle with Karl Barth's theology from a Catholic point of view. The book adopts the twofold strategy of presenting an exposition of "the whole of Barth's thought," while doing so for the purpose of a confessional dialogue among theologians. Not to be construed as an "Introduction to the Theology of Karl Barth," Balthasar's effort is to provide a Catholic response which, though not "official", nonetheless seeks to express a common direction and movement within Catholicism. The Theology of Karl Barth shows how a rethinking of basic issues in fundamental theology-concerning the relation of nature and grace, philosophy and theology, the "analogy of being" and the "analogy of faith"-might lead to a rapprochement between the two great rivers of Christianity, without compromising the center of gravity of either. In the process the book makes a major contribution to renewed understanding of Christianity in a secularized modern world. Co-published with Communio Books. "This reflection by one of the century's great Catholic theologians on the theology of one of the century's great Protestant theologians is an example of ecumenical dialogue at its best. One finds here a sympathetic and at the same time faithfully Catholic discussion of the major issues surrounding Barth's christocentricity. The appearance of an unabridged English translation of this book could hardly be more timely for the current religious situation in North America." - David L. Schindler, Gagnon Professor of Fundamental Theology, John Paul II Institute "No one should think he can quickly dispose of questions posed here offhandedly. It was precisely because writers were in the habit during the time of the Reformation of theologizing with a hammer that the split in the Church became irreparable. And to work at overcoming this split means much effort. Only the patient need apply." - Hans Urs von Balthasar
In Hans Urs von Balthasar's masterwork, The Glory of the Lord, the great theologian used the term "theological aesthetic" to describe what he believed to the most accurate method of interpreting the concept of divine love, as opposed to approaches founded on historical or scientific grounds. In this newly translated book, von Balthasar delves deeper into this exploration of what love means, what makes the divine love of God, and how we must become lovers of God in the footsteps of saints like Francis de Sales, John of the Cross and Therese of Lisieux. Based in the theological aesthetic form, Love Alone is Credible brings a fresh perspective on an oft-explored subject. A deeply insightful and profound theological meditation that serves to both deepen and inform the faith of the believer.