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‘One of the boldest thriller writers working today’ TESS GERRITSEN ‘Her characters, plot, and pacing are unrivalled’ MICHAEL CONNELLY _________________________________________ The eighth Will Trent novel, from the #1 bestselling author A body is discovered in an empty Atlanta warehouse. It's the body of an ex-cop, and from the moment Special Agent Will Trent walks in he knows this could be the most devastating case of his career. Bloody footprints leading away from the scene reveal that another victim - a woman - has left the scene and vanished into thin air. And, worst of all, the warehouse belongs to the city's biggest, most politically-connected, most high-profile athlete - a local hero protected by the world's most expensive lawyers. A local hero Will has spent the last six months investigating on a brutal rape charge. But for Will - and also for Dr Sara Linton, the GBI's newest medical examiner - the case is about to get even worse. Because an unexpected discovery at the scene reveals a personal link to Will's troubled past. The consequences will wreak havoc on his life and the lives of those he loves, those he works with, and those he pursues. But Sara's scene-of-the-crime diagnosis is that they only have a few hours to find the missing woman before she bleeds out . . . _________________________________________ Crime and thriller masters know there’s nothing better than a little Slaughter: ‘I’d follow her anywhere’ GILLIAN FLYNN ‘Passion, intensity, and humanity’ LEE CHILD ‘A writer of extraordinary talents’ KATHY REICHS ‘Fiction doesn't get any better than this’ JEFFERY DEAVER ‘A great writer at the peak of her powers’ PETER JAMES ‘Raw, powerful and utterly gripping’ KATHRYN STOCKETT ‘With heart and skill Karin Slaughter keeps you hooked from the first page until the last’ CAMILLA LACKBERG ‘Amongst the world‘s greatest and finest crime writers’ YRSA SIGURÐARDÓTTIR
The long-awaited memoir by “one of the few original American writers of the last century” is a testament to the power of self-acceptance (Gore Vidal). John Rechy, author of City of Night and The Sexual Outlaw, has always known discrimination. Raised Mexican-American in El Paso, Texas, at a time when Latino children were routinely segregated, Rechy was often assumed to be Anglo because of his light skin, and had his name “changed” for him by a teacher, from Juan to John. As he grew older—and as his fascination with the memory of a notorious kept woman in his childhood deepened—Rechy became aware that his differences lay not just in his heritage, but in his sexuality. While he performed the roles expected of him by others—the authoritarians in the US Army during the Korean War, the bigoted relatives of his Anglo college classmates, or the men and women who wanted him to be something he was not—he never allowed them to define him. The “riveting” story of a life that bears witness to some of the most riotous changes of the past century, About My Life and the Kept Woman is as much a portrait of intolerance as of an individual who defied it to forge his own path (The Advocate). “Rechy might be called the first bard of West Hollywood.” —The New York Times “A skillfully paced story . . . As a memoirist, Rechy is both participant and observer, and he segues as easily between narrative and exegesis as his younger self did between the lure of the wild streets and the embrace of his traditional family.” —Los Angeles Magazine
”I feel a woman is most attractive when she surrenders to her man. She is incomplete without a man,” averred Kamala Das shortly before her death in May, 2009. One of the most controversial and celebrated Indian authors, she combined in her writings rare honesty and sensitivity, provocation and poignancy. The Kept Woman and Other Stories explores the man-woman relationship in all its dimensions. Deprived, depraved, mysterious, mystical and exalted, each character, culled from experience and observation, is an incisive study of love, lust and longing.
After Jan escaped the physical domestic violence and the emotional/verbal abuse she had endured at the hands of her first husband, she was certain that her life was going to turn around. She married a pastor with whom she could work closely to build a ministry. Their congregation grew, and it truly seemed as if their lives were blessed. But slowly, the accusations began to surface that would shatter Jan's world and show her just how deep her husband's deceptions went. As she struggled to maintain her faith and dignity under the watchful eyes of the congregation, she was inwardly undergoing the greatest crisis of her life.For any reader who has felt like God Almighty has packed up, moved away, and forgotten to leave His forwarding address, Jan's powerful Testimony of a Kept Woman will provide much-needed hope as she shows readers how even in her moment of crisis, God kept her close to Him. Her story as a survivor of both domestic violence with her first husband and her victory over emotional and verbal abuse with her second husband is proof that God has the perfect purpose for every pain and sorrow.
Diana’s combination of beauty and class has bagged her marriage to publishing mogul Ernie Foxton, and with that comes a stunning New York apartment, a designer wardrobe and a manicurist, hairdresser and masseuse on tap. With little more to do with her days than shopping and socialising, this is the life for which she was born. But then, without warning, the bottom drops out of Diana’s meticulously constructed world, and she finds herself without a home or a husband, and with barely a dime to her name. For the first time in her life, she might just have to look after herself. But, given how many people would love to see her fail, it’s not going to be a walk in the park...
75 Poems by the Author of How the García Girls Lost Their Accents and In the Time of the Butterflies The works of this award-winning poet and novelist are rich with the language and influences of two cultures: those of the Dominican Republic of her childhood and the America of her youth and adulthood. They have shaped her writing just as they have shaped her life. In these seventy-five autobiographical poems, Alvarez’s clear voice sings out in every line. Here, in the middle of her life, she looks back as a way of understanding and celebrating the woman she has become. Don't miss Alvarez’s new novel, The Cemetery of Untold Stories, available now!
For readers of Quit Like a Woman, this “engaging account of women and drink, [cites] fascinating studies about modern stressors…and evidence that some problem drinkers can learn moderation….Bound to stir controversy” (People). In Her Best-Kept Secret, journalist Gabrielle Glaser uncovers a hidden-in-plain-sight drinking epidemic. Using “investigative rigor and thoughtful analysis” (TheBoston Globe), Glaser is the first to document that American women are drinking more often than ever and in ever-larger quantities in this “substantial book, interested in hard facts and nuance rather than hand-wringing” (The New York Times Book Review). She shows that contrary to the impression offered on reality TV, young women alone aren’t driving these statistics—their moms and grandmothers are, too. But Glaser doesn’t wag a finger. Instead, in a funny and tender voice, Glaser looks at the roots of the problem, explores the strange history of women and alcohol in America, drills into the emerging and counterintuitive science about that relationship, and asks: Are women getting the help they need? Is it possible to return from beyond the sipping point and develop a healthy relationship with the bottle? Glaser reveals that, for many women, joining Alcoholics Anonymous is not the answer—it is part of the problem. She shows that as scientists and health professionals learn more about women’s particular reactions to alcohol, they are coming up with new and more effective approaches to excessive drinking. In that sense, Glaser offers modern solutions to a very modern problem.
Soon to be an eight-part docuseries on Apple TV+ Hillary Rodham Clinton and her daughter, Chelsea, share the stories of the gutsy women who have inspired them—women with the courage to stand up to the status quo, ask hard questions, and get the job done. She couldn’t have been more than seven or eight years old. “Go ahead, ask your question,” her father urged, nudging her forward. She smiled shyly and said, “You’re my hero. Who’s yours?” Many people—especially girls—have asked us that same question over the years. It’s one of our favorite topics. HILLARY: Growing up, I knew hardly any women who worked outside the home. So I looked to my mother, my teachers, and the pages of Life magazine for inspiration. After learning that Amelia Earhart kept a scrapbook with newspaper articles about successful women in male-dominated jobs, I started a scrapbook of my own. Long after I stopped clipping articles, I continued to seek out stories of women who seemed to be redefining what was possible. CHELSEA: This book is the continuation of a conversation the two of us have been having since I was little. For me, too, my mom was a hero; so were my grandmothers. My early teachers were also women. But I grew up in a world very different from theirs. My pediatrician was a woman, and so was the first mayor of Little Rock who I remember from my childhood. Most of my close friends’ moms worked outside the home as nurses, doctors, teachers, professors, and in business. And women were going into space and breaking records here on Earth. Ensuring the rights and opportunities of women and girls remains a big piece of the unfinished business of the twenty-first century. While there’s a lot of work to do, we know that throughout history and around the globe women have overcome the toughest resistance imaginable to win victories that have made progress possible for all of us. That is the achievement of each of the women in this book. So how did they do it? The answers are as unique as the women themselves. Civil rights activist Dorothy Height, LGBTQ trailblazer Edie Windsor, and swimmer Diana Nyad kept pushing forward, no matter what. Writers like Rachel Carson and Chimamanda Ngozi Adichie named something no one had dared talk about before. Historian Mary Beard used wit to open doors that were once closed, and Wangari Maathai, who sparked a movement to plant trees, understood the power of role modeling. Harriet Tubman and Malala Yousafzai looked fear in the face and persevered. Nearly every single one of these women was fiercely optimistic—they had faith that their actions could make a difference. And they were right. To us, they are all gutsy women—leaders with the courage to stand up to the status quo, ask hard questions, and get the job done. So in the moments when the long haul seems awfully long, we hope you will draw strength from these stories. We do. Because if history shows one thing, it’s that the world needs gutsy women.
Have you ever been hurt? Have you ever had your heart broken into so many pieces, so much so that you thought it could never be put back together again? Have you ever been caught in a ragging storm that consumed your very soul? Have you tears every flowed like the sea? Have you ever stayed up all night long because things around you just wasn't right? If your answer is yes! A Kept Woman is the book for you. You see, at the age of 18 years old I went from being kept by my mother to being kept by a man that was 23 years older than I was! But not just a man, but a married man of the cloth, God laid the writing of this book on my heart to reach broken women all over the world that feel as if no one knows their secret pain. I have undressed myself, and become naked before the world and I pray that this book heals and encourages your heart. From women to women may God bless and keep you.
WITH A FOREWORD BY LISA M. FINE, MICHIGAN STATE UNIVERSITY—Michigan’s Upper Peninsula is known for its natural beauty and severe winters, as well as the mines and forests where men labored to feed industrial factories elsewhere in the nineteenth and twentieth centuries. But there were factories in the Upper Peninsula, too, and women who worked in them. Phyllis Michael Wong tells the stories of the Gossard Girls, women who sewed corsets and bras at factories in Ishpeming and Gwinn from the early twentieth century to the 1970s. As the Upper Peninsula’s mines became increasingly exhausted and its stands of timber further depleted, the Gossard Girls’ income sustained both their families and the local economy. During this time the workers showed their political and economic strength, including a successful four-month strike in the 1940s that capped an eight-year struggle to unionize. Drawing on dozens of interviews with the surviving workers and their families, this book highlights the daily challenges and joys of these mostly first- and second-generation immigrant women. It also illuminates the way the Gossard Girls navigated shifting ideas of what single and married women could and should do as workers and citizens. From cutting cloth and distributing materials to getting paid and having fun, Wong gives us a rare ground-level view of piecework in a clothing factory from the women on the sewing room floor.