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With her new book A Kanji Stroke Order Manual for Heart Sutra Copying, artist calligrapher Nadja Van Ghelue provides the Western reader with a practical guide for the actual copying of the Heart Sutra in Japanese kanji in regular script. Through a copy of the Heart Sutra in kaisho in large size characters, brushed by the artist herself, the Heart Sutra copying manual teaches the stroke order for each of the 276 kanji of the Heart Sutra. Knowing the stroke order of the kanji is an invaluable key to smooth and easy sutra copying. Each of the calligraphies comes with a table that shows the romanization and translation of each of the Heart Sutra characters. A Kanji Stroke Order Manual for Heart Sutra Copying is dedicated to beginners of Japanese calligraphy with a basic knowledge of the main brushstrokes and to all Dharma Zen students with a keen interest in studying and copying the Heart Sutra in Japanese kanji. As the manual approaches the copying of the Heart Sutra as a creative tool for body and mind integration, it also introduces some techniques which will allow you to find the right balance and mindset for a creative and meditative Heart Sutra session. Even if you don't know any Japanese or Japanese calligraphy, you can take a ballpoint pen and start drawing the kanji and enter the meditation of Heart Sutra copying right now.
Nadja Van Ghelue explains the history and spiritual significance of the Heart Sutra and Asian calligraphy. Buddhists and artists alike will delight in this inspired treatment of a treasured wisdom source. With full-page reproductions of two-color calligraphic art throughout, this is the perfect book for gift-giving, study, and reflection.
A dark, outrageous comedy of greed, family and love by American playwright Larry Belling.
Japan’s monastic warriors have fared poorly in comparison to the samurai, both in terms of historical reputation and representations in popular culture. Often maligned and criticized for their involvement in politics and other secular matters, they have been seen as figures separate from the larger military class. However, as Mikael Adolphson reveals in his comprehensive and authoritative examination of the social origins of the monastic forces, political conditions, and warfare practices of the Heian (794–1185) and Kamakura (1185–1333) eras, these "monk-warriors"(sôhei) were in reality inseparable from the warrior class. Their negative image, Adolphson argues, is a construct that grew out of artistic sources critical of the established temples from the fourteenth century on. In deconstructing the sôhei image and looking for clues as to the characteristics, role, and meaning of the monastic forces, The Teeth and Claws of the Buddha highlights the importance of historical circumstances; it also points to the fallacies of allowing later, especially modern, notions of religion to exert undue influence on interpretations of the past. It further suggests that, rather than constituting a separate category of violence, religious violence needs to be understood in its political, social, military, and ideological contexts.
The work covers three major areas: 1) descriptions of Chinese characters and their components, including stroke types, layout patterns, and indications of sound and meaning; 2) basic brush techniques; and 3) the social, cultural, historical, and philosophical underpinnings of Chinese calligraphy---all of which are crucial to understanding and appreciating this art form. --
A beautifully curated presentation of the Thousand Character Essay, a masterpiece of Chinese calligraphy that has served as the art form's classic manual for over 1,400 years. Sung to infants as a lullaby, used to teach reading and writing, and employed as library index codes, the Thousand Character Essay is China's most widely used and beloved calligraphy textbook. Composed by the literary giant Zhou Xingsi and handwritten by sixth-century Buddhist monk Zhiyong, this masterful work has endured for centuries as the standard guide for brush writing both in formal and cursive scripts. Delight in One Thousand Characters brings this sublime body of art-as-text to English-speaking readers through its translation and explanation by calligraphers and artists Kazuaki Tanahashi and Susan O'Leary. Preserving the renowned beauty of monk Zhiyong's only extant handwriting, the book visually depicts the traditional script through extensive imagery, including a full, one-hundred-strip edition of Zhiyong's calligraphy. All images also have corresponding commentary explaining the meaning of each character. Essays and appendices by Tanahashi and O'Leary detail the fascinating history, geographic range, and aesthetic nuance of the essay and of Zhiyong's rendering--essential material to be familiar with the history, thought, literature, and art of East Asian civilization. For calligraphers, Delight in One Thousand Characters can serve as an advanced primer for practicing both formal and cursive Chinese calligraphy.
Zen Buddhist ideas and practices in many ways are unique within the study of religion, and artists, poets and Buddhists practitioners worldwide have found inspiration from this tradition. Until recent years, representations of Zen Buddhism have focussed almost entirely on philosophical, historical or “spiritual” aspects. This book investigates the contemporary living reality of the largest Japanese Rinzai Zen Buddhist group, Myōshinji. Drawing on textual studies and ethnographic fieldwork, Jørn Borup analyses how its practitioners use and understand their religion, how they practice their religiosity and how different kinds of Zen Buddhists (monks, nuns, priest, lay people) interact and define themselves within the religious organization. Japanese Rinzai Zen Buddhism portrays a living Zen Buddhism being both uniquely interesting and interestingly typical for common Buddhist and Japanese religiosity.
Its history, techniques, aesthetics, and philosophy—with an in-depth practical guide to understanding and drawing 150 characters A guide to the history and enjoyment of Chinese and Japanese calligraphy that offers the possibility of appreciating it in a hands-on way—with step-by-step instructions for brushing 150 classic characters. This book is a comprehensive and accessible introduction to the history and art of calligraphy as it's been practiced for centuries in China, Japan, and elsewhere in Asia. It works as a guide for the beginner hoping to develop an appreciation for Asian calligraphy, for the person who wants to give calligraphy-creation a try, as well as for the expert or afficionado who just wants to browse through and exult in lovely examples. It covers the history and development of the art, then the author invites the reader to give it a try. The heart of the book, called "Master Samples and Study," presents 150 characters--from "action" to "zen"--each in a two-page spread. On each verso page the character is presented in three different styles, each one chosen for its beauty and identified by artist when possible. The character's meaning, pronunciation (in Chinese, Japanese, Korean, and Vietnamese), etymology, the pictograph from which it evolved, and other notes of interest are included. At the bottom of the page the stroke order is shown: the sequence of brush movements, numbered in their traditional order. On each facing recto page is Kaz's own interpretation of the character, full page.
The Gospel of Buddha According to Old Records told by Paul Carus. Modeled on the New Testament and tells the story of Buddha through parables. It was an important tool in introducing Buddhism to the west and is used as a teaching tool by some Asian sects. Reproduction of 1894 Edition.