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From debut author and poet Lexa Hillyer comes the lyrical story of four seventeen-year-old friends who receive an unlikely chance to relive the perfect summer . . . and the devastating secret that could unravel it all. Elegant and evocative, Proof of Forever is one of those first novels that hooks you from the beginning and builds toward a stunning—and unexpected—end, calling to mind Gayle Forman and Ann Brashares. Joy, Tali, Luce, and Zoe were once best friends. Now they barely speak. That is, until the fateful flash of a photo-booth camera transports them back in time, to the summer they were fifteen—the summer everything changed. Photos fade. Friendships dissolve. Summers end. But this one will change the girls forever . . . again. Wendy Wunder calls Proof of Forever "The Sisterhood of the (Time) Traveling Pants for a new generation!"
In the first book to analyse the form and influence of Ruskin's social theory, Gill Cockram looks at Ruskin's significant contribution to social and intellectual thought in the late 19th and early 20th centuries. In a field often overlooked by 19th century historians, "Ruskin and Social Reform" clarifies for the first time how Ruskin's social theory was disseminated to a much wider readership than was evident in the mid-nineteenth century and how it was that Ruskin achieved great prominence as a social philosopher. Cockram examines the chronological development of Ruskin's thought and establishes the extent of his influence among the nascent labour movement. It was the support of a thinker as original and as unconventional as Ruskin that helped to challenge the laissez-faire conformities of classical economics and launched the quest to find a more ethical and humane basis for social policy-making.
This volume is a comprehensive overview of scholarship on this play. It includes chapters on criticism, sources and background, textual studies, bibliographies, editions, and translations. Also covered are the stage history and major productions of the play, and films, music, television, and adaptations and synopses.
Ecological Form brings together leading voices in nineteenth-century ecocriticism to suture the lingering divide between postcolonial and ecocritical approaches. Together, these essays show how Victorian thinkers used aesthetic form to engage problems of system, interconnection, and dispossession that remain our own. The authors reconsider Victorian literary structures in light of environmental catastrophe; coordinate “natural” questions with sociopolitical ones; and underscore the category of form as a means for generating environmental—and therefore political—knowledge. Moving from the elegy and the industrial novel to the utopian romance, the scientific treatise, and beyond, Ecological Form demonstrates how nineteenth-century thinkers conceptualized the circuits of extraction and violence linking Britain to its global network. Yet the book’s most pressing argument is that this past thought can be a resource for reimagining the present.
Looking across three centuries of want and prosperity, war and peace, this work introduces a cast of practitioners and proponents of the simple life, among them Thomas Jefferson, Scott and Helen Nearing, Jimmy Carter and Jane Addams. It finds that nothing is simple about our mercurial devotion to the ideal of plain living and high thinking. Though we may hedge a bit in practice and are now and then driven by motives no deeper than nostalgia, this work stresses that the diverse efforts to avoid anxious social striving and compulsive materialism have been essential to the nation's spiritual health.
Winner, Presidio La Bahia Award, Sons of the Republic of Texas Built to bring Christianity and European civilization to the northern frontier of New Spain in the seventeenth and eighteenth centuries...secularized and left to decay in the nineteenth century...and restored in the twentieth century, the Spanish missions still standing in Texas are really only shadows of their original selves. The mission churches, once beautifully adorned with carvings and sculptures on their façades and furnished inside with elaborate altarpieces and paintings, today only hint at their colonial-era glory through the vestiges of art and architectural decoration that remain. To paint a more complete portrait of the missions as they once were, Jacinto Quirarte here draws on decades of on-site and archival research to offer the most comprehensive reconstruction and description of the original art and architecture of the six remaining Texas missions—San Antonio de Valero (the Alamo), San José y San Miguel de Aguayo, Nuestra Señora de la Purísima Concepción, San Juan Capistrano, and San Francisco de la Espada in San Antonio and Nuestra Señora del Espíritu Santo in Goliad. Using church records and other historical accounts, as well as old photographs, drawings, and paintings, Quirarte describes the mission churches and related buildings, their decorated surfaces, and the (now missing) altarpieces, whose iconography he extensively analyzes. He sets his material within the context of the mission era in Texas and the Southwest, so that the book also serves as a general introduction to the Spanish missionary program and to Indian life in Texas.