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The scope of the Journal include the broad range of the study of Afro-American life and history.
In the nineteenth century, American tourists, scholars, evangelists, writers, and artists flocked to Palestine as part of a "Holy Land mania." Many saw America as a New Israel, a modern nation chosen to do God's work on Earth, and produced a rich variety of inspirational art and literature about their travels in the original promised land, which was then part of Ottoman-controlled Palestine. In American Palestine, Hilton Obenzinger explores two "infidel texts" in this tradition: Herman Melville's Clarel: A Poem and Pilgrimage to the Holy Land (1876) and Mark Twain's The Innocents Abroad: or, The New Pilgrims' Progress (1869). As he shows, these works undermined in very different ways conventional assumptions about America's divine mission. In the darkly philosophical Clarel, Melville found echoes of Palestine's apparent desolation and ruin in his own spiritual doubts and in America's materialism and corruption. Twain's satiric travelogue, by contrast, mocked the romantic naiveté of Americans abroad, noting the incongruity of a "fantastic mob" of "Yanks" in the Holy Land and contrasting their exalted notions of Palestine with its prosaic reality. Obenzinger demonstrates, however, that Melville and Twain nevertheless shared many colonialist and orientalist assumptions of the day, revealed most clearly in their ideas about Arabs, Jews, and Native Americans. Combining keen literary and historical insights and careful attention to the context of other American writings about Palestine, this book throws new light on the construction of American identity in the nineteenth century.
The New Madrid earthquakes of 1811–12 were the strongest temblors in the North American interior in at least the past five centuries. From the Great Plains to the Atlantic Coast and from the Great Lakes to the Gulf of Mexico, a broad cast of thinkers struggled to explain these seemingly unprecedented natural phenomena. They summoned a range of traditions of inquiry into the natural world and drew connections among signs of environmental, spiritual, and political disorder on the cusp of the War of 1812. Drawn from extensive archival research, Convulsed States probes their interpretations to offer insights into revivalism, nation remaking, and the relationship between religious and political authority across Native nations and the United States in the early nineteenth century. With a compelling narrative and rigorous comparative analysis, Jonathan Todd Hancock uses the earthquakes to bridge historical fields and shed new light on this pivotal era of nation remaking. Through varied peoples' efforts to come to grips with the New Madrid earthquakes, Hancock reframes early nineteenth-century North America as a site where all of its inhabitants wrestled with fundamental human questions amid prophecies, political reinventions, and war.