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When interstellar singer spy Jack Jones has to solve his own murder on The Shakespeare things do not go smoothly. First his clone body loses thirty years of memories, and then it starts experiencing strange urges and abilities. As he investigates he discovers brigands, space pirates and a secret faster-than-light drive, which could push the galaxy into war. He would sing a song, solve the mystery, and save he day--if only he could remember how.
In a place called Tanglewood town. There are eighteen, amusing short stories that focus on women who share a humorous attitude which varies in both age and circumstance. We start with Jane, whose live-in boyfriend is named Jason and he wants a pet. But is there room in her world for two dogs? And we end with a widow, who becomes a ‘Cougar’ when she gets involved with a much younger man. But will everyone else approve of this budding relationship? Join these women and others, for a hilarious glimpse into their daily lives. As funny and intertwining tales unfold into a truly delightful collection that reveals just how they cope with the little issues of life. . . ‘Farcical, frothy and fun,’ Tanglewood Times
Winner, 2019 Saul Viener Book Prize, given by the American Jewish Historical Society A groundbreaking history of the practice of Jewish name changing in the 20th century, showcasing just how much is in a name Our thinking about Jewish name changing tends to focus on clichés: ambitious movie stars who adopted glamorous new names or insensitive Ellis Island officials who changed immigrants’ names for them. But as Kirsten Fermaglich elegantly reveals, the real story is much more profound. Scratching below the surface, Fermaglich examines previously unexplored name change petitions to upend the clichés, revealing that in twentieth-century New York City, Jewish name changing was actually a broad-based and voluntary behavior: thousands of ordinary Jewish men, women, and children legally changed their names in order to respond to an upsurge of antisemitism. Rather than trying to escape their heritage or “pass” as non-Jewish, most name-changers remained active members of the Jewish community. While name changing allowed Jewish families to avoid antisemitism and achieve white middle-class status, the practice also created pain within families and became a stigmatized, forgotten aspect of American Jewish culture. This first history of name changing in the United States offers a previously unexplored window into American Jewish life throughout the twentieth century. A Rosenberg by Any Other Name demonstrates how historical debates about immigration, antisemitism and race, class mobility, gender and family, the boundaries of the Jewish community, and the power of government are reshaped when name changing becomes part of the conversation. Mining court documents, oral histories, archival records, and contemporary literature, Fermaglich argues convincingly that name changing had a lasting impact on American Jewish culture. Ordinary Jews were forced to consider changing their names as they saw their friends, family, classmates, co-workers, and neighbors do so. Jewish communal leaders and civil rights activists needed to consider name changers as part of the Jewish community, making name changing a pivotal part of early civil rights legislation. And Jewish artists created critical portraits of name changers that lasted for decades in American Jewish culture. This book ends with the disturbing realization that the prosperity Jews found by changing their names is not as accessible for the Chinese, Latino, and Muslim immigrants who wish to exercise that right today.
Building on the success of her last two mysteries in the same series, Tessa Arlen returns us to the same universe full of secrets, intrigue, and, this time, roses in this charming Edwardian mystery. The elegant Lady Montfort and her redoubtable housekeeper, Mrs.
Shakespeare by Any Other Name is a collection of two-act plays for teenagers. Set in different time periods and places, their plots, nevertheless, mirror the story lines of five favorite plays by Shakespeare: Twelfth Night, Midsummer Nights Dream, The Tempest, As You Like It, and Cymbeline. Circle Dance delivers the zany bewilderment of love that one might see in Shakespeares comedy Twelfth Night. Bob Weaver and the Teen Angel takes its characters and plot from Midsummer Nights Dream. True to the setting of the play, all of its musical numbers are top of the chart songs of the 1960s. The Gentle Art of Reappearing, which parallels Shakespeares last play The Tempest, involves a different kind of storm on the island of Galveston, Texas. Games gives the audience a modern look at Shakespeares As You Like It with a delightful romantic romp through another Forest of Arden, the piney woods of East Texas. As a spin-off of Cymbeline, Imogens War takes place in 1918 in England and France at the end of WW I with the signing of the Armistice and the resolution of a family feud. For adolescent lovers of Shakespeare, these plays offer a twist from the classic versions of his plays. Not to be confused as alternativesthe Bard is inimitableShakespeare by any other name might still seem as sweet.
The four years of the American Civil War are complete with deeds of valor, examples of self-sacrifice, and accounts of bloody carnage. Participants on both sides felt pride for faithful services rendered to their respective countries. But not all is as it appears. Quite often, complimentary and catchy sobriquets directed towards a high-ranking politician, military leader, or influential civilian were offset by snarky, backhanded names intended to demean and ridicule their intended targets. This unique book will reveal both the good and the bad associated with the facinating individuals who graced the pages of our 19th Century American crisis.
In London, 1593, sixteen-year-old Will Hughes makes his living on Shakespeare's stage, but after the famous playwright Christopher Marlowe is murdered, he teams up with young Lord James Bloomsbury, and together the two hunt the elusive assassin as their forbidden feelings for each other ignite.
Sherlock Holmes is one of the most recognizable—and most parodied—names in western literature. Bill Mason, BSI, collects and annotates these parody names, from the first one that appeared in 1891, to the present day. As Mason says in his introduction: One of the great aspects of Sherlock Holmes is the fact that, just as the character himself is subject to endless variation, so is his name. Ellery Queen noted that the name itself “is particularly susceptible to the twistings and mis-shapenings of burlesque minded authors.” Surely, Arthur Conan Doyle, who struggled a little with what he was going to call his detective hero, could not have known just how perfect the name he finally selected—Sherlock Holmes—would be for parody, for rhyme, for the transposing of letters and sounds, for the substitution of suggestive words in the name of a comic character. Mason’s listings are an invaluable resource for the Holmsian scholar, researcher, or for those interested in whiling away a few hours with a delightful and chuckle-inspiring volume.
A brooding duke finds his beautiful new neighbor way too intriguing for his liking in this delightful Regency romance. "Grace Burrowes is terrific!" --Julia Quinn Nathaniel, Duke of Rothhaven, lives in seclusion, leaving his property only to gallop his demon-black steed across the moors by moonlight. Exasperated mamas invoke his name to frighten small children, though Nathaniel is truly a decent man -- maybe too decent for his own good. That's precisely why he must turn away the beguiling woman demanding his help. Lady Althea Wentworth has little patience for dukes, reclusive or otherwise, but she needs Rothhaven's backing to gain entrance into Polite Society. She's asked him nicely, she's called on him politely, all to no avail -- until her prize hogs just happen to plunder the ducal orchard. He longs for privacy. She's vowed to never endure another ball as a wallflower. Yet as the two grow closer, it soon becomes clear they might both be pretending to be something they're not. BookPage Best Romance Novels of 2020
Have you ever wondered . . . . . . what a worldview is, and why it's so important? . . . how liberal and conservative Christians both claim the Bible as their foundation? . . . why different worldviews attempt to solve the same problems in different ways? . . . how two people who formally espouse different worldviews can agree on so many issues? . . . why secularism is just as religious as Christianity? . . . why secularism has its own mythology? . . . why secularists want to silence Christianity in America's legislatures, courts, schools, and churches? . . . why education is nearly always offered as a solution to society's ills (and why it won't work)? . . . how to formulate positions on contemporary issues not directly mentioned in the Bible? . . . why Christians are often ineffective at influencing culture? Abernathy answers these questions (and many more) by examining the relationship between ideas and their real-world consequences. This foundational relationship is key to understanding secularism, to understanding why its attempts to solve society's problems produce disastrous real-world consequences, and how its ideas infiltrate the biblical principles of even the most committed Christians. Abernathy sifts through the deceptive language of secular orthodoxy and shows how secularism by any other name still has tragic real-world consequences. Ideologies such as humanism, postmodernism, and liberal Christianity are exposed as repackaged havens of a failed worldview. Seemingly well-intentioned notions such as progressive education, pacifist foreign policy, tolerance, and wealth redistribution are debunked as deceptive myths peddled by an impoverished faith. By Any Other Name shatters the secular barrier erected to exclude Christianity from the marketplace of ideas and lays the groundwork for engaging a culture contaminated by secular mythology.