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The first of its kind, A Hunger So Wide and So Deep challenges the popular notion that eating problems occur only among white, well-to-do, heterosexual women. Becky W. Thompson shows us how race, class, sexuality, and nationality can shape women's eating problems. Based on in-depth life history interviews with African-American, Latina, and lesbian women, her book chronicles the effects of racism, poverty, sexism, acculturation, and sexual abuse on women's bodies and eating patterns. A Hunger So Wide and So Deep dispels popular stereotypes of anorexia and bulimia as symptoms of vanity and underscores the risks of mislabeling what is often a way of coping with society's own disorders. By featuring the creative ways in which women have changed their unwanted eating patterns and regained trust in their bodies and appetites, Thompson offers a message of hope and empowerment that applies across race, class, and sexual preference.
The first in-depth look at white people’s activism in fighting racism during the past fifty years. Not since the Civil Rights Movement of the 1950s and 1960s, when many white college students went south to fight against Jim Crow laws, has white antiracist activity held the public’s attention. Yet there have always been white people involved in fighting racism. In this passionate work, Becky Thompson looks at white Americans who have struggled against racism, offering examples of both successes and failures, inspirations, practical philosophies, and a way ahead. A Promise and a Way of Life weaves an account of the past half-century based on the life histories of thirty-nine people who have placed antiracist activism at the center of their lives. Through a rich and fascinating narrative that links individual experiences with social and political history, Thompson shows the ways, both public and personal, in which whites have opposed racism during several social movements: the Civil Rights and Black Power movements, multiracial feminism, the Central American peace movement, the struggle for antiracist education, and activism against the prison industry. Beginning with the diverse catalysts that started these activists on their journeys, this book demonstrates the contributions and limitations of white antiracism in key social justice movements. Through these stories, crucial questions are raised: Does antiracist work require a repudiation of one’s whiteness or can that identity be transformed through political commitment and alliances? What do white people need to do to undermine white privilege? What would it take to build a multiracial movement in which white people are responsible for creating antiracist alliances while not co-opting people of color? Unique in its depth and thoroughness, A Promise and a Way of Life is essential for anyone currently fighting racism or wondering how to do so. Through its demonstration of the extraordinary personal and social transformations ordinary people can make, it provides a new paradigm for movement activity, one that will help to incite and guide future antiracist activism.
In this lively and provocative book, two feminist public sociologists turn to classical social thinkers—W. E. B. Du Bois, Max Weber, Karl Marx, and Émile Durkheim—to understand a series of twenty-first century social traumas, including the massacre at Columbine High School, the 9/11 attacks, the torture at Abu Ghraib prison, and Hurricane Katrina. Each event was overwhelming in its own right, while the relentless pace at which they occurred made it nearly impossible to absorb and interpret them in any but the most superficial ways. Yet, each uncovered social problems that cry out for our understanding and remediation. In When the Center Is on Fire, Becky Thompson and Diane Harriford assert that classical social theorists grappled with the human condition in ways that remain profoundly relevant. They show, for example, that the loss of "double consciousness" that Du Bois identified in African Americans enabled political elites to turn a blind eye to the poverty and vulnerability of many of New Orleans's citizens. The authors' compelling, sometimes irreverent, often searing interpretations make this book essential reading for students, activists, generations X, Y, and Z, and everybody bored by the 6 o'clock news.
Names We Call Home is a ground-breaking collection of essays which articulate the dynamics of racial identity in contemporary society. The first volume of its kind, Names We Call Home offers autobiographical essays, poetry, and interviews to highlight the historical, social, and cultural influences that inform racial identity and make possible resistance to myriad forms of injustice.
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.
An inspiring collection of essays that reveal the healing power of yoga, Survivors on the Yoga Mat is an ideal companion for trauma survivors and yoga teachers alike. Weaving together stories from her classes, travels, and workshops, author Becky Thompson shows the brave and unique ways that survivors approach yoga: the creative ways that they practice, the challenges they face, and the transformative experiences they discover. Thompson skillfully draws connections between yoga and social-justice activism, demonstrating how a trauma-sensitive approach to yoga makes room for all of us—across race, class, gender, religion and nationality. Survivors on the Yoga Mat offers stories, reflections, and meditations for people who are healing from a wide range of traumas—sexual abuse, accidents, child abuse, war, illnesses, incarceration, and other injuries. The book consists of 90 true stories—alternately funny, surprising, and irreverent—that together provide a roadmap for survivors on their journey to wholeness. Organized into six sections, the book explores the challenges of beginning a yoga practice; the unique strengths of trauma survivors; the circuitous path of healing; yoga's value as a lifelong practice; the special role of teachers; and the potential of yoga as an avenue for activism. Also included is a description of Pantajali's Eight Limbs of Yoga, a list of resources, an appendix explaining the different styles of yoga, and a beautiful photo glossary with over 100 photos of the yoga postures mentioned in the book.
An editor at This American Life reveals the searing story of the secret binge-eating that dominated her adolescence and shapes her still. “Her tale of compulsion and healing is candid and powerful.”—People NAMED ONE OF THE BEST BOOKS OF THE YEAR BY MARIE CLAIRE For almost thirty years, Susan Burton hid her obsession with food and the secret life of compulsive eating and starving that dominated her adolescence. This is the relentlessly honest, fiercely intelligent story of living with both anorexia and binge-eating disorder, moving past her shame, and learning to tell her secret. When Burton was thirteen, her stable life in suburban Michigan was turned upside down by her parents’ abrupt divorce, and she moved to Colorado with her mother and sister. She seized on this move west as an adventure and an opportunity to reinvent herself from middle-school nerd to popular teenage girl. But in the fallout from her parents’ breakup, an inherited fixation on thinness went from “peculiarity to pathology.” Susan entered into a painful cycle of anorexia and binge eating that formed a subterranean layer to her sunny life. She went from success to success—she went to Yale, scored a dream job at a magazine right out of college, and married her college boyfriend. But in college the compulsive eating got worse—she’d binge, swear it would be the last time, and then, hours later, do it again—and after she graduated she descended into anorexia, her attempt to “quit food.” Binge eating is more prevalent than anorexia or bulimia, but there is less research and little storytelling to help us understand it. In tart, soulful prose Susan Burton strikes a blow for the importance of this kind of narrative and tells an exhilarating story of longing, compulsion and hard-earned self-revelation.
A poetry anthology that illuminates exile and displacement. Making Mirrors began on two continents, envisioned by Palestinian poet and aid worker, Jehan Bseiso, and Becky Thompson, a US-based poet changed by months of greeting refugees after their perilous journey across the Aegean Sea. This anthology uses mirrors to reflect imagistic connections that allow us to see ourselves in each other, those on rafts and those standing on the shore, those waiting/writing in detention and those writing from places of relative safety, those who lift their children to the sky and those whose bodies are at the bottom of the sea. Making Mirrors offers a poetics of belonging—to the earth, family, and memories packed into backpacks. The poems go beyond refugee/citizen binaries and illuminate exile as a forced/creative space. As the refugee crisis fades from the front page of newspapers, this collection is a plea against historical amnesia and inertia; the poems are an antidote that reaches beyond despair to renewed action. Contributors include: Abbas Sheikhi • Abu Bakr Khaal • Adele Ne Jame • Ahmad Almallah • Ahmed • Qaisania • Angela Farmer • Baha’ Budair • Becky Thompson • Bronwen Griffiths • Eman Abedelhadi • Fadwa Soleiman • Fady Joudah • Fatima Al Hassan • Fouad Mohammed Fouad • Gbenga Adesina • Golan Haji • Hajer Almosleh • Hayan Charara • Ibtisam Barakat • Jehan Bseiso • Jose A. Alcantara • Lena Khalaf Tuffaha • Lisa Suhair Majaj • Marilyn Hacker • Marisa Frasca • Merna Ann Hecht • Mohsen Emadi • Mootacem Bellah Mhiri • Naomi Shihab Nye • Nathalie Handal • Nawwar Kamal Al Hassani • Nisreen Aj • Nora Barghati • Omar Mousa Alsayyed • Rewa Zeinati • Ruth Awad • Saad Abdullah • Sanaa Shuaybe • Sara Abou Rashed • Sara Saleh • Sharif S. Elmusa • Sholeh Wolpé • Zeina Azzam • Zeina Hashem Beck • Zoe Holman Making Mirrors began on two continents, envisioned by Palestinian poet and aid worker, Jehan Bseiso, and Becky Thompson, a US-based poet changed by months of greeting refugees after their perilous journey across the Aegean Sea. This anthology uses mirrors to reflect imagistic connections that allow us to see ourselves in each other, those on rafts and those standing on the shore, those waiting/writing in detention and those writing from places of relative safety, those who lift their children to the sky and those whose bodies are at the bottom of the sea. Making Mirrors offers a poetics of belonging—to the earth, family, and memories packed into backpacks. The poems go beyond refugee/citizen binaries and illuminate exile as a forced/creative space. As the refugee crisis fades from the front page of newspapers, this collection is a plea against historical amnesia and inertia; the poems are an antidote that reaches beyond despair to renewed action. Contributors include: Abbas Sheikhi • Abu Bakr Khaal • Adele Ne Jame • Ahmad Almallah • Ahmed Qaisania • Angela Farmer • Baha’ Budair • Becky Thompson • Bronwen Griffiths • Eman Abedelhadi • Fadwa Soleiman • Fady Joudah • Fatima Al Hassan • Fouad Mohammed Fouad • Gbenga Adesina • Golan Haji • Hajer Almosleh • Hayan Charara • Ibtisam Barakat • Jehan Bseiso • Jose A. Alcantara • Lena Khalaf Tuffaha • Lisa Suhair Majaj • Marilyn Hacker • Marisa Frasca • Merna Ann Hecht • Mohsen Emadi • Mootacem Bellah Mhiri • Naomi Shihab Nye • Nathalie Handal • Nawwar Kamal Al Hassani • Nisreen Aj • Nora Barghati • Omar Mousa Alsayyed • Rewa Zeinati • Ruth Awad • Saad Abdullah • Sanaa Shuaybe • Sara Abou Rashed • Sara Saleh • Sharif S. Elmusa • Sholeh Wolpé • Zeina Azzam • Zeina Hashem Beck • Zoe Holman
DELIVERED FROM THE DARKNESS, A WOMAN FINDS HERSELF PLUNGED INTO A PASSION THAT IS DEEPER THAN MIDNIGHT. At eighteen, Corinne Bishop was a beautiful, spirited young woman living a life of privilege as the adopted daughter of a wealthy family. Her world changed in an instant when she was stolen away and held prisoner by the malevolent vampire Dragos. After many years of captivity and torment, Corinne is rescued by the Order, a cadre of vampire warriors embroiled in a war against Dragos and his followers. Her innocence taken, Corinne has lost a piece of her heart as well—the one thing that gave her hope during her imprisonment, and the only thing that matters to her now that she is free. Assigned to safeguard Corinne on her trip home is a formidable golden-eyed Breed male called Hunter. Once Dragos’s most deadly assassin, Hunter now works for the Order, and he’s hell-bent on making Dragos pay for his manifold sins. Bonded to Corinne by their mutual desire, Hunter will have to decide how far he’ll go to end Dragos’s reign of evil—even if carrying out his mission means shattering Corinne’s tender heart.