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Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
In 1987 Minneapolis architect James Stageberg designed an innovative house for his wife, writer Susan Allen Toth, drawing on his thirty years of experience as an architect and on Susan's spontaneity, wit, and wholehearted love of houses. Now they have combined their talents once again in this book. In the first section, the authors address basic questions about working with an architect: how to select one, how to establish effective communication, and how to participate in planning your dream house. From the overall appearance of the house to the small but crucial decisions that make a house livable, they dispel myths and offer guidance. In the second section, they use their own experience as an example of the architectural process. From choosing a site to selecting the finishing touches, they explain the stages necessary to build a custom-designed home, recounting the problems they encountered and the solutions they discovered.--From publisher description.
Winner of the PEN Center USA Literary Award for Creative Nonfiction • From the celebrated bestselling author of The House on Mango Street: "This memoir has the transcendent sweep of a full life.” —Houston Chronicle From Chicago to Mexico, the places Sandra Cisneros has lived have provided inspiration for her now-classic works of fiction and poetry. But a house of her own, a place where she could truly take root, has eluded her. In this jigsaw autobiography, made up of essays and images spanning three decades—and including never-before-published work—Cisneros has come home at last. Written with her trademark lyricism, in these signature pieces the acclaimed author of The House on Mango Street and winner of the 2019 PEN/Nabokov Award for Achievement in International Literature shares her transformative memories and reveals her artistic and intellectual influences. Poignant, honest, and deeply moving, A House of My Own is an exuberant celebration of a life lived to the fullest, from one of our most beloved writers.
What happens to people after an earthquake destroys their homes? What is daily life like under a humanitarian regime? Is aid a gift or is it a form of power? A House of One's Own explores these enduring questions as they unfold in a Salvadoran town in the aftermath of the 2001 earthquakes. In a lively, intimate account of the social complexities that arise in post-disaster settings, Alicia Sliwinski recounts the trajectories of fifty families who received different forms of humanitarian aid, from emergency assistance to housing reconstruction. Drawing on seminal anthropological theories about gift giving and moral economy, the author thoughtfully discusses the complications and challenges of humanitarian action that aims to rebuild communities through participation. At the crossroads of disaster studies and the anthropology of humanitarianism, the book's insights speak to timely and recurring issues that relocated populations face in regimented and morally charged resettlement initiatives. A richly textured, analytically nuanced ethnography, A House of One's Own is a perceptive firsthand account of what happens on the ground in a post-disaster setting.
Nearly eight hundred drawing enhance step-by-step instructions in every aspect and phase of planning and constructing one's own home.
Shulgi-simti is an important example of a woman involved in sponsoring religious activities though having a family life. An Ox of One’s Own will be of interest to Assyriologists, particularly those interested in Early Mesopotamia, and scholars working on women in religion. An Ox of One’s Own centers on the archive of a woman who died about 2050 B.C., one of King Shulgi’s many wives. Her birth name is unknown, but when she married, she became Shulgi-simti, “Suitable for Shulgi.” Attested for only about 15 years, she existed among a court filled with other wives, who probably outranked her. A religious foundation was run on her behalf whereby courtiers, male and female, donated livestock for sacrifices to an unusual mix of goddesses and gods. Previous scholarship has declared this a rare example of a queen conducting women’s religion, perhaps unusual because they say she came from abroad. The conclusions of this book are quite different. An Ox of One’s Own lays out the evidence that another woman was queen at this time in Nippur while Shulgi-simti lived in Ur and was a third-ranking concubine at best, with few economic resources. Shulgi-simti’s religious exercises concentrated on a quartet of north Babylonian goddesses.
You don’t need to depend on (or pay) a general contractor to manage your construction project. Whether you’re building a new home or renovating an existing one, you can manage the job yourself. Carl Heldmann outlines how to purchase your own land, set a reasonable budget and schedule, describe your needs and vision to an architect, and hire subcontractors to do the actual building. Cut out the middleman and save as much as 25 percent on your beautiful new home!
What would Little Women be without the charms of the March family’s cozy New England home? Or Wuthering Heights without the ghost-infested Wuthering Heights? Getting lost in the setting of a good book can be half the pleasure of reading, and Decorating a Room of One’s Own brings literary backdrops to the foreground in this wryly affectionate satire of interior design reporting. English professor and humorist Susan Harlan spoofs decorating culture by reimagining its subject as famous fictional homes and “interviews” the residents who reveal their true tastes: Lady Macbeth’s favorite room in the castle, or the design inspiration behind Jay Gatsby’s McMansion of unfulfilled dreams. Featuring 30 entries of notable dwellings, sidebars such as “Setting Up an Ideal Governess’s Room,” and four-color spot illustrations throughout, Decorating a Room of One’s Own is the ideal book for readers who appreciate fine literature and a good end table.
In recent years, society has focused more and more attention on the period between active working age and old age (or the “Third Age”). This book reports the results of an experiential home research project in which inhabitant-based information on housing experiences was gathered in order to help housing designers and planners make their products feel “homier”. What is the relationship between housing and experiences of home? What makes housing feel “homey”? What things are necessary in an apartment to make it a real home? The data consist of group discussions which took place in South Ostrobothnia, Finland. The most crucial factors in homey housing proved to be human relationships and the sense of independence in life management. Home functionality, aesthetics, the role of building, movables and culture, as well as the influence of nature and the environment, are also shown to be key elements of homeyness. The concluding chapter differentiates four discourses of housing and ageing. Home is understood as building and possessions, but it can also have emotional content: it is about memories and feelings. Furthermore, it is seen as interaction between the self and surroundings and as a complicated concept of multiple homes varying in time and space.