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Two novels of elvish lore and modern noir. Beyond Worlds End: Eric Banyon, elvish knight and bard, moves back to the Big Apple to finish his interrupted education at Juilliard School of Music. Soon Eric discovers that unscrupulous researchers have created a drug to unlock magical powers in humans¾and something evil from Underhill plans to use those human powers to dominate World Above. But Eric is one bard who is going to let no such thing happen. Spirits White as Lightning: Eric Banyon has more to worry about than passing his courses at Juilliard. The evil elf lord Aerune, whose love was killed by mortal men, is determined to destroy the human race. Erics only hope of stopping Aerune is to trap him inside a magical maze¾but first he must journey to the heart of Aerunes realm and trick the elf lord into a deadly chase. At the publisher's request, this title is sold without DRM (Digital Rights Management).
Peter Brigg examines the life and work of British author J.G. Ballard, from his science fiction to his mainstream fiction. Starmont Reader's Guide 26.
Collects all ninety-two of the late author's stories -- including "Prima Belladonna," "Dead Time," and "The Index" -- which span five decades and explore everything from musical orchids to human cannibalism to the secret history of World War III.
Teenager Faris Nallaneen is the heir to the small northern dukedom of Galazon. Too young still to claim her title, her despotic Uncle Brinker has ruled in her place. Now he demands she be sent to Greenlaw College. For her benefit he insists. To keep me out of the way, more like it! But Greenlaw is not just any school-as Faris and her new best friend Jane discover. At Greenlaw students major in . . . magic. But it's not all fun and games. When Faris makes an enemy of classmate Menary of Aravill, life could get downright . . . deadly. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
J. G. Ballard once declared that the most truly alien planet is Earth and in his science fiction he abandoned the traditional imagery of rocket ships traveling to distant galaxies to address the otherworldliness of this world. The Empires of J. G. Ballard is the first extensive study of Ballard's critical vision of nation and empire, of the political geography of this planet. Paddy examines how Ballard s self-perceived status as an outsider and exile, the Sheppertonian from Shanghai, generated an outlook that celebrated worldliness and condemned parochialism. This book brings to light how Ballard wrestled with notions of national identity and speculated upon the social and psychological implications of the post-war transformation of older models of empire into new imperialisms of consumerism and globalization. Presenting analyses of Ballard s full body of work with its tales of reverse colonization, psychological imperialism, the savagery of civilization, estranged Englishmen abroad and at home, and multinational communities built on crime, The Empires of J. G. Ballard offers a fresh perspective on the fiction of J. G. Ballard. The Empires of J.G. Ballard: An Imagined Geography offers a sustained and highly convincing analysis of the imperial and post-imperial histories and networks that shape and energise Ballard's fictional and non-fictional writings. To what extent can Ballard be considered an international writer? What happens to our understanding of his post-war science fictions when they are opened up to the language and logics of post-colonialism? And what creative and critical roles do the spectres of empire play in Ballard's visions of modernity? Paddy follows these and other fascinating lines of enquiry in a study that is not only essential reading for Ballard students and scholars, but for anyone interested in the intersections of modern and contemporary literature, history and politics. (Jeanette Baxter, Anglia Ruskin University) Shanghai made my father. Arriving in England after WW2, he was a person of the world who d witnessed extremes of human experience, and remained the outsider observing life from his home in Shepperton. 1930s Shanghai, Paris of the East , was a mix of international sophistication and violence, unfettered capitalism and acute poverty, American cars, martinis and Coca Cola, a place marked by death and war. It had a profound influence on my father and his imagination. Dr Paddy s fascinating book explores my father s fiction within an international context and offers a profound reading of a man who always kept his eyes and mind open to the world. (Fay Ballard)
J. G. Ballard’s collected nonfiction from 1962 to 2007, mapping the cultural obsessions, experiences, and insights of one of the most original minds of his generation. J. G. Ballard was a colossal figure in English literature and an imaginative force of the twentieth century. Alongside seminal novels—from the notorious Crash (1973) to the semi-autobiographical Empire of the Sun (1984)—Ballard was a sought-after reviewer and commentator, publishing journalism, memoir, and cultural criticism in a variety of forms. The Selected Nonfiction of J. G. Ballard collects the most significant short nonfiction of Ballard’s fifty-year career, extending the range of the only previous collection of his nonfiction, A User’s Guide to the Millennium (1996), which selected essays and reviews published between 1962 and 1995. A decade on from Ballard’s death in 2009, a new generation of readers needs a new collection. In the period following A User’s Guide, Ballard’s writing addressed 9/11, British politics from New Labour onward, and what he termed “the rise of soft fascism”—a diagnosis that maintains its relevance amid a shift toward right populism in European and US politics. Beautifully edited by Ballard scholar and novelist Mark Blacklock, this volume includes Ballard’s editorials and manifestos; commentaries on his own work; commentaries on the work of others; reviews; and more. Above all, it makes the case for the currency of Ballard’s work at a contemporary juncture at which so many of his diagnoses concerning the media and politics have become apparent.
J. G. Ballard self-professedly 'devoured' the work of Freud as a teenager, and entertained early thoughts of becoming a psychiatrist; he opened his novel-writing career with a manifesto declaring his wish to write a science fiction exploring not outer but 'inner space', and declaring the need for contemporary fiction to be viewed 'as a branch of neurology'. He also apparently welcomed a reader's report on Crash (1973) condemning him as 'beyond psychiatric help' as confirming his achievement of 'total artistic success'. Samuel Francis investigates Ballard's engagement with psychology and the psychological in his fiction, tracing the influence of key figures including Sigmund Freud, C.G. Jung and R.D. Laing and placing his work in the context of the wider fields of psychology and psychiatry. While the psychological preoccupations of his writing are very clear - including his use of concepts such as the unconscious, psychopathology, 'deviance', obsession, abnormal psychology and schizophrenia - this is the first book to offer a detailed analysis of this key conceptual and historical context for his fiction.
On the northern edge of Fairwell, beneath the ever-flowing clouds, lies a ruin known as Cairy Hollow… So begins this tale of a Halloween Ball and bitter revenge. A spiteful woman orders the destruction of an estate cottage that has become a shelter for forest life. In retaliation, two ravens and a demon spell a wretched scarecrow into a handsome rogue. Christened Adrian Bramwell, his mission is to seduce the woman’s daughter Civette, with the goal of Nature’s creatures taking over the estate mansion as their new sanctuary. Yet between the dawn and the dusk of his one day on earth, their creation begins to feel, to guess, and to suffer. Will Adrian cold-heartedly lure Civette away, or will he fall in love?
DigiCat Publishing presents to you this special edition of "The Willow Cabin" by Pamela Frankau. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.