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The definitive text on women in photography, now in an affordable paperback edition.
A magnificently illustrated history showcasing the work of three hundred women photographers from all over the world, from the invention of the medium through to the present. Since the invention of the camera, women photographers have been key innovators in the medium and members of all major photography movements. These are artists who never stopped documenting, questioning, and transforming the world, breaking down social boundaries, challenging gender roles, and expressing their imagination and sexuality. To capture the diversity of this global body of work, authors Luce Lebart and Marie Robert have invited 160 international women writers to contribute to this bold and beautifully illustrated manifesto. Spanning from 1850 to the present day, and including images by Helen Levitt, Carrie Mae Weems, Hannah Höch, Sarah Moon, Eve Arnold, and Shirin Neshat, among many others, A World History of Women Photographers is an invaluable work of reference.
This introduction to the greatest women photographers from the 19th century to today features the most important works of 60 artists, along with in-depth biographical and critical assessments.
With a rising number of women throughout the world picking up their cameras and capturing their surroundings, this book explores the work of 100 women and the experiences behind their greatest images. Traditionally a male-dominated field, street photography is increasingly becoming the domain of women. This fantastic collection of images reflects that shift, showcasing 100 contemporary women street photographers working around the world today, accompanied by personal statements about their work. Variously joyful, unsettling and unexpected, the photographs capture a wide range of extraordinary moments. The volume is curated by Gulnara Samoilova, founder of the Women Street Photographers project: a website, social media platform and annual exhibition. Photographer Melissa Breyer's introductory essay explores how the genre has intersected with gender throughout history, looking at how cultural changes in gender roles have overlapped with technological developments in the camera to allow key historical figures to emerge. Her text is complemented by a foreword by renowned photojournalist Ami Vitale, whose career as a war photographer and, later, global travels with National Geographic have allowed a unique insight into the realities of working as a woman photographer in different countries. In turns intimate and candid, the photographs featured in this book offer a kaleidoscopic glimpse of what happens when women across the world are behind the camera.
Women Photographers and Feminist Aesthetics makes the case for a feminist aesthetics in photography by analysing key works of twenty-two women photographers, including cis- and trans-woman photographers. Claire Raymond provides close readings of key photographs spanning the history of photography, from nineteenth-century Europe to twenty-first century Africa and Asia. She offers original interpretations of well-known photographers such as Diane Arbus, Sally Mann, and Carrie Mae Weems, analysing their work in relation to gender, class, and race. The book also pays close attention to the way in which indigenous North Americans have been represented through photography and the ways in which contemporary Native American women photographers respond to this history. Developing the argument that through aesthetic force emerges the truly political, the book moves beyond polarization of the aesthetic and the cultural. Instead, photographic works are read for their subversive political and cultural force, as it emerges through the aesthetics of the image. This book is ideal for students of Photography, Art History, Art and Visual Culture, and Gender.
Showcasing some of the most powerful, startling, intimate, and dramatic photojournalism and photographic art ever published by the National Geographic Society, now in a quality trade paper edition, this retrospective honors the women behind the lens. 146 full-color photos.
Although photography is well along in its second century, until now virtually nothing has been written about the work of black women photographers. In this historical survey Jeanne Moutoussamy-Ashe presents an impressive selection of photographs, commenting on the careers of the professional and fine arts photographers, from the pioneers to the women of today. The book is divided into six parts, each "Overview" describing the triumphs and struggles of various photographers of different eras. The careful attention to detail is illustrated in the photographs of early twentieth-century photographer Elnora Teal and in the work of Eslanda (Mrs. Paul) Robeson from her travels throughout the world. It also offers glimpses of black Hollywood in the 1940s and 1950s and of New York's Harlem during the same period. The photographs of contemporary photographers, among them Coreen Simpson, with her flamboyant style, and Fern Logan, with her strong eye, demonstrate the talent and style black women continue to show in the field of photography. This collection of photographs - meaningful, striking, handsome - will give pleasure to photo buffs, historians, and to anyone fascinated by this neglected but vital part of history.
She Who Tells a Story introduces the pioneering work of twelve leading women photographers from Iran and the Arab world: Jananne Al-Ani, Boushra Almutawakel, Gohar Dashti, Rana El Nemr, Lalla Essaydi, Shadi Ghadirian, Tanya Habjouqa, Rula Halawani, Nermine Hammam, Rania Matar, Shirin Neshat and Newsha Tavakolian. As the Middle East has undergone unparalleled change over the past twenty years, and national and personal identities have been dismantled and rebuilt, these artists have tackled the very notion of representation with passion and power. Their provocative images, which range in style from photojournalism to staged and manipulated visions, explore themes of gender stereotypes, war and peace and personal life, all the while confronting nostalgic Western notions about women of the Orient and exploring the complex political and social landscapes of their home regions. Enhanced with biographical and interpretive essays, and including more than 100 reproductions of photographs and film and video stills, this book challenges us to set aside preconceptions about this part of the world and share in the vision of a group of vibrant artists as they claim the right to tell their own stories in images of great sophistication, expressiveness and beauty.
This anthology is dedicated to pictures of women taken by women. It begins withhotographs by the two great female photographers of the 19th century, Clementna Lady Hawarden and Julia Margaret Cameron, and covers a period of over 100 yars to the present day.;Some 160 images by 90 photographers present us with th entire spectrum of female self-definition both behind and in front of the camra. As such, the four major themes of social reality, the family, the female bdy and virtual reality come to the fore with their multifarious pictures fromhe worlds of art, literature, fashion, dance and show business. There are selfprotraits as well as female photographers' portraits of female photographers,aughters, mothers and, of course, several important female figures including Vrginia Woolf, Greta Garbo, Martha Graham, Simone de Beauvoir, Maria Callas, Maonna, Hillary Clinton, and even Her Majesty the Queen.