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If you enjoy popular music and culture today, you have vaudeville to thank. From the 1870s until the 1920s, vaudeville was the dominant context for popular entertainment in the United States, laying the groundwork for the music industry we know today. In Vaudeville Melodies, Nicholas Gebhardt introduces us to the performers, managers, and audiences who turned disjointed variety show acts into a phenomenally successful business. First introduced in the late nineteenth century, by 1915 vaudeville was being performed across the globe, incorporating thousands of performers from every branch of show business. Its astronomical success relied on a huge network of theatres, each part of a circuit and administered from centralized booking offices. Gebhardt shows us how vaudeville transformed relationships among performers, managers, and audiences, and argues that these changes affected popular music culture in ways we are still seeing today. Drawing on firsthand accounts, Gebhardt explores the practices by which vaudeville performers came to understand what it meant to entertain an audience, the conditions in which they worked, the institutions they relied upon, and the values they imagined were essential to their success.
This third volume of The Papers of Will Rogers documents the evolution of Rogers's vaudeville career as well as the newlywed life of Will and Betty Blake Rogers and the birth of their children. During these years, the Rogerses moved to New York City, and after many years of performing with Buck McKee and horse Teddy, Rogers began a solo act in vaudeville as a talking, roping cowboy. He appeared on the same playbill with such performers as Fred Stone, Eddie Cantor, and Houdini, and his stage career expanded to include an appearance in the Broadway musical comedy "The Wall Street Girl." Volume Three ends with Rogers's successful transition from vaudeville to Broadway, on the brink of his breakthrough as a star of the Ziegfeld Follies.
Winner of a 2004 Washington State Book Award Winner of a 2004 Alpha Sigma Nu (ASN) Jesuit Book Award In 1893, the Washington State legislature quietly began passing a set of laws that essentially made homosexuality, and eventually even the discussion of homosexuality, a crime. A century later Mike Lowry became the first governor of the state to address the annual lesbian and gay pride rally in Seattle. Gay Seattle traces the evolution of Seattle’s gay community in those 100 turbulent years, telling through a century of stories how gays and lesbians have sought to achieve a sense of belonging in Seattle. Gary Atkins recounts the demonization of gays by social crusaders around the turn of the century, the earliest prosecutions for sodomy, the official harassment and discrimination through most of the twentieth century, and the medical discrimination and commitment to mental hospitals that continued into the 1970s as homosexuality was diagnosed as a disease that could be "cured." Places of refuge from this imposed social exile were created in underground theater and dance clubs: the Gold Rush-era burlesque shows, modern drag theater, and in mid-century the emergence of openly gay bars, from the Casino to Shelley’s Leg. Many of these were subjected to steady exploitation by corrupt police - until bar owner MacIver Wells and two Seattle Times reporters exposed the racket. The increasingly public presence of gays in Seattle was accompanied by the gradual coalescence of social services and self-help organizations such as the Dorian Society, gay businesses and advocacy groups including the Greater Seattle Business Association, and the stormy relationship between the Vatican, Seattle's Catholic hierarchy, and gay worshippers. Atkins’ narrative reveals the complex and often frustrating process of claiming a civic life, showing how gays and lesbians have engaged in a multilayered struggle for social acceptance against the forces of state and city politics, the police, the media, and public opinion. The emergence of mainstream political activism in the 1970s, and ultimately the election of Cal Anderson and other openly gay officials to the state legislature and city council, were momentous events, yet shadowed by the devastating rise of AIDS and its effect on the homosexual community as a whole. These stories of exile and belonging draw on numerous original interviews as well as case studies of individuals and organizations that played important roles in the history of Seattle’s gay and lesbian community. Collectively, they are a powerful testament to the endurance and fortitude of this minority community, revealing the ways a previously hidden sexual minority "comes out" as a people and establishes a public presence in the face of challenges from within and without.
Seattle is a music town with rich, deep roots that have influenced the culture and identity of its civic life for decades. In a society that appreciates music but is ambivalent toward the profession of making it, the importance and contribution of Seattle's musicians have been routinely overlooked in historical accounts of the city. Kurt Armbruster fills that gap in this far-reaching and entertaining panorama of Seattle music from the 1890s to the 1960s, "before Seattle rocked." For this once-remote city, music forged links as real as those created by railroads and steamships. Classical music embodied the middle-class aspirations for gentility and cosmopolitan stature; jazz and blues gave Seattle's small African American community a vehicle for affirmation and economic advancement; ethnic music helped immigrants adjust to a new home; songs and drumming kept the memories of the Duwamish alive in a changing world. Before Seattle Rocked is enlivened by personal anecdotes and memories from many of Seattle's most beloved musicians and is enriched by historic photos of the changing music scene. Watch the trailer: http://www.youtube.com/watch?v=tyo22tC6PkQ&feature=channel_video_title Before Seattle Rocked was made possible in part by a grant from 4Culture's Heritage Program.
Before they became household names, many would-be Hollywood stars began their careers as small-time actors in regional theatres and playhouses. Few of them earned much recognition based on their time in the footlights, but often the stage provided these Hollywood hopefuls with their first break in show business. Drawing on material from the J. Willis Sayre Collection, a nearly unbroken accumulation of theatrical programs from 1865 to 1955, this book chronicles the Seattle stage engagements of more than 30 silent film personalities. Such Hollywood giants as Douglas Fairbanks, Charlie Chaplin, Cecil B. DeMille, D.W. Griffith, and Buster Keaton, to name just a few, can trace their early careers through the Emerald City.