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Local histories, written and published by non-academic historians, constitute a rapidly expanding genre in contemporary non-Western societies. However, academic historians and anthropologists usually take little notice of them. This volume takes a comparative look at local historical writing. Thirteen case studies, set in seven different countries of sub-Saharan Africa, India and Nepal, examine the authors, their books and their audiences. From different perspectives, they analyse the genre's intellectual roots, its relationship to oral historical narratives, and its relevance and impact in local and wider arenas. Local histories, it turns out, pursue a variety of agendas. They (re)construct local and communal identities affected by rapid social change. Often, they (re)write history as part of cultural and political struggles. Openly or implicitly, all of them place local communities on the map of the world at large.
This book is an exposition of the sociocultural past, present, and futuristic preview of the Emevor-speaking people of the Niger-Delta, Nigeria. The work is the product of the author’s reminiscences and introspection into the historiography, geography, economy, language, education, and the multifarious rich sociocultural milieu of the people. It deals with the traditional customs, beliefs, totems, astronomy, time and event reckoning, marriages, traditional religions, ancestral worship and Christology, oracle divination, obituary and obsequies, initiation into Ehwa womanhood rites and sabbatical fattening of brides, festivals, identity of people, governance, heroes/heroines and modern pacesetters, and the changes provoked by modernity. By using simple language, graphic descriptions, and vivid and clear explanations of the phenomena and events, the author has taken the reader through the maze, as it were, with the needed compass to navigate through these labyrinths.
This is a study of children's masquerades in Africa, describing specific cases of young children's masking in the areas of west, central, and southern Africa. The children are seen as active agents in their own culture rather than passive recipients of culture as taught by parents and other elders.
“A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities.