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The 19th century ushered in an unprecedented boom in technology, the unification of European nations, the building of global empires and stabilization of the middle classes. The theatre of the era reflected these significant developments as well as helped to catalyse them. Populist theatre and purposebuilt playhouses flourished in the ever-growing urban and cosmopolitan centres of Europe and in expanding global networks. This volume provides a comprehensive and interdisciplinary overview of the cultural history of theatre from 1800 to 1920. Highly illustrated with 51 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
This study is an investigation of the structure of a typical stage and of the general method of play-production in the Elizabethan period. The materials which have been used are mainly of four kinds: 1. Contemporary statements and records bearing on the stage. 2. Four drawings which have usually been considered as presentments of interiors of Shaksperian theaters. 3. Pre-Elizabethan and Restoration stage conditions. 4. The Elizabethan drama. -- Introduction.