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(Meredith Music Resource). The individual selection of quality literature one of the most important responsibilities facing today's band director is greatly simplified using this one-of-a kind publication. It is the ultimate tool in concert planning and programming benefiting both entry-level and experienced conductors by compiling all of the information needed for reliable music selection. Assisting conductors recall works they may have heard but not yet conducted, brief incipits of prominent melodic themes are included, as are cost, duration, availability, instrumentation, recordings, publishers, solos, and tips on programming. With hundreds of new works produced each year, this handy "survival guide to music selection" is a must for the serious wind band conductor. "... a much-needed addition to our profession ... this is a must for every band library!" Ray E. Cramer, Emeritus Director of Bands, Indiana University (a href="http://youtu.be/xWMQIRVIhGs" target="_blank")Click here for a YouTube video on Great Music for Wind Band(/a)
The book provides a historical survey of the wind band’s music and denotes how historical and cultural developments have influenced it over the course of time. Although the modern wind band developed first in the 19th century, it has its roots in the wind music of ancient times, and music survives that has been composed since the Middle Ages. Therefore, this book covers the music from that time to the present, including the dance music of the Renaissance, the Harmoniemusik of the Classical Period, and the nationalistic music of the Romantic Period, as well as the major wind band repertoire developed after 1900.
A History of the Trombone, the first title in the new series American Wind Band, is a comprehensive account of the development of the trombone from its initial form as a 14th-century Medieval trumpet to its alterations in the 15th century; from its marginalized use in a particular Renaissance ensemble to its acceptance in various kinds of artistic and popular music in the 19th and 20th centuries. David M. Guion accesses new and important primary source materials to present the full sweep of the instrument's history, placing particular emphasis on the people who played the instrument, the music they performed, and the relevant cultural contexts. After a general overview, the material is presented in two main sections: the first traces the development of the trombone itself and examines the literature written about it, and the second investigates the history of performance on the instrument--the ensembles it participated in, the occasions in which it took part, the people who played it, and the social, intellectual, political, economic, and technological forces that impinged on that history. Guion analyzes the trombone's place in countries all over the world and in many styles of music, such as art, opera, popular, and world music. An appendix of transcriptions of selected primary source documents, including translations, and a comprehensive bibliography round out this important reference. Fully illustrated with more than 80 images, A History of the Trombone appeals not just to trombonists but to students, scholars, and fans of all musical instruments.
A remarkable amount of historical information is covered in this comprehensive history of the American band. Timelines and photos track developments in American band music from colonial drum and fife corps to the Big Band era; and useful tables compare band music milestones to those of other arts in western civilization, events in U.S. history, and with other American musical breakthroughs. The final section of the book discusses new directions in American music and predicts a bright future for the modern wind band.
A chronological history of all varieties of bands beginning in the thirteenth century through the end of the twentieth century.
Whether used for personal reference or as a text for a class in the history of the wind band this book is the most comprehensive single-volume history of the wind band ever written. This volume draws on the author's multi-volume History and Literature of the Wind Band and follows the development of the wind band through the civic, court, church and military performances of the Ancient World through the nineteenth century.
This book had its origins in a series of ten lectures, The Development of the Orchestra, which were prepared and delivered to the service men and women who frequented the music room of the Fifth Avenue USO Club in San Diego, California, during my war-time stay in that important training area as National USO music advisor. In expanding those informal essays into this little book, which is concerned with the development of wind instruments and their use, it has been my desire to afford both the casual reader and the serious student of the orchestra and band with a single volume which might prove of interest. --Preface.
This well researched volume tells the story of music education in Japan and of the wind band contest organized by the All-Japan Band Association. Identified here for the first time as the world’s largest musical competition, it attracts 14,000 bands and well over 500,000 competitors. The book’s insightful contribution to our understanding of both music and education chronicles music learning in Japanese schools and communities. It examines the contest from a range of perspectives, including those of policy makers, adjudicators, conductors and young musicians. The book is an illuminating window on the world of Japanese wind bands, a unique hybrid tradition that comingles contemporary western idioms with traditional Japanese influences. In addition to its social history of Japanese school music programs, it shows how participation in Japanese school bands contributes to students’ sense of identity, and sheds new light on the process of learning to play European orchestral instruments.
(Meredith Music Resource). A focus on the development of the wind band/ensemble and its literature as a medium of artistic musical expression. Incredibly insightful and written by perhaps the most knowledgeable person in the field today.