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Excerpt from A History of the Earth, and Animated Nature, Vol. 4 of 6 As in mechanics the most curious instruments are generally the most complicated, so it is in ana tomy. The body of man presents the greatest-variety upon dissection quadrupeds, less perfectly formed, discover their defects in the simplicity of their consi formation; the mechanism of birds is still less com plex; fishes are furnished with fewer organs still whilst insects, more imperfect than all, seem to fill up the chasm that separates animal from vegetable nature. Of man, the most perfectanimal, there are but three or four species; of quadrnpeda, the kinds are more numerous; birds are more various still fishes yet more; but insects afi'ord so very great a Variety, that they elude the search of the most inquia sitive pursuer. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A History of the Earth, and Animated Nature, Vol. 2 of 6 As man, in all the privileges he enjoys, and the powers he is invested with, has a superiority over all other animals, so in his necessities he seems inferior to the meanest of them all. Nature has brought him into life with a greater variety of wants and infirmities than the rest of her creatures, unarmed in the midst of enemies. The lion has natural arms, the bear natural clothing; but man is destitute of all such advantages, and, from the superiority of his mind alone, he is to supply the deficiency. The number of his wants, however, were merely given in order to multiply the number of his enjoyments; since the possibility of being deprived of any good, teaches him the value of its possession. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A History of the Earth and Animated Nature, Vol. 2 All birds are covered with feathers, and they are the only animals which, properly speaking, are so. These feathers are of two sorts - feathers for clothing, to protect the animal from the vicissitudes of the weather, and feathers for ight. Both of these are beautifully modified, so as to suit the different habits of the several species, and adapt them to the climates and the ele ments in which they find their food. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Excerpt from A History of the Earth and Animated Nature, Vol. 2 of 2 From this conformation, they have often been oompredtonshipmakingitemythroughm; the trunkot'the bodywmntothehmthe headtotheprow.thetailtotherndder, nndthe wingetotheoars; flout-thence thepoetehave adopted the metaphorofmigium damn, when theyducrihedthewnvymotiohot'nbirdin flight. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A History of the Earth, and Animated Nature, Vol. 2 of 5 XVII. Of Animals of the Weasel kind, The Ermine, or Stoat, The Ferret, The Polecat, The Martin, The Sable. The Ichneumon, The Stinkards, The Genette, The Civet, The Glutton, El Fennec. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
From fine art paintings by such artists as Stubbs and Landseer to zoological illustrations and popular prints, a vast array of animal images was created in Britain during the century from 1750 to 1850. This highly original book investigates the rich meanings of these visual representations as well as the ways in which animals were actually used and abused. What Diana Donald discovers in this fascinating study is a deep and unresolved ambivalence that lies at the heart of human attitudes toward animals. The author brings to light dichotomies in human thinking about animals throughout this key period: awestruck with the beauty and spirit of wild animals, people nevertheless desired to capture and tame them; the belief that other species are inferior was firmly held, yet at the same time animals in stories and fables were given human attributes; though laws against animal cruelty were introduced, the overworking of horses and the allure of sport hunting persisted. Animals are central in cultural history, Donald concludes, and compelling questions about them--then and now--remain unanswered.