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This book is the first definitive, descriptive history of the Charity Hospital System of Louisiana, a story of how poverty, politics, public health, public interest, race, gender, and class, shaped the long history of one of the most storied public healthcare systems in the state and nation, to be published in a single volume. Over a period of more than 270 years, a total of ten charity hospitals were established in different venues of the state and evolved into one of the most celebrated public healthcare systems in the country.
Written and published for the first time in a single volume, this book provides a definitive and descriptive history of all ten hospitals that comprise the Charity Hospital System of Louisiana. Over a period of more than 270 years, a total of ten hosptials were established in different venues of the state and evolved into one of the most celebrated public healthcare systems in the country.
NEW YORK TIMES BESTSELLER • The award-winning book that inspired an Apple Original series from Apple TV+ • A landmark investigation of patient deaths at a New Orleans hospital ravaged by Hurricane Katrina—and the suspenseful portrayal of the quest for truth and justice—from a Pulitzer Prize–winning physician and reporter “An amazing tale, as inexorable as a Greek tragedy and as gripping as a whodunit.”—Dallas Morning News After Hurricane Katrina struck and power failed, amid rising floodwaters and heat, exhausted staff at Memorial Medical Center designated certain patients last for rescue. Months later, a doctor and two nurses were arrested and accused of injecting some of those patients with life-ending drugs. Five Days at Memorial, the culmination of six years of reporting by Pulitzer Prize winner Sheri Fink, unspools the mystery, bringing us inside a hospital fighting for its life and into the most charged questions in health care: which patients should be prioritized, and can health care professionals ever be excused for hastening death? Transforming our understanding of human nature in crisis, Five Days at Memorial exposes the hidden dilemmas of end-of-life care and reveals how ill-prepared we are for large-scale disasters—and how we can do better. ONE OF THE TEN BEST BOOKS OF THE YEAR: The New York Times Book Review • ONE OF THE BEST BOOKS OF THE YEAR: Chicago Tribune, Seattle Times, Entertainment Weekly, Christian Science Monitor, Kansas City Star WINNER: National Book Critics Circle Award, J. Anthony Lukas Book Prize, PEN/John Kenneth Galbraith Award, Los Angeles Times Book Prize, Ridenhour Book Prize, American Medical Writers Association Medical Book Award, National Association of Science Writers Science in Society Award
First went the power. Then came the water, and for five days, the country's oldest hospital was under siege. The never-before-told story of the heroic doctors, nurses, and patients who fought to survive Hurricane Katrina at Charity Hospital in New Orleans. This book traces a remarkable five-day transformation of an infirm institution, caught in a sea of death and indifference, into an island of care and tenderness. The hour-by-hour recreation of this hospital's final days is one of the most grievous and heroic stories in American history. Jim Carrier, who moved to New Orleans 28 days before Katrina (and lost his home), recreates with emotional and poignant detail the rich, sad and uplifting saga of Charity Hospital.
Charity's Children takes one through the training of a cardiovascular surgeon at one of the country's most significant training hospitals. From his internship, through his year as chief resident his and others' stories are shared.
Robert D. Leighninger Jr. believes there may be a model for municipal building projects everywhere in the ambitious and artful structures erected in Louisiana by the Public Works Administration. In the 1930s, the PWA built a tremendous amount of infrastructure in a very short time. Most of the edifices are still in use, yet few people recognize how these schools, courthouses, and other great structures came about. Building Louisiana documents the projects one New Deal agency erected in one southern state and places these in social and political context. Based on extensive research in the National Archives and substantial field work within the state, Leighninger has gathered the story of the establishment of the PWA and the feverish building activity that ensued. He also recounts early tussles with Huey Long and the scandals involving public works discovered during the late New Deal. The book includes looks at individual projects of particular interest—“Big Charity” hospital, the Carville leprosy center, the Shreveport incinerator, and the LSU sugar plant. A concluding chapter draws lessons from the PWA's history that might be applied to current political concerns. Also included is an annotated inventory of every PWA project in the state. Finally, this composite picture honors those workers and policymakers who, in a time of despair, expressed hope for the future with this enduring investment.
For more than 250 years New Orleans' Charity Hospital has struggled to serve the city's indigent ill, and in so doing has become an institution steeped in Louisiana history and politics. In this fascinating new book John Salvaggio traces the colorful history of Charity Hospital from the early days of French colonial medicine through the Spanish period, the early American years, the volatile Huey Long and World War II eras, and the modern postwar period.Established in 1736, with the legacy of a compassionate French ship builder, Charity Hospital has weathered many storms to maintain its status as the oldest continually operating hospital in the United States. It has withstood the transfer of Louisiana territory from the French to the Spanish and survived devastating hurricanes and a fire. The institution has also endured the stormy beginnings of Louisiana statehood, the hardships of the Civil War, and more recently, the stresses of caring for an ever-expanding patient load. Throughout much of its history, Charity Hospital has encountered political squabbles, patronage problems, and financial woes. As a new century approaches, the hospital finds its future threatened by inadequate funding and the crumbling of its physical facilities.Despite many setbacks, Charity Hospital has accomplished much in its history. Salvaggio presents a summary of the many medical procedures, diagnostic techniques, and therapeutic innovations that have been introduced at the "Big Free," as the hospital is popularly known. He also provides previously unchronicled information on the hospital's history during the twentieth century, writing about political infighting during the governorship of Huey P. Long, construction of a new hospital building in the 1930s, integration of the hospital in the 1960s, its relationships with the medical schools of Louisiana State University and Tulane University, and the current frustrating attempts to adequately staff the institution.Interviews with many of Charity's past directors and others associated with the hospital, as well as lively anecdotes from the author's own experience, bring the hospital's history to life and provide valuable insight into the institution's inner workings. These reminiscences, coupled with Salvaggio's depiction of Charity's past, present, and now questionable future, make this a fascinating and informative work on an important hospital of the South.
In Treating the Public, Rachael Ball presents a comparative history of commercial theater, public opinion, and charitable organizations in eight cities across the Spanish and Anglo-Atlantic worlds during the sixteenth and seventeenth centuries. This innovative study uncovers the rapid expansion of public drama into urban daily life in the Spanish Atlantic, revealing the means by which men and women provided and sought theatrical entertainment while practicing Catholic piety and working to aid the poor. Ball focuses her analysis on the theaters of Madrid, Seville, Mexico City, and Puebla de los Angeles, which she compares to English-speaking theaters throughout the Atlantic world in cities and towns including London, Bristol, Dublin, and Williamsburg, Virginia. Ball shows how the corrales de comedias, or inn-yard theaters, became staples of city life throughout Spain and the Spanish Atlantic. This development stemmed, she argues, from a tremendous output of dramatic works and from the theaters’ charitable activities that included donating a percentage of admission fees to hospitals and orphanages. As a result, groups like theatrical companies, religious lay brotherhoods, city leaders, and hospitals forged collaborative relationships which at once allowed the corrales to flourish and protected theaters as charitable institutions. Ball highlights the uniqueness of this system by contrasting it with public drama in England, where financial dependence on courtly and noble patronage slowed the spread of regular theatrical performances to provincial cities and colonial centers. Using an array of archival and print sources, Ball links the largely disconnected national histories of Spanish, English, and colonial American theaters. Treating the Public uncovers the depth of the comedia tradition that flourished in early modern Spain as well as the geographic scope of the Spanish theater as a political, social, and cultural institution.