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The History of Painting in Italy, Vol. 2 (of 6) By Luigi Lanzi
The History of Painting in Italy, Vol-6 is the final volume of a six-volume work by Luigi Lanzi. The work is a comprehensive history of painting in Italy from the 13th to the 18th centuries, and it is considered to be one of the most important works of art history ever written. Vol-6 covers the period from the late 17th century to the end of the 18th century. This period saw the rise of new artistic styles, such as Rococo and Neoclassicism, and it also saw the decline of the Italian Renaissance tradition. Lanzi provides a detailed overview of the major artists and works of art of this period, and he also discusses the social and cultural factors that influenced the development of Italian painting. The History of Painting in Italy, Vol-6 is a valuable resource for anyone interested in the history of art. It is a well-researched and informative work that provides a comprehensive overview of a critical period in the development of Italian painting.
Excerpt from A History of Painting in Italy, Vol. 2 of 6: Umbria, Florence and Siena; From the Second to the Sixteenth Century; Giotto and the Giottesques In the Lower Church, of which the aisle had been painted in the early part of the thirteenth century, Cimabue probably adorned the right transept.2 Surrounded by the works of Giotto, on the right hand of that part of the building, is one of an earlier date represent ing a colossal Virgin and Child between four angels.3 Placed above the altar of the Conception, and much damaged by restoring, it reveals the manner of Cimabue. Its position among the frescoes of Giotto points to an earlier period of production, and allows us to suppose that Giotto was reverent of the work of his master4 as Raphael afterwards was reverent of the work of Perugino, and that he spared it as a memento on that account. For the same reason we may also believe there still remains near the same spot a large figure of St. Francis, also by Cimabue. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The History of Painting in Italy, Vol. 5 (of 6) By Luigi Lanzi
"The History of Painting in Italy Vol-2" by Luigi Lanzi is a comprehensive and insightful exploration of Italian painting during a specific period in art history. In this volume, Lanzi delves into the rich artistic landscape of Italy, examining the significant developments and notable painters of the period. Lanzi provides a detailed analysis of various artistic movements, styles, and techniques that emerged during this time. He explores the works of renowned Italian painters, discussing their contributions to the art world and their impact on subsequent generations. The author offers an in-depth examination of notable paintings, unraveling their historical and cultural contexts while providing critical insights into their artistic merits. Lanzi's engaging narrative sheds light on the societal, political, and cultural factors that influenced Italian painting during the period covered in this volume. This volume is an essential resource for art historians, scholars, and art enthusiasts seeking a comprehensive understanding of Italian painting.
Luigi Lanzi was an Italian art historian and archaeologist. When he died he was buried in the church of the Santa Croce at Florence by the side of Michelangelo.
"The History of Painting in Italy - Volume II" from Luigi Lanzi. Italian art historian and archaeologist (1732-1810).
The History of Painting in Italy, Vol. 1 (of 6) By Luigi Lanzi
Excerpt from Lanzi's History of Painting in Upper and Lower Italy, Vol. 2 of 2: Translated and Abridged Dominici, and other Neapolitan biographers, affirm that Naples was not destitute of painters even during the dark ages. In proof of which they adduce various sacred pieces by anonymous artists, of a date considerably anterior to 1200; particularly a good many Madonnas in the old style, the objects of veneration in the churches Where they are placed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.