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“The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.
A comprehensive history of opera that traces each milestone in opera history from the 16th century Camerata through the next 400 years, and featurrd in depth analysis of all important genres: the Baroque, Classical, and Romantic eras, Bel Canto, Opera Buffa, German Romanticism, Wagner and music drama, Verismo, Impressionism, Expressionism, Serialism, and much more.
"The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day."--Jacket.
Focusing on New Orleans, Chicago, and San Francisco, while including the achievements of Dallas, Santa Fe, Central City, and San Antonio, this book traces the development of opera in the American West against an ever changing social milieu. Ranging from the red plush era of the nineteenth century onward, the author covers such grand personalities as Adelina Patti, Nellie Melba, Joan Sutherland, and Maria Callas. Of additional interest is the book's coverage of near endless financial difficulties and natural disasters as well as rich personal anecdotes.
A wide-ranging look at the interplay of opera and political ideas through the centuries The Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and music by such greats as Monteverdi, Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics—through story lines, symbols, harmonies, and musical motifs—has played an operatic role both robust and sotto voce. This is an engrossing book that will interest all who love opera and are intrigued by politics.
This Is A New Release Of The Original 1906 Edition.
Opera, a History of the Impossible Genre offers an accessible and chronological survey of opera. Beginning in the 16th century, each chapter hones its focus on a representative opera and composer, and provides discussion on historical and political context. With further reading lists, key term definitions, and composer biographies to support learning, this book covers the fundamental elements of the genre, including: subject matter, musical structure, aria and ensemble forms, singing styles, orchestra, and the structure of the libretto. The book will also help readers develop an appreciation of opera as a form of musical entertainment, which, despite seemingly insurmountable financial, philosophical, and artistic hurdles, has overcome the “impossible” to become one of the most popular and thrilling types of music heard on stage today. Opera, a History of the Impossible Genre is an approachable undergraduate textbook for students of opera and survey courses.