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This historical study examines a “legal lynching” in 1902 Texas, shedding light on race relations, political culture, and economic conditions of the time. On October 17, 1902, in Nacogdoches, Texas, a black man named James Buchanan was tried without representation, condemned, and executed for the murder of a white family—all within three hours. Two white men played pivotal roles in these events: the editor of the Nacogdoches Sentinel, Bill Haltom, a prominent Democrat who condemned lynching but defended lynch mobs; and A. J. Spradley, a Populist sheriff who managed to keep the mob from burning Buchanan alive, only to escort him to the gallows. Each man’s story illuminates part of the path toward the terrible parody of justice at the heart of A Hanging in Nacogdoches. The turn of the twentieth century was a time of dramatic change for the people of East Texas. Frightened by the Populist Party's attempts to unite poor blacks and whites in a struggle for economic justice, white Democrats defended their power base by exploiting racial tensions in a battle that ultimately resulted in complete disenfranchisement for the black population. In telling the story of a single lynching, Gary Borders dramatically illustrates the way politics and race combined to bring horrific violence to small southern towns like Nacogdoches.
“[A] linguist . . . takes readers on a tour across the state, using names and language to tell its history.” ―Alcalde Was Gasoline, Texas, named in honor of a gas station? Nope, but the name does honor the town’s original claim to fame: a gasoline-powered cotton gin. Is Paris, Texas, a reference to Paris, France? Yes: Thomas Poteet, who donated land for the town site, thought it would be an improvement over “Pin Hook,” the original name of the Lamar County seat. Ding Dong’s story has a nice ring to it; the name was derived from two store owners named Bell, who lived in Bell County, of course. Tracing the turning points, fascinating characters, and cultural crossroads that shaped Texas history, Texas Place Names provides the colorful stories behind these and more than three thousand other county, city, and community names. Drawing on in-depth research to present the facts behind the folklore, linguist Edward Callary also clarifies pronunciations (it’s NAY-chis for Neches, referring to a Caddoan people whose name was attached to the Neches River during a Spanish expedition). A great resource for road trippers and historians alike, Texas Place Names alphabetically charts centuries of humanity through the enduring words (and, occasionally, the fateful spelling gaffes) left behind by men and women from all walks of life. “[A] quite useful book.” ―Austin American-Statesman
This book affords the reader an in-depth history of Texas from the earliest Paleographical era, providing details of the occupation of Texas by Spain, France and Mexico, and gives the reader contemporary accounts of battles and incursions leading up to the Battle of the Alamo and to the establishment of Statehood.
William Preston Longley (1851-1878) went on a murderous rampage over the last few years of his life. Once he was arrested in 1877, and subsequently sentenced to hang, his name became known statewide as an outlaw and a murderer. Longley created and reveled in his self-centered image as a fearsome, deadly gunfighter. In truth, Longley was not the daring figure that he attempted to paint.
The Old Stone Fort played a part in the history of Fort Anahuac in a round-about way. In late July of 1832,Colonel Piedras had marched from Nacogdoches to the relief of Colonel Bradburn, who was under attack from the Anglo rebels in Anahuac. By the time he arrived, the garrison was ready to surrender. Returning home, Piedras feared another Anglo insurrection and ordered the civilians to turn in their firearms. This led to a confrontation and a running skirmish on the Angelina River. The "Old Stone Fort" was captured by the rabble and Piedras was forced to surrender several days later. The Battle of Nacogdoches was just one of the many early clashes against the Centralists.
"Le Lazo" is one of the first pieces of Texas or Western literature. It is an enigmatic blend of reportage and imagination reflecting the effects of the Fredonian Rebellion of 1827, the Spanish invasion of Mexico in 1829, and the passage of the Law of 6 April 1830, which triggered the next phase of Anglo rebellion against Mexican authorities in Texas. The Mexican protagonist Antonio enters into conflict with the Creole commander of the presidio at Nacogdoches, Col. Jose de las Piedras. Both men pursue rosary-clutching Clara, who represents the vessel of the new era to come. "El Cachupin" tells of the full-blooded Spaniard, Pepo, and his Creole wife, Jacinta, who had been successfully established in Texas, only to be chased across the Sabine by increasing political hostilities in Mexico. East of the river, a lonely planter (probably a remnant of the pirate Lafitte's band) and his concubine take them in and alter their fate.
Let’s Cross Before Dark... A History of the Ferries, Fords and River Crossings of Texas The state of Texas claims over 12,000 named rivers and streams stretching approximately 80,000 linear miles within its boundaries. In this book, Bill Winsor identifies and locates over 550 named river crossings within the state that once served as vital destinations for Native Americans, European explorers, and Mexican and American soldiers and colonists. Winsor has catalogued their origins and histories. Included in the work are maps of major rivers and their crossings as well as select images of early ferry operations of Texas. In addition to an alpha index of the crossings, the 625-page book presents an in-depth examination of the roles principal rivers and their crossings assumed in the framing of Texas history. Each of its fourteen chapters explores the founding of these various sites and the characters that brought them to life. This information, under one cover, presents an incomparable resource for future generations to better understand and appreciate the historical relevance of these vanishing theaters of history.