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The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. In Music in the Nineteenth Century , Richard Taruskin offers a panoramic tour of this magnificent century in the history music. Major themes addressed in this book include the romantic transformation of opera, Franz Schubert and the German lied, the rise of virtuosos such as Paganini and Liszt, the twin giants of nineteenth-century opera, Richard Wagner and Giuseppe Verdi, the lyric dramas of Bizet and Puccini, and the revival of the symphony by Brahms. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
Sir Steven Runciman explores the First Crusade and the foundation of the kingdom of Jerusalem.
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The third of a projected seven volumes, this book presents the glory of the High Middle Ages; the flowering of Christian civilization which produced Saints and heroes, Popes, kings and queens, philosophers and architects whose achievements glow like beacons across the centuries. This was the age of united and triumphant Christendom - the age of St. Bernard of Clairvaux, St. Francis of Assisi, St. Dominic, and St. Catherine of Siena; of St. Thomas Aquinas and the Gothic cathedrals; of the crusading kings Richard the Lion-Heart and St. Louis IX.
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Excerpt from A History of Music, Vol. 3 of 3 Such was the state of Tragedy at the time of Sophocles; and the chorus, and the acting, and the solo singing, and the flute-playing were all knit together into one beautiful whole, and each in turn grew naturally out of the action of the drama in the part that it came, and there was no visible effort in producing this symmetry, but it all had the ease of nature. And it was the power of Rhythm which effected this masterly union of the various parts, and kept them all together, that is, the Rhythm of Character, which is otherwise called Strength, and abides in eternal repose; so that to us, at this distant time, the Tragedy and its makers seem like a gallery of gods, or like those marble figures, that are the other relics which have come down to us from that age of repose and beauty. But what were the causes that led to the weakening of this. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.