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This work offers an edition and translation of some 30 poems by the trobairitz, a remarkable group of women poets from the twelfth and thirteenth centuries, who composed in the style and language of the troubadours. Introductory essays and notes by specialists in the field place the poems in literary, linguistic, historical, social and cultural contexts. English versions facing Occitan texts elucidate the original language and themes, while supplying poems that can be enjoyed by contemporary readers . The varied corpus includes love songs (cansos), debate poems (tensos), political satires (sirventes) and other lyrical sub-genres (including dawn-song, lament, ballad, chanson de mal mariee). To represent the range of female voices available in the lyric corpus of the troubadours, the editors have selected songs consistently attributed to historically documented women poets, as well as songs whose authorship is open to question. The latter may be presented by the manuscripts with or without a named woman poet, but all offer female speakers personae characteristic of troubadour poets in general.
The dazzling culture of the troubadours - the virtuosity of their songs, the subtlety of their exploration of love, and the glamorous international careers some troubadours enjoyed - fascinated contemporaries and had a lasting influence on European life and literature. Apart from the refined love songs for which the troubadours are renowned, the tradition includes political and satirical poetry, devotional lyrics and bawdy or zany poems. It is also in the troubadour song-books that the only substantial collection of medieval lyrics by women is preserved. This book offers a general introduction to the troubadours. Its sixteen newly-commissioned essays, written by leading scholars from Britain, the US, France, Italy and Spain, trace the historical development and setting of troubadour song, engage with the main trends in troubadour criticism, and examine the reception of troubadour poetry. Appendices offer an invaluable guide to the troubadours, to technical vocabulary, to research tools and to surviving manuscripts.
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
"A tale of law and music that leads through the gates of time!"
Exploring Peru’s lively music industry and the studio producers, radio DJs, and program directors that drive it, Gentleman Troubadours and Andean Pop Stars is a fascinating account of the deliberate development of artistic taste. Focusing on popular huayno music and the ways it has been promoted to Peru’s emerging middle class, Joshua Tucker tells a complex story of identity making and the marketing forces entangled with it, providing crucial insights into the dynamics among art, class, and ethnicity that reach far beyond the Andes. Tucker focuses on the music of Ayacucho, Peru, examining how media workers and intellectuals there transformed the city’s huayno music into the country’s most popular style. By marketing contemporary huayno against its traditional counterpart, these agents, Tucker argues, have paradoxically reinforced ethnic hierarchies at the same time that they have challenged them. Navigating between a burgeoning Andean bourgeoisie and a music industry eager to sell them symbols of newfound sophistication, Gentleman Troubadours and Andean Pop Stars is a deep account of the real people behind cultural change.
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
"A dauntingly ambitious, obsessively researched" (Los Angeles Times) global history of music that reveals how songs have shifted societies and sparked revolutions. Histories of music overwhelmingly suppress stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact, and disguised their sources. In Music: A Subversive History, Ted Gioia reclaims the story of music for the riffraff, insurgents, and provocateurs. Gioia tells a four-thousand-year history of music as a global source of power, change, and upheaval. He shows how outcasts, immigrants, slaves, and others at the margins of society have repeatedly served as trailblazers of musical expression, reinventing our most cherished songs from ancient times all the way to the jazz, reggae, and hip-hop sounds of the current day. Music: A Subversive History is essential reading for anyone interested in the meaning of music, from Sappho to the Sex Pistols to Spotify.
"The Music of the Troubadours is the first comprehensive critical study of the extant melodies of the troubadours of Occitania. It begins with an overview of their social and political milieu in the twelfth and thirteenth centuries, then provides brief biographies of the troubadours whose music survives. The four manuscripts that transmit this music are described in detail, with attention to their genesis in the overlapping roles of composers, singers, and scribes"--Back cover
Introduction to the Updated Expanded Edition With the feedback from our readers we expanded our first edition's content. We have fixed the few errors and rare factual inaccuracies we had found. Several readers asked that we look at and make meaning about more of their songs. We have done that with three (see next page): 'Question, ' 'New Horizons, ' and 'I'm just a singer' (in a R&R band). Just after completing this book we went on their first "Moodies Cruise" and now include a summary of our experience there. We obtained the new Timeless Flight box set that was released three months after this book and listened to the CDs and watched its DVD video material. We also read their extensive accompanying "coffee table" sized book. We have read the many online comments on this box set and have included a relevant few of them in our 7 page review of this large box set. This is a landmark book by two long-time Moody Blues fans. In this book we examine and bring to light the music and message of this great band of poets and musicians who have produced hit music for almost 50 years! Here's a little on what our book is about and the areas that we explore: How they are unique among bands and music groups What critics and others have said The nature of their musical magic and message How the Moodies' words and music work, song by song Using 7 levels of listening to their music Why listening to their music raises our consciousness How their fans have listened consistently for so long Why they have excelled for nearly ve decades From the Foreword by Moody Blues co-founder, keyboardist and vocalist Mike Pinder "It was very interesting to read Charles and Barbara Whitfield's interpretations of our music and message. They suggest clear and useful ideas and ways for those who are newly exploring our music and for the many who have been on this journey with us from the beginning. I have always been interested in the broader qualities of music to inform, heal, raise consciousness and uplift. This was often on my mind when I wrote a song or painted the backdrop for others in the band with counter melodies and my Mellotron. In contrast to most observers of our music, I saw how the authors here delve below the surface and give us an enjoyable interpretation of our words and music. They examine essentially their every aspect. Not only do they address our lyrics from a scholarly and poetic perspective, but they offer us some insightful and sometimes surprising interpretations of them beyond what many listeners and fans may consider. Music has changed our world. It has the potential for reaching within, opening our minds and our hearts to the power of Universal Love. It transforms, strengthens, relaxes, teaches and enlightens us. The Whitfields realize these truths and give us a strong base from which to experientially understand them. They integrate the many positive messages of our words and music by giving us a clear and constructive map of healing that is on the cutting edge of psychology, consciousness studies and spirituality. Memories are also closely associated with music. I have always thought that we hang our memories on the shape of sound. With memorable melodies, counter melodies and instrumentation we were able to create soundscapes for many to hang the best memories of their lives. Those of us who remember the 1960s and beyond will appreciate their attention to the detail of our works and the history of how it all came about. They show us how the Moodies have expressed, preserved and continue to remind us of the message and wisdom of the 60s by keeping it so alive. And how there was a natural spirituality that still lives in all of us and that is manifested in our descriptions of Love."