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This book presents a colection of colour pla tes from famous illuminated manuscripts that emerged from mo nasteries and island workshops during the 7th and 8th centur ies A.D., including the Book of Kells, the Lindisfarne Gospe ls, and the Book of Durrow. '
"Illuminated manuscripts are perhaps the most beautiful treasures to survive from the middle ages. This authoritative volume provides a comprehensive introduction to the medieval world of books, their production and their consumption. The text divides this world into different groups of readers and writers: missionaries, emperors, monks, students, aristocrats, priests, collectors and the general public. De Hamel is both informative and immensely readable, and the sumptuous illustrations render this book too good to be missed."--From Amazon.com
The British Library's collection of manuscripts is mined for a wealth of examples, illustrated in color, to this guide to illumination for the general reader. De Hamel (now librarian, Corpus Christi College, Cambridge, UK, he's a leading scholar in the field) discusses first why then how manuscripts were illuminated. Annotation copyrighted by Book News, Inc., Portland, OR
Lawrence Nees, Godescalc's Career and the Problems of 'Influence' - William Diebold, The Anxiety of Influence in Early Medieval Art - Helen C. Evans, Pseudo-Bonaventura on the Euphrates - Donal Cooper, Franciscan Art and Mendicant Manuscript Illumination in Italy: A Reconsideration of Iconographic Primacy - Robert Gibbs, 'Sober as a Judge': The Influence of Bolognese Law Manuscripts on Ambrogio Lorenzetti's Allegory of Justice in the Good Commune - Lucy Freeman Sandler, Illuminated in the British Isles: French Influence and/or the Englishness of English Art, 1285-1385 - T. A. Heslop, Authority and Imagination in the Illustration of Terence's Comedies - Patricia Stirnemann Anne Ritz-Guilbert, Cultural Confrontations - Ursula Weekes, The Interplay between Prints and Illuminated Manuscripts in Brigittine Convents of the Low Countries during the 16th Century - Scot McKendrick, Between Flanders and Normandy: A Case of Influence within Collaboration between Flemish and Norman Miniaturists? - Rowan Watson, Fit for a King? The Alfonso of Aragon Hours and Baronial Patronage in Late 15th-century Naples - John Lowden, Under the Influence of the Bibles Moralisees - Cecily Hennessy, The Lincoln Typikon: The Influences of Church and Family - Justine Andrews, Crossing Boundaries: Byzantine and Western Influences in a 14th-century Illustrated Commentary on Job - Dei Jackson, A Work Like No Other: Alfonso X's Cantigas de Santa Maria - Kirstin Kennedy, Evidence for the Islamic Source behind the Miniatures in Alfonso X of Castile's 1283 Libro de Ajedrez, dados y tables - David Ganz, Problems of Influence in the Utrecht Psalter
This volume consists of sixteen important studies, all dealing with manuscripts produced in medieval England. The first group reflects the meticulous analysis of liturgical manuscripts that characterize the honorand's career. These treat both early and late medieval liturgical concerns and include liturgy for Gilbertine lay brothers, a lost treatise by Amalarius, the re-working of an Anglo-Saxon Gospel book; the music for the Vigil of St. Thomas Becket; and the continuity of Processions from Old Sarum to Salisbury Cathedral. Two studies examine the liturgies having to do with saints in Sarum missals and breviaries. The second, historical, section of this volume includes three studies on Anglo-Saxon manuscripts. Six other analyses concern the high and later Middle Ages.
What is a historiated initial? What are canon tables? What is a drollery? This revised edition of Understanding Illuminated Manuscripts: A Guide to Technical Terms offers definitions of the key elements of illuminated manuscripts, demystifying the techniques, processes, materials, nomenclature, and styles used in the making of these precious books. Updated to reflect current research and technologies, this beautifully illustrated guide includes images of important manuscript illuminations from the collection of the J. Paul Getty Museum and beyond. Concise, readable explanations of the technical terms most frequently encountered in manuscript studies make this portable volume an essential resource for students, scholars, and readers who wish a deeper understanding and enjoyment of illuminated manuscripts and medieval book production.
Cambridge University Library's collection of illuminated manuscripts is of international significance. It originates in the medieval university and stands alongside the holdings of the colleges and the Fitzwilliam Museum. The University Library contains major European examples of medieval illumination from the ninth to the sixteenth centuries, with acknowledged masterpieces of Romanesque, Gothic and Renaissance book art, as well as illuminated literary texts, including the first complete Chaucer manuscript. This catalogue provides scholars and researchers easy access to the University Library's illuminated manuscripts, evaluating the importance of many of them for the very first time. It contains descriptions of famous manuscripts, for example the Life of Edward the Confessor attributed to Matthew Paris, as well as hundreds of lesser-known items. Beautifully illustrated throughout, the catalogue contains descriptions of individual manuscripts with up-to-date assessments of their style, origins and importance, together with bibliographical references.
Illuminated manuscripts collected by successive kings and queens of England form the heart of a unique and visually stunning collection held by the British Library. A key figure in the formation of this collection was King Edward IV (1461–83), who commissioned a number of luxury manuscripts decorated with his arms. Subsequent monarchs added to this library, which was given to the nation by George II in 1757. Over 150 examples from this exceptional collection are presented in this catalog, which accompanies a major British Library exhibition of the same name. These manuscripts contain paintings produced by some of the finest artists of the Middle Ages. Highlights include the Book of Hours, made for Henry VIII's great grandmother, Margaret Beauch& Henry VIII's Psalter, commissioned and annotated by the king himself; maps of an itinerary from London to Apulia and to the Holy Land; and the Shrewsbury book, presented to Margaret of Anjou on her marriage to Henry VI in 1445. The catalog features full-page illustrations from each manuscript included in the exhibition, as well as three illustrated essays which explore the wider history and context of this unique collection. Written by the curators of the exhibition, along with contributions from several experts in the field, Royal Manuscripts will be a much-heralded event for scholars and collectors seeking to better understand the lives and aspirations of those for whom these stunning artifacts were made.