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A History of Irish Autobiography is the first ever critical survey of autobiographical self-representation in Ireland from its recoverable beginnings to the twenty-first century. The book draws on a wealth of original scholarship by leading experts to provide an authoritative examination of autobiographical writing in the English and Irish languages. Beginning with a comprehensive overview of autobiography theory and criticism in Ireland, the History guides the reader through seventeen centuries of Irish achievement in autobiography, a category that incorporates diverse literary forms, from religious tracts and travelogues to letters, diaries, and online journals. This ambitious book is rich in insight. Chapters are structured around key subgenres, themes, texts, and practitioners, each featuring a guide to recommended further reading. The volume's extensive coverage is complemented by a detailed chronology of Irish autobiography from the fifth century to the contemporary era, the first of its kind to be published.
A History of Irish Autobiography is the first ever critical survey of autobiographical self-representation in Ireland from its recoverable beginnings to the twenty-first century. The book draws on a wealth of original scholarship by leading experts to provide an authoritative examination of autobiographical writing in the English and Irish languages. Beginning with a comprehensive overview of autobiography theory and criticism in Ireland, the History guides the reader through seventeen centuries of Irish achievement in autobiography, a category that incorporates diverse literary forms, from religious tracts and travelogues to letters, diaries, and online journals. This ambitious book is rich in insight. Chapters are structured around key subgenres, themes, texts, and practitioners, each featuring a guide to recommended further reading. The volume's extensive coverage is complemented by a detailed chronology of Irish autobiography from the fifth century to the contemporary era, the first of its kind to be published.
Modern Irish Autobiography provides the first comprehensive critical analysis of the Irish autobiographical tradition from the early nineteenth century to the present day. This pioneering collection offers readers a stimulating and provocative introduction to the principal themes, modes and narrative strategies of Irish autobiographers.
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Ireland in its own words: a dazzling compendium Over the past hundred years, Ireland has undergone profound political, social and cultural changes. But one thing that has not changed is the Irish genius for observation and storytelling, invective and self-scrutiny. Ireland: The Autobiography draws upon this genius to create a portrait of a century of Irish life through the words of the people who lived it. Broadcaster and historian John Bowman has mined archives, diaries and memoirs to create a remarkably varied and delightfully readable mosaic of voices and perspectives. Ireland: The Autobiography is a brilliantly selected, wide-ranging and engrossing take on the last century of Irish life. It gives us a portrait of Ireland unlike anything we've read before. 'Absorbing and illuminating . . . John Bowman has selected a range of accounts of Irish life that do justice to what happened, what it felt like, and the personal and societal experiences alongside the "official" version' Diarmaid Ferriter, Irish Times 'A treasure' Irish Examiner 'A whistle-stop tour of the seismic, seminal and explosive events which shaped the nation as we know it' Irish Independent 'Entertaining and informative' Sunday Business Post 'A remarkably varied and delightfully readable mosaic of voices and perspectives' Women's Way 'A thoughtful and eclectic collection' Irish Mail on Sunday
"Mother Ireland" includes seven essays seamlessly woven into an autobiographical tapestry. In her lyrical, sensuous voice, O'Brien describes growing up in rural County Clare, from her days in a convent school to her first kiss to her eventual migration to England. Weaving her own personal history with the history of Ireland, she effortlessly melds local customs and ancient lore with the fascinating people and events that shaped he young life. The result is a colorful and timeless narrative that perfectly captures the heart and soul of this harshly beautiful country.
“In this compelling memoir of his early life, the president of Sinn Féin . . . recalls the development of the modern ‘Troubles’ in Northern Ireland” (Kirkus). Gerry Adams was the president of Sinn Féin, the political wing of the Irish Republican Amy, for more than thirty years. In this autobiography of his early life, he shares a personal account of the political unrest and violence of the 1970s and 80s. He opens up about his imprisonment, secret talks with the British government, his leadership role in Sinn Féin, and the tragic hunger strike by imprisoned IRA prisoners in 1981. Born in 1948, Adams vividly recalls growing up in the working-class Ballymurphy district of West Belfast, where he became involved in the civil rights campaign in the late 1960s. When the unionist regime responded to the protests with violence, the situation exploded into conflict. Adams recounts his growing radicalization, his relationship with the IRA, and the British use of secret courts to condemn republicans. Adams was a political prisoner who spent a total of five years in the notorious Long Kesh prison camp. Though he opposed the hunger strike, Adams was instrumental in the mass campaign of support which saw Bobby Sands elected to British Parliament and Ciaran Doherty and Kevin Agnew elected to Irish Parliament. First published in 1996, this edition contains a new introduction and epilogue written by the author, covering Adams’s family, Brexit, and the peace process.
The first critical survey of an unjustly neglected body of literature: the autobiographies and memoirs of writers of Irish birth or background who lived and worked in Britain between 1725 and the present day. It offers a stimulating and provocative introduction to the themes, preoccupations and narrative strategies of a diverse range of writers.
Shows what life was like in the late nineteenth century for a poor Irish-American family.