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Despite the growing body of work on the media in Wales, very little exists on the history of commercial television in Wales. This book seeks to address this imbalance by tracing the growth and development of ITV in Wales and assessing its contribution to the life of the nation. ITV has been a powerful force in British broadcasting since its inception in 1955. When commercial television came to Wales for the first time in 1958, it immediately got caught up in with matters of national identity, language and geography. Compared with the BBC, it is a relative newcomer; its growth was slower than that of the BBC and it took until 1962 to complete the network across the UK. Once it had arrived, however, its impact was considerable. The book will provide an historical narrative and critical analysis of independent television (ITV) in Wales from 1958 up until the present day.
"ITV has been a powerful force in British broadcasting since its inception in 1955. When commercial television came to Wales for the first time in 1958, it immediately got caught up with matters of national identity, language and geography. This book provides an historical narrative and critical analysis of independent television in Wales from 1958 up until the present day."--Publisher.
"Since breaking the BBC's monopoly in 1955, ITV has been at the centre of the British television landscape. To coincide with the fiftieth anniversary of the first ITV broadcast, this accessible book offers a range of perspectives on the complex and multifaceted history of Britain's first commercial broadcaster."--BOOK JACKET.
This original book asks how, in an age of convergence, when 'television' no longer means a box in the corner of the living room that we sit and watch together, do we remember television of the past? How do we gather and archive our memories? Kristyn Gordon and Joanne Garde-Hansen explore these questions through first person interviews with tv producers, curators and archivists, and case studies of popular television series and fan communities such as 'Cold Feet' and 'Doctor Who'. Their discussion takes in museum exhibitions, popular televison nostalgia programming and 'vintage' tv websites.
The ITV network was designed as a federation of companies, different in size and character, jointly and severally constructing programme schedules in which strands of entertainment were interwoven with news bulletins, drama with sport, feature films with documentaries, church services with broadcasting for schools. The purpose of this volume is to convey some impression of diversity by illustrating and illuminating the rich assortment of companies and programmes making up ITV's overall service to the public in the operation of a plural system on a single television channel during a peak period in British broadcasting.
"What might have been a forbidding chronological slog is thoroughly enlivened by Conboy′s thematic approach, shot through with passion and rigour in equal measure. This is a book written with a commitment to the importance of history for the present; it will undeniably cultivate the same commitment in its readers." - Chris Atton, Edinburgh Napier University "An authoritative and accessible introduction to the history of journalism. Excellent resource for undergraduates." - Philip Dixon, Southampton Solent University A firm grasp of journalism′s development and contribution to social and political debates is a cornerstone of any media studies education. This book teaches students that essential historical literacy, providing a full overview of how changes in the ownership, emphasis and technologies of journalism in Britain have been motivated by social, economic and cultural shifts among readerships and markets. Covering journalism′s enduring questions - political coverage, the influence of advertising, the sensationalization of news coverage, the popular market and the economic motives of the owners of newspapers - this book is a comprehensive, articulate and rich account of how the mediascape of modern Britain has been shaped.
This text maps the history and current situation of the media in Wales in an accessible manner and contributes to current debates on the present and future roles of the Welsh media. It contains chapters on radio, television, the press, cinema and media policy relating to Wales.
Lifestyle media – books, magazines, websites, radio and television shows that focus on topics such as cookery, gardening, travel and home improvement – have witnessed an explosion in recent years. Ordinary Lifestyles explores how popular media texts bring ideas about taste and fashion to consumers, helping audiences to fashion their lifestyles as well as defining what constitutes an appropriate lifestyle for particular social groups. Contemporary examples are used throughout, including Martha Stewart, House Doctor, What Not to Wear, You Are What You Eat, Country Living and brochures for gay and lesbian holiday promotions. The contributors show that watching make-over television or cooking from a celebrity chef’s book are significant cultural practices, through which we work on our ideas about taste, status and identity. In opening up the complex processes which shape our taste and forge individual and collective identities, lifestyle media demand our serious attention, as well as our viewing, reading and listening pleasure. Ordinary Lifestyles is essential reading for students on media and cultural studies courses, and for anyone intrigued by the influence of the media on our day-to-day lives. Contributors: David Bell, Manchester Metropolitan University; Frances Bonner, University of Queensland, Australia; Steven Brown, Loughborough University; Fan Carter, Kingston University; Stephen Duncombe, Gallatin School of New York University, USA; David Dunn; Johannah Fahey, Monash University, Australia; Elizabeth Bullen, Deakin University, Australia; Jane Kenway, Monash University, Australia; Robert Fish, University of Exeter; Danielle Gallegos, Murdoch University, Australia; Mark Gibson; David B. Goldstein, University of Tulsa, USA; Ruth Holliday, University of Leeds; Joanne Hollows, Nottingham Trent University; Felicity Newman; Tim O’Sullivan, De Montfort University; Elspeth Probyn; Rachel Russell, University of Sydney, Australia; Lisa Taylor; Melissa Tyler; Gregory Woods, Nottingham Trent University.
Written by leading scholars in the field, this book is an internationally relevant, cutting-edge reassessment of both current methods and practices in television historiography and of assumptions about television history itself. The book focuses on debates about the canon, on institutions, texts and audiences, and the interconnections between these distinct areas. Through discussions and case studies, it covers a wide selection, from television's approaches to immigration and natural history to economic histories of television, the framing of television aesthetics, and problems in constructing a television canon. Each section opens with the editor's overview of the historical research and an appendix details the main research resources for television historians in the UK.