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Horses and horsemen played central roles in modern European warfare from the Renaissance to the Great War of 1914-1918, not only determining victory in battle, but also affecting the rise and fall of kingdoms and nations. When Shakespeare's Richard III cried, "A horse, a horse, my kingdom for a horse!" he attested to the importance of the warhorse in history and embedded the image of the warhorse in the cultural memory of the West. In Riding to Arms: A History of Horsemanship and Mounted Warfare, Charles Caramello examines the evolution of horsemanship—the training of horses and riders—and its relationship to the evolution of mounted warfare over four centuries. He explains how theories of horsemanship, navigating between art and utility, eventually settled on formal manège equitation merged with outdoor hunting equitation as the ideal combination for modern cavalry. He also addresses how the evolution of firepower and the advent of mechanized warfare eventually led to the end of horse cavalry. Riding to Arms tracks the history of horsemanship and cavalry through scores of primary texts ranging from Federico Grisone's Rules of Riding (1550) to Lt.-Colonel E.G. French's Good-Bye to Boot and Saddle (1951). It offers not only a history of horsemen, horse soldiers, and horses, but also a survey of the seminal texts that shaped that history.
For more than four thousand years, the horse and rider have been an integral part of warfare. Armed with weapons and accessories ranging from a simple javelin to the hand-held laser designator, the horse and rider have fought from the steppes of central Asia to the plains of North America. Understanding the employment of the military horse is key to understanding the successes and the limitations of military operations and campaigns throughout history. Over the centuries, horses have been used to pull chariots, support armor-laden knights, move scouts rapidly over harsh terrain, and carry waves of tightly formed cavalry. In War Horse: A History of the Military Horse and Rider, Louis A. DiMarco discusses all of the uses of horses in battle, including the Greek, Persian, and Roman cavalry, the medieval knight and his mount, the horse warriors-Huns, Mongols, Arabs, and Cossacks-the mounted formations of Frederick the Great and Napoleon, and mounted unconventional fighters, such as American Indians, the Boers, and partisans during World War II. The book also covers the weapons and forces which were developed to oppose horsemen, including longbowmen, pike armies, cannon, muskets, and machine guns. The development of organizations and tactics are addressed beginning with those of the chariot armies and traced through the evolution of cavalry formations from Alexander the Great to the Red Army of World War II. In addition, the author examines the training and equipping of the rider and details the types of horses used as military mounts at different points in history, the breeding systems that produced those horses, and the techniques used to train and control them. Finally, the book reviews the importance of the horse and rider to battle and military operations throughout history, and concludes with a survey of the current military use of horses. War Horse is a comprehensive look at this oldest and most important aspect of military history, the relationship between human and animal, a weapons system that has been central to warfare longer than any other.
This lavishly illustrated encyclopedic reference work brings together and organizes virtually all the great works on horses published in the late fifteenth to the early nineteenth century.
A “superb” account of the enduring connection between humans and horses—“Full of the sort of details that get edited out of more traditional histories” (The Economist). Fifty-six million years ago, the earliest equid walked the earth—and beginning with the first-known horse-keepers of the Copper Age, the horse has played an integral part in human history. It has sustained us as a source of food, an industrial and agricultural machine, a comrade in arms, a symbol of wealth, power, and the wild. Combining fascinating anthropological detail and incisive personal anecdote, equestrian expert Susanna Forrest draws from an immense range of archival documents as well as literature and art to illustrate how our evolution has coincided with that of horses. In paintings and poems (such as Byron’s famous “Mazeppa”), in theater and classical music (including works by Liszt and Tchaikovsky), representations of the horse have changed over centuries, portraying the crucial impact that we’ve had on each other. Forrest combines this history with her own experience in the field, and travels the world to offer a comprehensive look at the horse in our lives today: from Mongolia where she observes the endangered takhi, to a show-horse performance at the Palace of Versailles; from a polo club in Beijing to Arlington, Virginia, where veterans with PTSD are rehabilitated through interaction with horses. “For the horse-addicted, a book can get no better than this . . . original, cerebral and from the heart.” —The Times (London)
In this study of the relationship between men and their horses in seventeenth- and eighteenth-century England, Monica Mattfeld explores the experience of horsemanship and how it defined one’s gendered and political positions within society. Men of the period used horses to transform themselves, via the image of the centaur, into something other—something powerful, awe-inspiring, and mythical. Focusing on the manuals, memoirs, satires, images, and ephemera produced by some of the period’s most influential equestrians, Mattfeld examines how the concepts and practices of horse husbandry evolved in relation to social, cultural, and political life. She looks closely at the role of horses in the world of Thomas Hobbes and William Cavendish; the changes in human social behavior and horse handling ushered in by elite riding houses such as Angelo’s Academy and Mr. Carter’s; and the public perception of equestrian endeavors, from performances at places such as Astley’s Amphitheatre to the satire of Henry William Bunbury. Throughout, Mattfeld shows how horses aided the performance of idealized masculinity among communities of riders, in turn influencing how men were perceived in regard to status, reputation, and gender. Drawing on human-animal studies, gender studies, and historical studies, Becoming Centaur offers a new account of masculinity that reaches beyond anthropocentrism to consider the role of animals in shaping man.
• An insightful and meaningful reader about relationship training methods between man and horse • Features an overview of how horses came to live with Native Americans and the impact on their lives • Provides philosophies and techniques for relationship training methods • Also includes Native American stories and legends about their special relationships with their horses
THE SUNDAY TIMES HISTORY BOOK OF THE YEAR 2017 'A beautiful and thoughtful exploration of the role of the horse in creating our world' James Rebanks 'Scintillating, exhilarating ... you have never read a book like it ... a new way of considering history' Observer The relationship between horses and humans is an ancient, profound and complex one. For millennia horses provided the strength and speed that humans lacked. How we travelled, farmed and fought was dictated by the needs of this extraordinary animal. And then, suddenly, in the 20th century the links were broken and the millions of horses that shared our existence almost vanished, eking out a marginal existence on race-tracks and pony clubs. Farewell to the Horse is an engaging, brilliantly written and moving discussion of what horses once meant to us. Cities, farmland, entire industries were once shaped as much by the needs of horses as humans. The intervention of horses was fundamental in countless historical events. They were sculpted, painted, cherished, admired; they were thrashed, abused and exposed to terrible danger. From the Roman Empire to the Napoleonic Empire every world-conqueror needed to be shown on a horse. Tolstoy once reckoned that he had cumulatively spent some nine years of his life on horseback. Ulrich Raulff's book, a bestseller in Germany, is a superb monument to the endlessly various creature who has so often shared and shaped our fate.
An eye-opening book leading equestrians into a brave new horse world, where we train horses their way, not ours. For years, Andrea Kutsch filled stadiums with spectators as she demonstrated remarkable transformations in “problem horses” using the Natural Horsemanship training methods she'd learned from leaders in the field. But something was bothering her—a feeling that had been with her since her childhood days, watching Icelandics in a field and coming up through a traditional German riding system. Despite the strides made in improving the horse's well-being through the worldwide adoption of Natural Horsemanship techniques, she knew that the methods were still missing something. They still trained horses looking at every situation from the human perspective and were dependent on a trainer's natural feel. This meant that, for the horse, there was stress involved in the training process. In addition, positive results gained by a professional often couldn't be replicated by a horse's owner; what the horse learned from one person wouldn't transfer to others. Kutsch set out to find the next stage in the evolution of horse training. She studied the results of methods she used with thousands of young horses at The Lewitz Stud in Neustadt--Glewe, Germany, the renowned farm owned by European champion Paul Schockemöhle. This provided the basis for what she calls Evidence-Based Equine CommunicationTM (EBEC), a means of reading the horse and understanding the world from his point of view. Here she introduces EBEC and how it can take our relationship with horses and their ability to perform as our partners to a whole new level. Inside find: Myth-busting popular assumptions related to typical gestures made by the horse, such as “licking and chewing” and “lowering the head.” Explanation of how ethograms can be used to map out equine body language and help us attain a clearer sense of the horse's true perspective. Discussion of how the horse's physical and psychological needs must be met in order for him to learn, including what those needs are. Exploration of the difference between inter- and intra-species communication. Introduction to a new reward-and-punishment model that looks at operant conditioning from the horse's point of view. Identification of the need for non-violent communication on the part of the trainer as well as the training skills she must have when working with a horse, and what these light look like not from our perspective, but the horse's. Certain to provide ideas for improving every interaction with horses, whatever your experience or discipline, From the Horse1s Point of View is a conversation-starter for all those looking to take their horsemanship to a whole new level.