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Excerpt from A History of English Romanticism in the Eighteenth Century Historians of French and German literature are accustomed to set off a period, or a division of their subject, and entitle it Romanticism or the Romantic School. Writers of English literary history, While recognizing the importance of Eng land's share in this great movement in European letters, have not generally accorded it a place by itself in the arrangement of their subject-matter, but have treated it cursively, as a tendency present in the work of individual authors; and have maintained a simple chronological division of eras into the Georgian, the Victorian, etc. The reason of this is perhaps to be found in the fact that, although Romanticism be gan earlier in England than on the Continent and lent quite as much as it borrowed in the international exchange of literary commodities, the native move ment was more gradual and scattered. It never reached so compact a shape, or came so definitely to a head, as in Germany and France. There never was precisely a romantic school or an all-pervading romantic fashion in England. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Historians of French and German literature are accustomed to set off a period, or a division of their subject, and entitle it "Romanticism" or "the Romantic School." Writers of English literary history, while recognizing the importance of England's share in this great movement in European letters, have not generally accorded it a place by itself in the arrangement of their subject-matter, but have treated it cursively, as a tendency present in the work of individual authors; and have maintained a simple chronological division of eras into the "Georgian,", the "Victorian," etc. The reason of this is perhaps to be found in the fact that, although Romanticism began earlier in England than on the Continent and lent quite as much as it borrowed in the international exchange of literary commodities, the native movement was more gradual and scattered. It never reached so compact a shape, or came so definitely to a head, as in Germany or France. There never was precisely a "romantic school" or an all-pervading romantic fashion in England.
First published in 1926, this title presents the great artistic and literary innovations of the Romantic movement according to an often overlooked and unacknowledged definition of ‘Romanticism’, which is of particular relevance in the consideration of the English Romantic spirit: pertaining to the style of the Christian and popular literature of the Middle Ages.