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DigiCat Publishing presents to you this special edition of "A History of English Poetry: an Unpublished Continuation" by Thomas Warton. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
This book explores Charlotte Smith’s Elegiac Sonnets and clarifies its ‘place’ – understood in multiple ways – in literary history. It argues that Smith’s work engages more deeply with tradition than has hitherto been realised and revises our understanding not only of Smith’s career but also of the sonnet in eighteenth-century England.
The Cambridge History of English Literature, 1660-1780 offers readers discussions of the entire range of literary expression from the Restoration to the end of the eighteenth century. In essays by thirty distinguished scholars, recent historical perspectives and new critical approaches and methods are brought to bear on the classic authors and texts of the period. Forgotten or neglected authors and themes as well as new and emerging genres within the expanding marketplace for printed matter during the eighteenth century receive special attention and emphasis. The volume's guiding purpose is to examine the social and historical circumstances within which literary production and imaginative writing take place in the period and to evaluate the enduring verbal complexity and cultural insights they articulate so powerfully.
'The Art of English Poetry' may be roughly described as an English version of the 'Gradus ad Parnassum'. At least that is the tradition to which it belongs. Its immediate predecessor was the pleasant 'English Parnassus: Or, a Helpe to English Poesie' compiled by a Middlesex schoolmaster named Joshua Poole, and this work was avowedly modeled on Ravisius Textor's 'Epitheta' and the 'Thesaurus Poeticu's of Joannes Buchler. But whereas the 'English Parnassus' was designed for the schoolroom, 'The Art of English Poetry' was designed for the world of polite letters, and so may be called the first example in English of the handbook for the serious poet.