Download Free A History Of Costume For The Theatre Book in PDF and EPUB Free Download. You can read online A History Of Costume For The Theatre and write the review.

A History of the Theatre Costume Business is the first-ever comprehensive book on the subject, as related by award-winning actors and designers, and first hand by the drapers, tailors, and craftspeople who make the clothes that dazzle on stage. Readers will learn why stage clothes are made today, by whom, and how. They will also learn how today’s shops and ateliers arose from the shops and makers who founded the business. This never-before-told story shows that there is as much drama behind the scenes as there is in the performance: famous actors relate their intimate experiences in the fitting room, the glories of gorgeous costumes, and the mortification when things go wrong, while the costume makers explain how famous shows were created with toil, tears, and sweat, and sometimes even a little blood. This is history told by the people who were present at the creation – some of whom are no longer around to tell their own story. Based on original research and first-hand reporting, A History of the Theatre Costume Business is written for theatre professionals: actors, directors, producers, costume makers, and designers. It is also an excellent resource for all theatregoers who have marveled at the gorgeous dresses and fanciful costumes that create the magic on stage, as well as for the next generation of drapers and designers.
A History of the Theatre Costume Business is the first-ever comprehensive book on the subject, as related by award-winning actors and designers, and first hand by the drapers, tailors, and craftspeople who make the clothes that dazzle on stage. Readers will learn why stage clothes are made today, by whom, and how. They will also learn how today’s shops and ateliers arose from the shops and makers who founded the business. This never-before-told story shows that there is as much drama behind the scenes as there is in the performance: famous actors relate their intimate experiences in the fitting room, the glories of gorgeous costumes, and the mortification when things go wrong, while the costume makers explain how famous shows were created with toil, tears, and sweat, and sometimes even a little blood. This is history told by the people who were present at the creation – some of whom are no longer around to tell their own story. Based on original research and first-hand reporting, A History of the Theatre Costume Business is written for theatre professionals: actors, directors, producers, costume makers, and designers. It is also an excellent resource for all theatregoers who have marveled at the gorgeous dresses and fanciful costumes that create the magic on stage, as well as for the next generation of drapers and designers.
Winner of Best Performance Design and Scenography Publication Award, Prague Quadrennial 2019 This beautifully illustrated book conveys the centrality of costume to live performance. Finding associations between contemporary practices and historical manifestations, costume is explored in six thematic chapters, examining the transformative ritual of costuming; choruses as reflective of society; the grotesque, transgressive costume; the female sublime as emancipation; costume as sculptural art in motion; and the here-and-now as history. Viewing the material costume as a crucial aspect in the preparation, presentation and reception of live performance, the book brings together costumed performances through history. These range from ancient Greece to modern experimental productions, from medieval theatre to modernist dance, from the 'fashion plays' to contemporary Shakespeare, marking developments in both culture and performance. Revealing the relationship between dress, the body and human existence, and acknowledging a global as well as an Anglo and Eurocentric perspective, this book shows costume's ability to cross both geographical and disciplinary borders. Through it, we come to question the extent to which the material costume actually co-authors the performance itself, speaking of embodied histories, states of being and never-before imagined futures, which come to life in the temporary space of the performance. With a contribution by Melissa Trimingham, University of Kent, UK
An amazing resource book filled with detailed costume patterns to trace, cut out and assemble. The patterns illustrated range from Ancient Egypt to 1915 and include trims and accessories. The basic pattern shapes allow the designer's creativity free range. Gowns tunics, headdresses, jackets, robes breeches - the patterns will produce an accurate silhouette for each time period, leaving the costumer free to explore variations of cut and surface embellishment within an historic framework. Holkeboar also gives step-by-step instructions for making corsets and hoop petticoats, hats, crowns, and even masks and wigs. The patterns are multiple-sized and easy to adapt and elaborate upon so they may be used opver and over again to create a completely different look each time beause you add the all-important details. The basics are here - just add inspiration!
Annie Holt identifies the roots of contemporary Euro-American practices of costume design, in which costumes are an integrated part of the dramaturgy rather than a reflection of an individual performer’s taste or status. She argues that in the period 1820–1920, as part of the larger project of modernism across the artistic and cultural field, the functions of "clothing" and "costume" diverged. Onstage apparel took on a more specific semiotic task, acting as a fresh channel for the flow of information between the performer, the literary text, and the spectator. Modernizing Costume Design traces how five kinds of artists – directors, performers, writers, couturiers, and painters – made key contributions to this new model of costume design. Holt shows that by 1920, costume design shifted in status from craft to art.
Covering the period from 1600 to the mid-20th century. The accessories featured include shoes, hats, bags, gloves, purses, parasols, sock, stockings, jewelry, fans, shawls, and scarves.
A fan-bearing slave girl, a worshipper of Horus, Ceres, a mermaid, and a gypsy dancer. Spanning the years 1911 to 1975, the 49 theatrical creations selected for this volume include costumes for personalities — the comedy star Gaby Deslys, the opera soprano Ganna Walska — Folies-Bergère shows, editions of George White's Scandals, and ballets. 49 plates. Captions.
"In this comprehensive and beautifully illustrated volume, accomplished costume designer Dierdre Clancy draws from her decades of experience to show how to design costume for stage and screen. All budgets and practicalities are considered so whether you are a student, or a designer for the stage or screen, this book has advice from one of the best in the business" --Back cover.