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Excerpt from A History of Costume The cut of a garment cannot be described in words we must actually see how its lines run before we can appreciate the effect. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from History of British Costume The following is a list of the works on general costume, or containing notices of British dress, which may be consulted with advantage by the artist, with our own, for a commentary. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Costume in England: A History of Dress Ancient authorities and ancient delineations are solely confided in, and in all instances the authorities fully quoted. As far as possible, facsimiles of the original delineations are given, though sometimes glaring errors of drawing may be corrected; but this as little as neces sary: and no change of position has been attempted, by which the general effect of the costume, and its form, might be mis represented. All the drawings have been made upon the wood for the engraver by myself, and executed under my own su perintendence, and a great number consists of specimens now for the first time engraved; but in all instances each illustration has been copied when practicable from the original, whether engraved before or not. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Two Centuries of Costume in America, Vol. 1: MDCXX MDCCCXX It was a fitting dress for their conditions of life. The colonists lived close to nature - they touched the beginnings of things; and we are close to nature when all dress in russet. The homely butternuts of the Kentucky mountains express this; so too does khaki, a good, simple native dye and stuļ¬‚; so eagerly welcomed, so closely Cherished, as all good and primitive things should be. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Costume in England, Vol. 1: A History of Dress to the End of the Eighteenth Century; History An index has been added to the historical portion of the work, as well as a list of illustrations, in which the nationality and approximate date of the sources whence derived have been noted. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Clothes on and Off the Stage: A History of Dress From the Earliest Times to the Present Day A and B. A Mede and an Assyrian king. C, D and E. Jews of Bible days. F and G. Chinese lady and gentleman. H and I. Japanese gentle man and lady. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Costume and Fashion: The Evolution of European Dress Through the Earlier Ages Despite the multiplicity of books on Costume already available, I found frequently in the early days of my professional work the greatest difficulty in securing authentic dated information to enable me to portray faithfully the modes and fashions of a chosen period. Many years ago, therefore, I started to compile a chronological list of dated notes and sketches on Costume and accessories, and have continually added to the list examples of unquestioned authenticity. It has been of the greatest value in the supervision of costumes for historical plays, pageants and films, and formed the basis of my course of lectures on Costume. Much of the information given in this volume has been published before, and is available elsewhere, in fragmentary form, to anyone who has the industry and the time to pursue the details in a hundred books (in half a dozen languages) and a thousand illuminated mss., pictures, statues, mosaics and frescoes scattered throughout Europe, together with the knowledge to extract therefrom the facts of design and period which they record. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Costume: Fanciful, Historical, and Theatrical In those days the Roman women made a rule of wearing a toga, which, hanging from the neck or the head, fell over the shoulders and touched the ground at the back. The toga was either white or yellow for persons of rank, when the border was purple, but the lower orders had the toga dyed, and in times of mourning chose it in black. Within doors the toga was discarded alto gether in favour of the simple tunic, which was worn with or without the girdle, and made either of woollen material or cotton or thin gauze. TO wards the latter part of the Empire the tunic was lengthened, and bore sleeves adorned with buttons according to Hellenic fashion; indeed, the sleeve seemed then, as now, to indicate style, for the earlier types reached only to the elbow, and gradually they extended to the wrist, and finally to the ground. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from English Costume So my young gentlemen have blown away their patrimony on fealhers and whom Out it it necessary fior us to confine ourselves to oendn gentlemen 1nd Indies In our own country. A knowledge of history in essential to the study of mankind. And l knowledge at hlstory Is never perfect without a knowledge of the clothes with which to dress it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.