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"United States Department of Agriculture, Forest Service, Pacific Southwest Region"
Investigative journalist Peter Laufer is back with his third book in a trilogy that explores the way we humans interact with animals. The attack of a trainer at Sea World by a killer whale in February 2010 is the catalyst for this examination of the controversial role animals have played in the human arenas of entertainment and sports. From the Romans throwing Christians to lions to cock-fighting in present-day California, from abusive Mexican circuses to the thrills of a Hungarian counterpart, from dog training to shooting strays in the Baghdad streets, Laufer looks at the ways people have used animals for their pleasure. The reader travels with Laufer as he encounters fascinating people and places, and as he ponders the ethical questions that arise from his quest.
Written for those who are new to the study of art, Art Appreciation: An Introduction to the Formal Elements and Mediums familiarizes readers with foundational concepts of art appreciation and teaches them all they need to know in order to consider and discuss what artists create. The book concentrates on the formal elements and mediums, and introduces art-related vocabulary commonly used by artists and art historians. The accessible content is organized into four primary units. In the first section, students begin with an introduction and learn how art functions within the public sphere. The second section discusses the formal elements of art including line, space, color, motion, and pattern and texture. It also addresses balance, emphasis and focal point, and scale, repetition, and unity. The third section explores various art mediums such as drawing, printmaking, painting, photography, sculpture, and architecture. In the final section students are introduced to specific time periods of the renaissance and modern art era as well as a chapter devoted exclusively to Vincent van Gogh. Featuring an extensive glossary for easy reference and devoted to necessary fundamentals in the discipline, Art Appreciation is ideal for art survey courses, art history, and introductory art appreciation. Dave Plouffe holds a master's degree in art with a specialization in art history from California State University, Fullerton where he is now a faculty member. He has also taught at the University of La Verne and Chaffey College. His areas of interest are modern and contemporary art and art history. He has taught courses in art appreciation, the history of modern art, contemporary art, and survey classes: prehistory through the middle ages and renaissance to contemporary. In addition to teaching, he served as an exhibition technician and a collections administrator for the Los Angeles County Museum of Art.
Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned. Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read. “I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.”—James Baldwin From the Paperback edition.
From the author of Europe Central, winner of the National Book Award, a journalistic tour de force along the Mexican-American border – a finalist for the National Book Critics Circle Award For generations of migrant workers, Imperial Country has held the promise of paradise and the reality of hell. It sprawls across a stirring accidental sea, across the deserts, date groves and labor camps of Southeastern California, right across the border into Mexico. In this eye-opening book, William T. Vollmann takes us deep into the heart of this haunted region, exploring polluted rivers and guarded factories and talking with everyone from Mexican migrant workers to border patrolmen. Teeming with patterns, facts, stories, people and hope, this is an epic study of an emblematic region.
"This big-shouldered book, full of ardor...offers us a reasonable hope that with attention and care we can again make public education what it was meant to be, and must yet be."—The Los Angeles Times.
This important book from a Pulitzer Prize finalist follows the brutal journey a group of men take to cross the Mexican border: "the single most compelling, lucid, and lyrical contemporary account of the absurdity of U.S. border policy" (The Atlantic). In May 2001, a group of men attempted to cross the Mexican border into the desert of southern Arizona, through the deadliest region of the continent, the "Devil's Highway." Three years later, Luis Alberto Urrea wrote about what happened to them. The result was a national bestseller, a Pulitzer Prize finalist, a "book of the year" in multiple newspapers, and a work proclaimed as a modern American classic.
Story of the discovery of San Diego in 1542 by Cabrillo, emphasizing the role of the padres who explored the region.
Newly revised and updated, Mexicanos tells the rich and vibrant story of Mexicans in the United States. Emerging from the ruins of Aztec civilization and from centuries of Spanish contact with indigenous people, Mexican culture followed the Spanish colonial frontier northward and put its distinctive mark on what became the southwestern United States. Shaped by their Indian and Spanish ancestors, deeply influenced by Catholicism, and tempered by an often difficult existence, Mexicans continue to play an important role in U.S. society, even as the dominant Anglo culture strives to assimilate them. Thorough and balanced, Mexicanos makes a valuable contribution to the understanding of the Mexican population of the United States—a growing minority who are a vital presence in 21st-century America.
Rising densities of human settlements, migration and transport to reduce distances to market, and specialization and trade facilitated by fewer international divisions are central to economic development. The transformations along these three dimensions density, distance, and division are most noticeable in North America, Western Europe, and Japan, but countries in Asia and Eastern Europe are changing in ways similar in scope and speed. 'World Development Report 2009: Reshaping Economic Geography' concludes that these spatial transformations are essential, and should be encouraged. The conclusion is not without controversy. Slum-dwellers now number a billion, but the rush to cities continues. Globalization is believed to benefit many, but not the billion people living in lagging areas of developing nations. High poverty and mortality persist among the world's 'bottom billion', while others grow wealthier and live longer lives. Concern for these three billion often comes with the prescription that growth must be made spatially balanced. The WDR has a different message: economic growth is seldom balanced, and efforts to spread it out prematurely will jeopardize progress. The Report: documents how production becomes more concentrated spatially as economies grow. proposes economic integration as the principle for promoting successful spatial transformations. revisits the debates on urbanization, territorial development, and regional integration and shows how today's developers can reshape economic geography.