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The story of the thoroughly Victorian origins of dog breeds. For centuries, different types of dogs were bred around the world for work, sport, or companionship. But it was not until Victorian times that breeders started to produce discrete, differentiated, standardized breeds. In The Invention of the Modern Dog, Michael Worboys, Julie-Marie Strange, and Neil Pemberton explore when, where, why, and how Victorians invented the modern way of ordering and breeding dogs. Though talk of "breed" was common before this period in the context of livestock, the modern idea of a dog breed defined in terms of shape, size, coat, and color arose during the Victorian period in response to a burgeoning competitive dog show culture. The authors explain how breeders, exhibitors, and showmen borrowed ideas of inheritance and pure blood, as well as breeding practices of livestock, horse, poultry and other fancy breeders, and applied them to a species that was long thought about solely in terms of work and companionship. The new dog breeds embodied and reflected key aspects of Victorian culture, and they quickly spread across the world, as some of Britain’s top dogs were taken on stud tours or exported in a growing international trade. Connecting the emergence and development of certain dog breeds to both scientific understandings of race and blood as well as Britain’s posture in a global empire, The Invention of the Modern Dog demonstrates that studying dog breeding cultures allows historians to better understand the complex social relationships of late-nineteenth-century Britain.
As the ultimate dog-loving nation, our history is inextricably entwined with that of our dogs. Through history they have sniffed, rolled, shaken and pawed their way to our hearts, and behind almost every great Briton is a faithful hound.This beautifully illustrated book tells the story of Britain from Roman times to the present and looks at our native British breeds and the extraordinary roles they played in society, from providing entertainment to herding livestock to guiding the visually impaired. Dogs have fought with us in war, searched for us in trouble, aided us in industry and offered companionship with no reward. They crop up in almost every aspect of history, and offer a fascinating insight into the shaping of our nation.
A journey through the events of the postwar years that “makes the outcome of Britain’s Brexit referendum much easier to comprehend” (Julian Lewis, member of Parliament). In 2016, Britain stunned itself and the world by voting to pull out of the European Union, leaving financial markets reeling and global politicians and citizens in shock. But was Brexit really a surprise, or are there clues in Britain’s history that pointed to this moment? In A History of Britain: 1945 to Brexit, award-winning historian Jeremy Black reexamines modern British history, considering the social changes, economic strains, and cultural and political upheavals that brought Britain to Brexit. This sweeping and engaging book traces Britain’s path through the destruction left behind by World War II, Thatcherism, the threats of the IRA, the Scottish referendum, and on to the impact of waves of immigrants from the European Union. Along the way, Black overturns many conventional interpretations of significant historical events, provides context for current developments, and encourages the reader to question why we think the way we do about Britain’s past.
Bo Bengtson is regarded today as the foremost international authority on dog shows past and present, and his definitive volume Best in Show: The World of Show Dogs and Dog Shows has become an "instant classic," hailed by critics around the world as the most important book ever written about the sport of dogs. Richard G. Beauchamp, a revered judge and author, praises Best in Show: "At long last a factual and meticulously researched history of the purebred dog scene. It's an everything-you-ever-wanted-to know book about the fascinating world of show dogs;" Best in Show spans the history of dog shows from its beginnings in England to the present-day, highlighting the most important dogs, shows, judges, handlers, breeders, and more in 656 pages overflowing with over 700 full-color and historical black-and-white images.Bengtson is at once a student of dog-show history, an accomplished scholar, a highly regarded international judge, a breeder of champions, and, as Kerrin Winter-Churchill surmises, "the greatest living dog writer of our times." His ultimate achievement, the award-winning Best in Show begins with a history of the dog sport, "How Dog Shows Began," a chapter that talks about the development of pure breeds, the beginnings of the dog fancy, and the first dog shows. To understand the essence of dog shows, it's critical to understand what show judges are looking for, a topic that Bengtson covers in the chapter "The Breed Standards." "Without breed standards, dog shows could not exist. It would be impossible to conduct any meaningful comparison of dogs without universally accepted descriptions of each breed;. At their best, the standards;give a vivid, colorful word picture of the image each breed represents, in motion and standing, when alert and at rest." With illustrations from early and modern breed standards, this chapter discusses the evolution of the standards and addresses the variations in certain breed standards from country to country.The third chapter is devoted to dog shows and highlights the most important shows in Britain and the United States. A detailed discussion of England's most famous dog show, Crufts, begins with the origins of the show and traces its development through the 21st century. (A complete roster of the winners of Crufts is presented in the appendix of the book.) America's most highly regarded show, the Westminster Kennel Club is discussed, accompanied by many photographs of the show and its Best in Show winners. (Roster of WKC winners can also be found in the appendix.) Bengtson also discusses other premiere shows in the U.S. including Santa Barbara, Morris & Essex, AKC/Eukanuba as well as the Fdration Cynologique Internationale's annual event, the World Dog Show. The following chapter discusses specialty shows (shows for one breed or one group), addressing the importance and purpose of specialty shows as well as some of the anomalies of certain breed events. The chapter also highlights some top winners as well as America's most famous group specialty show, the Montgomery County Kennel Club's terrier classic.Separate chapters are dedicated to the judges, breeders, and handlers who have made their mark on the sport of purebred dogs. International in scope, each chapter highlights the most accomplished individuals in the sport, summarizing their accomplishments and their special areas of expertise. The chapters also explain what's required to become a professional in the sport. The historical photographs in these chapters do a splendid job of spotlighting the careers of some of the pillars of the sport, including Anne Rogers Clark, Geraldine Rockefeller Dodge, Anna H. Whitney, Alva Rosenberg, Louis Murr, Anna Katherine Nicholas, Percy Roberts, Robert and Jane Forsyth as well as many contemporary greats such as Peter Green, Maxine Beam, Corky Vroom, Patricia Craige-Trotter, Jimmy Moses, David Fitzpatrick, Sylvia Hammarström, Roger Rechler, Julia Gasow, and dozens of others.The author devotes individual chapters to the greatest dogs from Britain, the United States of America, and the international scene. It is in these insightful, detailed chapters that the interplay of breeders, handlers, and dogs takes focus and the complex picture of the purebred dog scene is exposed. From studying thousands of show records and breed books and from his five decades' experience in the sport, Bengtson is able to put the sport of dog showing into perspective. He highlights important kennels, breeders, and leading dogs in each country and manages to weave all of these individual threads into an elaborate quilt that depicts the history of the sport. Each chapter chronologically presents the dogs and breeds that had the greatest impact on the show world. In the chapter "The Best of Britain," the author traces the nation's history beginning with early Best in Show winners, the emergence of the Collie and Fox Terrier as leading breeds, how other terrier breeds came to the fore in the 1920s, as well as Cocker Spaniels, Great Danes, Irish Wolfhounds, and Irish Setters. In post-war Britain, the focus shifts to Chow Chows and Poodles and then to Toy breeds, like the Pekingese, Pomeranian, and Yorkshire Terrier. The depth and breadth of each chapter, accomplished through insightful, detailed information and exhilarating photography, must be experienced to be truly appreciated.The chapter "Tops in America" is a detailed 150-page chapter;a book in itself;retells the stories of America's most beloved and accomplished show dogs. Readers will feel bolstered by the amount of information and great photography on offer here, as they meet such iconic greats as the Boxer Ch. Bang Away of Sirrah Crest, arguably the most famous show dog in history and the first to win 100 Best in Show awards; Ch. Warren Remedy, the Wire Fox Terrier whose claim to fame is three consecutive Best in Show victories at the Westminster Kennel Club; the Afghan Hound Ch. Tryst of Grandeur; the German Shepherds Ch. Covy-Tucker Hill's Manhattan and Ch. Altana's Mystique, two top-winning dogs that each won over 200 Bests in Show; the famous English Setter Ch. Rock Fall's Colonel, Bang Away's rival and also the winner of 100 Best in Shows; plus the many great winners of the Westminster Kennel Club and other important shows.The author walks the reader through the decades in America, highlighting the breeds that made the greatest impact in the show rings, from the German Shepherds and Sealyham Terriers of the 1920s, the Wire and Smooth Fox Terriers of 1920s and 1930s, the English Setters and Cocker Spaniels of the 1940s and 1950s, to the Boxers, Doberman Pinschers, Pointers, and Poodles that later dominated the scene. Afghan Hound, English Springer Spaniel, and German Shepherd greats of the modern age are also featured in photography and great detail.The international chapter "On Top Around the World" offers a perspective on the greatest show dogs of Canada, Europe, Scandinavia, South Africa, Australia, New Zealand, Russia and Asia. An archivist and journalist for the international dog scene, Bengtson, himself a Swedish import to the United States, has remained extremely well informed for decades, and he remains uniquely qualified to present the kind of global overview on offer in this chapter.
Illustrated stories about dogs that knew how to sit, stay, and witness history—from the loyal Greyfriars Bobby to Lizzie Borden’s Boston Terriers. Most dog lovers know Fido and Laika, but how about Martha, Paul McCartney’s Old English Sheepdog? Or Peritas, Alexander the Great’s trusted canine companion? As long as there have been humans, those humans have had beloved companions—their dogs. From the ancient Egyptians mummifying their pups, to the Indian legend of the king who refused to enter the afterlife unless his dog was allowed there too, to the modern meme and popularity of terms like the corgi sploot, humans are undeniably obsessed with their dogs. Told in short, illustrated essays that are interspersed with both historical and canine factoids, The History of the World in Fifty Dogs brings to life some of history’s most memorable moments through the stories of the dogs that saw them happen.
A walk through history with man’s best friend, with stops in Alaska, the Middle East, and beyond—includes over 250 photos of canines at work. Handle various dogs engaged in their traditional tasks, Mike Loades takes us on his adventures in the Jordanian desert, where he shares the saddle of his camel with a Saluki, and in the green hills of Wales, where he works cattle with a Corgi. He mushes Huskies in Alaska, drives carriages with Dalmatians, and flies falcons with Spaniels. Each encounter not only highlights the bond between humans and dogs, it also frames that connection in its historical context. Different types of dogs appear the way they do because, at some stage in their development, they were bred selectively for a specialist job. The author takes key types on a walk through history. Along the way he explores the methods and practices of their original occupations. He delves into when, where, and why they were first bred as the types we recognize today. This fascinating and engaging book includes over 250 stunning color photographs of dogs in action, resulting in an illuminating journey through many cultures and time periods—and a personal, heartfelt tribute to the enduring partnership between humans and dogs.
Nostalgic photographs of British dog shows back when the humans' hairstyles were just as groomed. These playful photographs capture the quirkiness of owners and their canine companions at one of the most quintessentially British events: the dog show. From Pekingese to Poodles, Dalmatians to Dachshunds, these images highlight the eccentricity of our society, revealing how nothing has changed besides the owners' primped hairdos and vintage clothing.
Although the British consider themselves a nation of dog lovers, what we have come to know as the modern dog came into existence only after a profound, and relatively recent, transformation in that country’s social attitudes and practices. In At Home and Astray, Philip Howell focuses on Victorian Britain, and especially London, to show how the dog’s changing place in society was the subject of intense debate and depended on a fascinating combination of forces even to come about. Despite a relationship with humans going back thousands of years, the dog only became fully domesticated and installed at the heart of the middle-class home in the nineteenth century. Dog breeding and showing proliferated at that time, and dog ownership increased considerably. At the same time, the dog was increasingly policed out of public space, the "stray" becoming the unloved counterpart of the household "pet." Howell shows how this redefinition of the dog’s place illuminates our understanding of modernity and the city. He also explores the fascinating process whereby the dog’s changing role was proposed, challenged, and confronted—and in the end conditionally accepted. With a supporting cast that includes Charles Dickens, Elizabeth Barrett Browning, Thomas Carlyle, and Charles Darwin, and subjects of inquiry ranging from vivisection and the policing of rabies to pet cemeteries, dog shelters, and the practice of walking the dog, At Home and Astray is a contribution not only to the history of animals but also to our understanding of the Victorian era and its legacies.
The tragedies of World War II are well known. But at least one has been forgotten: in September 1939, four hundred thousand cats and dogs were massacred in Britain. The government, vets, and animal charities all advised against this killing. So why would thousands of British citizens line up to voluntarily euthanize household pets? In The Great Cat and Dog Massacre, Hilda Kean unearths the history, piecing together the compelling story of the life—and death—of Britain’s wartime animal companions. She explains that fear of imminent Nazi bombing and the desire to do something to prepare for war led Britons to sew blackout curtains, dig up flower beds for vegetable patches, send their children away to the countryside—and kill the family pet, in theory sparing them the suffering of a bombing raid. Kean’s narrative is gripping, unfolding through stories of shared experiences of bombing, food restrictions, sheltering, and mutual support. Soon pets became key to the war effort, providing emotional assistance and helping people to survive—a contribution for which the animals gained government recognition. Drawing extensively on new research from animal charities, state archives, diaries, and family stories, Kean does more than tell a virtually forgotten story. She complicates our understanding of World War II as a “good war” fought by a nation of “good” people. Accessibly written and generously illustrated, Kean’s account of this forgotten aspect of British history moves animals to center stage—forcing us to rethink our assumptions about ourselves and the animals with whom we share our homes.