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For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… For Newport, Rhode Island’s high society, the summer of 1896 brings lawn parties, sailboat races…and murder. Having turned down the proposal of Derrick Andrews, Emma Cross has no imminent plans for matrimony—let alone motherhood. But when she discovers an infant left on her doorstep, she naturally takes the child into her care. Using her influence as a cousin to the Vanderbilts and a society page reporter for the Newport Observer, Emma launches a discreet search for the baby’s mother. One of her first stops is a lawn party at Mrs. Caroline Astor’s Beechwood estate. But an idyllic summer’s day is soon clouded by tragedy. During a sailboat race, textile magnate Virgil Monroe falls overboard. There are prompt accusations of foul play—and even Derrick Andrews falls under suspicion. Deepening the intrigue, a telltale slip of lace may link the abandoned child to the drowned man. But as Emma navigates dark undercurrents of scandalous indiscretions and violent passions, she’ll need to watch her step to ensure that no one lowers the boom on her…
In the face of loss--past, present, and future--C.D. Wright's final work demonstrates the power of words to conserve, preserve, and witness.
"This is the story of the Beechwoods section of colonial Middleboro, the westernmost part of the present-day town of Lakeville, Massachusetts which, coincidentally, makes up the western tip of Plymouth County..."Preface, p. xi.
From ash die-back to the Great Storm of 1987 to Dutch elm disease, our much-loved woodlands seem to be under constant threat from a procession of natural challenges. Just when we need trees most, to help combat global warming and to provide places of retreat for us and our wildlife, they seem at greatest peril. But these dangers force us to reconsider the narrative we construct about trees and the roles we press on them. In this now classic book, Richard Mabey looks at how, for more than a thousand years, we have appropriated and humanised trees, turning them into arboreal pets, status symbols, expressions of fashionable beauty - anything rather than allow them lives of their own. And in the poetic and provocative style he has made his signature, Mabey argues that respecting trees' independence and ancient powers of survival may be the wisest response to their current crises. Originally published with the title Beechcombings, this updated edition includes a new foreword and afterword by the author.